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One of the truly legendary figures of American history, the soldier, explorer, and colonist Captain John Smith was a vivid and prolific chronicler of the beginnings of English settlement in the New World. This Library of America volume brings together seven of his works, along with sixteeen additional narratives by other writers, that recount firsthand the tragic, harrowing, and dramatic events of the settlement of Roanoke and Jamestown.A founder of Jamestown in 1607, Smith exhibited the courage, determination, and leadership that all proved crucial to its survival. A True Relation tells of the colony's perilous first year, while The Proceedings and The Generall Historie continue the story of its struggle to survive and prosper. A Description of New England and New Englands Trials describes Smith's exploration of the northern coast and the prospects for its settlement. In The True Travels Smith recalls his adventures as a soldier in Eastern Europe and his amazing escape from Turkish slavery. Advertisements for the Unexperienced Planters, his last book, is a critical examination of the successes and failures of the English colonial enterprise. Written in a consistently lively style, Smith's works are filled with suspense, astonishment, and keen observations of American Indian cultures and New World landscapes.The 16 additional narratives include accounts of the "Lost Colony" of Roanoke, the horrific "starving time" at Jamestown, and a shipwreck off Bermuda. Amplifying and sometimes challenging Smith's version of events, these narratives capture the fear and fascination of early encounters with the Indians; the brutality, desperation, and ingenuity of settlers facing extreme hardship; the complex interplay of feuds and rivalries, both between the English and the Powhatan Indians and within the colony itself; and the enduring story of Pocahontas, who came to occupy a unique place between two cultures. Included in the volume are forty-four pages of contemporary drawings, fifteen of them full-color illustrations by John White.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A translator of Flaubert and Gautier, Lafcadio Hearn was the master of a gaudy and sometimes self-consciously decadent literary style, but he was also a tough-minded and keenly observant reporter, with an eye for the offbeat, the sensual, and occasionally the gruesome. The writings of his American years collected in this Library of America volume-on subjects as wide ranging as comparative folklore, the history of musical instruments, French literary avant-gardes, and New Orleans voodoo-reveal an omnivorous curiosity and an always eclectic sensibility.Some Chinese Ghosts (1887), a stylized retelling of ancient legends, foreshadows Hearn's later fascination with Asian themes. The exquisitely crafted novels Chita (1889), about the devastation wrought by a Louisiana hurricane, and Youma (1890), about a slave rebellion in Martinique, epitomize his writing at its most luxuriantly romantic, alert to the interactions of diverse cultures and suffused with imagistic splendor. His extraordinary travel book Two Years in the French West Indies (1890), presented here with the many illustrations from its first edition, provides a richly impressionistic account of his long stay on Martinique and other Caribbean islands.More than two dozen examples of Hearn's journalism from the 1870s and 1880s are also included here, evoking vanished worlds with incomparable vividness: a raucous African-American nightclub on the Cincinnati waterfront; an execution; scenes of Mardi Gras and the New Orleans French Quarter; an uncharted village of Filipino fishermen in a remote Louisiana bayou. The volume is rounded out with a revealing selection of Hearn's impassioned letters, many published here for the first time in unexpurgated form.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

"Undoubtedly, the single finest collection of Wallace Stevens ever produced." - Library JournalWallace Stevens's unique voice combined meditative speculation and what he called "the essential gaudiness of poetry" in a body of work of astonishing profusion and exuberance, poems that have remained an inspiration and influence for generations of poets and readers. Now, for the first time, the works of America's supreme poet of the imagination are collected in one authoritative Library of America volume.Here are all of Stevens's published books of poetry, side-by-side for the first time with the haunting lyrics of his later years and early work that traces the development of his art. From the rococo inventiveness of Harmonium, his first volume (including such classics as "Sunday Morning" and "Thirteen Ways of Looking at a Blackbird"), through "Notes Toward a Supreme Fiction," "Esthétique du Mal," "The Auroras of Autumn," and the other large-scale masterpieces of his middle years, to the austere final poems of "The Rock," Stevens's poetry explores with unrelenting intensity the relation between the world and the human imagination, between nature as found and nature as invented, and the ways poetry mediates between them. The volume presents over ninety poems uncollected by Stevens, including early versions of often-discussed works like "The Comedian as the Letter C" and "Owl's Clover."Also here is the most comprehensive selection of Stevens's prose writings. The Necessary Angel (1951), his distinguished book of essays, joins nearly fifty shorter pieces, many previously uncollected: reviews, speeches, short stories, criticism, philosophical writings, and responses to the work of T. S. Eliot, Marianne Moore, William Carlos Williams, and other poets. The often-dazzling aphorisms Stevens gathered over the years are included, as are his plays and selections from his poetic notebooks. Rounding out the volume is a fifty-year span of journal entries and letters, newly edited from manuscript sources, which provide fascinating glimpses of Stevens's thoughts on poetry and the creative process.The volume also contains explanatory notes, a detailed chronology of Stevens' life, and an essay on textual selection.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This Library of America volume brings together The Sacred Fount (1901), one of Henry James's most unusual experiments, and The Wings of the Dove (1902), one of his most beloved masterpieces and the novel that inaugurated the majestic and intricate "late phase" of his literary career.Writing to his friend William Dean Howells, James characterized The Sacred Fount, the only one of his novels to be told in the first person, as "a fine flight into the high fantastic." While traveling to the country house of Newmarch for a weekend party, the nameless narrator becomes obsessed with the idea that a person may become younger or cleverer by tapping the "sacred fount" of another person. Convinced that Grace Brissenden has become younger by drawing upon her husband, Guy, the narrator seeks to discover the source of the newfound wit of Gilbert Long, previously "a fine piece of human furniture." His perplexing and ambiguous quest, and the varying reactions it provokes from the other guests, calls into question the imaginative inquiry central to James's art of the novel.James described the essential idea of The Wings of the Dove as "a young person conscious of a great capacity for life, but early stricken and doomed, condemned to die under short respite, while also enamoured of the world." The heroine, a wealthy young American heiress, Milly Theale (inspired by James's beloved cousin Minny Temple), is slowly drawn into a trap set for her by the English adventuress Kate Croy and her lover, the journalist Morton Densher. The unexpected outcome of their mercenary scheme provides the resolution to a tragic story of love and betrayal, innocence and experience that has long been acknowledged as one of James's supreme achievements as a novelist. This volume prints the New York Edition text of The Wings of the Dove, and includes the illuminating preface James wrote for that edition.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Statesman, scientist, philosopher, printer, and civic leader, Benjamin Franklin was also the most powerful writer of his time. From his first appearance in print, in the guise of the eccentric, opinionated, voluble "Silence Dogood" (1722), to his last published article, a searing satire against slavery (1790), he covered every aspect of "the question of America" with radiant clarity, wit, and penetration.This Library of America collection begins with items written by Franklin during his early years in Boston and London (1722-1726), including the complete "Silence Dogood" essay series. The volume also includes the famous "Busy-Body" essays (1728-1729); many of the news articles and essays he penned after he purchased the failing Pennsylvania Gazette (which eventually became the most widely read newspaper in the colonies); and various political satires, pamphlets, and personal correspondence written while he lived in Philadelphia from 1726 to 1757. The book concludes with material he published while a diplomat in London from 1757 to 1775 (including letters to the press, satires, and pamphlets).Controversial in his own time, and the subject of vigorous debate ever since-to Matthew Arnold he exemplified "victorious good sense," while to D. H. Lawrence he was "the first dummy American"-Franklin emerges in this collection as a figure of extraordinary complexity for readers to discover, consider, and appreciate anew.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

From the earliest years of the American republic, Paris has provoked an extraordinary American literary response. An almost inevitable destination for writers and thinkers, Paris has been many things to many Americans: a tradition-bound bastion of the old world of Europe; a hotbed of revolutionary ideologies in politics and art; and a space in which to cultivate an openness to life and love thought impossible at home. Including stories, letters, memoirs, and reporting, Americans in Paris distills three centuries of vigorous, glittering, and powerfully emotional writing about the place that Henry James called "the most brilliant city in the world." American writers came to Paris as statesmen, soldiers, students, tourists, and sometimes they stayed as expatriates. This anthology ranges from the crucial early impressions of Thomas Jefferson and Benjamin Franklin to the latter-day reflections of writers as varied as James Baldwin, Isadora Duncan, and Jack Kerouac. Along the way we encounter the energetic travelers of the nineteenth century-Emerson, Mark Twain, Henry James-and the pilgrims of the twentieth: Gertrude Stein, F. Scott Fitzgerald, E. E. Cummings, Cole Porter, Henry Miller. Come along as Thomas Paine takes a direct and dangerous part in the French Revolution; Harriet Beecher Stowe tours the Louvre; Theodore Dreiser samples the sensual enticements of Parisian nightlife; Edith Wharton movingly describes Paris in the early days of World War I; John Dos Passos charts the gathering political storms of the 1930s; Paul Zweig recalls the intertwined pleasures of language and sex; and A. J. Liebling savors the memory of his culinary education in delicious detail. Americans in Paris is a diverse and constantly engaging mosaic, full of revealing cultural gulfs and misunderstandings, personal and literary experimentation, and profound moments of self-discovery.

America's first internationally acclaimed author, Washington Irving established his fame with tales of the Hudson Valley in the days of Dutch rule, and then spent seventeen years in Europe mining the Old World for stories. When he finally returned to the United States, he embarked on a trilogy of books on the American West that would prove decisive in molding his compatriots' conception of the Great Plains, the Rocky Mountains, and the Pacific Northwest. The Library of America presents this Western trilogy in its third volume of Irving's work.Irving's own encounter with the West came in 1832 when he accompanied the Commissioner of Indian Affairs on a month-long journey to what is now eastern Oklahoma. His account of that trip, A Tour on the Prairies (1835), described wild landscape, rugged inhabitants, and dramatic chases and hunts with an eye for romantic sublimity and a keen appreciation of the frontiersman's "secret of personal freedom."After the success of his first western book, Irving undertook to write the history of John Jacob Astor's ultimately failed attempt to establish a fur-trading empire in the Northwest. In Astoria (1836), he created a sweeping epic of exploration, commercial enterprise, and "contest for dominion on the shores of the Pacific," drawing on Astor's rich archive of materials and enlivening it with his flair for vigorous storytelling.In The Adventures of Captain Bonneville (1837), Irving focused on a single memorable figure-an army officer and fur trader who may also have been an American spy tracking British ambitions in the far country-to reveal the flavor of frontier life in the Rockies and beyond. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

James Weldon Johnson's career was one of extraordinary range, spanning the worlds of diplomacy (as U.S. consul in Venezuela and Nicaragua), politics (as Secretary of the NAACP), journalism (as founder of one newspaper and longtime editor of another), musical theater (as lyricist for the Broadway songwriting team of Cole and Johnson Brothers), and literature (as novelist, poet, and anthologist). At the dawning of what would become the modern civil rights movement, he forged a record of accomplishment that defied the odds. The Library of America now presents a collection of his writings that displays the many facets of a complex and impassioned writer.The Autobiography of an Ex-Colored Man (1912), Johnson's first book, is a novel that on its original anonymous publication was taken by many for an actual memoir. A groundbreaking work of modern fiction, it powerfully describes the inner development of a gifted, socially alienated man as he tries to come to terms with the constraints of racism.Along This Way (1933) is Johnson's genial and enthralling account of his fantastically busy life, with a cast of characters including W.E.B. Du Bois, Paul Robeson, Clarence Darrow, Booker T. Washington, Theodore Roosevelt, Carl Van Vechten, and many others.A selection of shorter prose-editorials from The New York Age, political essays, literary prefaces, an excerpt from the historical study Black Manhattan-confirms the variety of Johnson's interests, as he comments on figures and topics including Jack Johnson, Marcus Garvey, Woodrow Wilson, lynching, anti-Japanese discrimination in California, American involvement in Haiti, changing trends in theater and poetry, and the significance of spirituals.Johnson's poetry is represented by the full text of God's Trombones (1927), his stirring homage to African-American preaching, and shorter works including "O Black and Unknown Bards," lyrics from Johnson's Broadway songwriting days, and "Lift Every Voice and Sing," the hymn often referred to as the "Negro National Anthem."LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The breathtaking art of John James Audubon's Birds of America has been celebrated throughout the world since it first appeared over 150 years ago. Less well known is Audubon's literary legacy: the magnificent volumes of natural history he published during his lifetime, as well as the remarkable journals, memoirs, and letters left behind at his death. In this unprecedented collection from The Library of America, Audubon the great nature writer takes his rightful place alongside Audubon the artist.Here is the most comprehensive selection of Audubon's writings ever published, along with a spectacular portfolio of his drawings. The "Mississippi River Journal," the foremost record of an American artist's progress, details Audubon's first wilderness bird hunts; it is as fresh in its perceptions of the scenes and characters of the old South as of the forest and its creatures. Selections from his "1826 Journal" follow Audubon to Europe, where after years of relative obscurity and financial distress his abilities were finally recognized. Audubon's masterwork, the five-volume Ornithological Biography, is represented here by forty-five entries. Charming, haunting, and violent by turns, these vivid intimate portraits of the habits and habitats of American birds changed American nature writing forever.In the "Missouri River Journals," Audubon evokes the vanishing American Indian and the hardships of frontier life. An extensive selection of letters charting twenty years of Audubon's artistic development, along with two essays on artistic technique and a brief memoir, round out the volume. Whenever possible, texts have been painstakingly prepared from original sources, without censorship or modernizing revision, constituting a major contribution to Audubon scholarship. Detailed general and ornithological indexes aid the reader in the field as well as in the study.Sixty-four full-color plates and several manuscript sketches, some never before published, offer a unique perspective on Audubon's art. Including original watercolors, aquatint engravings and lithographs, they reveal the evolution of his compositions and the effects of his collaborations with his publishers in ways never before seen.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

James Thurber, whimsical fantasist and deadpan chronicler of everyday absurdities, brought American humor into the 20th century. His comic persona, a modern citydweller whose zaniest flights of free association are tinged with anxiety, remains hilarious, subtly disturbing, and instantly recognizable. Here, in over 1000 pages, editor Garrison Keillor presents the best and most extensive collection ever assembled. Over 100 pieces include "The Secret Life of Walter Mitty" and "The Catbird Seat," the brilliantly satirical Fables for Our Time, the classic My Life and Hard Times, and the best of The Owl in the Attic, Let Your Mind Alone!, My World-And Welcome to It, and the other famous books. Plus 500 wonderful drawings, including The Seal in the Bedroom and celebrated sequences like "The Masculine Approach" and "The War Between Men and Women." Rounding out the volume is a selection from The Years with Ross, a memoir of the New Yorker publisher, and a number of wonderful early pieces never collected by Thurber.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

One of the greatest histories ever written in English, Henry Adams's History of the United States is remarkable for its fullness of detail, its penetrating insight, and above all its strong, lively, and ironic style. First published in nine volumes from 1889 to 1891, this classic work was out of print for several decades until The Library of America reissued it in two volumes: the first volume on the years of Thomas Jefferson's presidency and the second devoted to those of James Madison.With a cast of characters including Aaron Burr, Napoleon Bonaparte, Albert Gallatin, John Randolph, Toussaint L'Ouverture, and the complex, brilliantly delineated character of Thomas Jefferson, the first volume is unrivaled in its handling of diplomatic intrigue and political factionalism. Upon assuming office, Jefferson discovers that his optimistic laissez-faire principles-designed to prevent American government from becoming a militaristic European "tyranny"-clash with the realities of European war and American security. The party of small government presides over the Louisiana Purchase, the most extensive use of executive power the country has yet seen. Jefferson's embargo-a high-minded effort at peaceable coercion-breeds corruption and smuggling, and the former defender of states' rights is forced to use federal power to suppress them. The passion for peace and liberty pushes the country toward war.In the center of these ironic reversals, played out in a Washington full of diplomatic intrigue, is the complex figure of Jefferson himself, part tragic visionary, part comic mock-hero. Like his contemporary Napoleon Bonaparte, he is swept into power by the rising tide of democratic nationalism; unlike Bonaparte, he tries to avert the consequences of the wolfish struggle for power among nation-states.The grandson of one president and the great-grandson of another, Adams gained access to hitherto secret archives in Europe. The diplomatic documents that lace the history lend a novelistic intimacy to scenes such as Jefferson's conscientious introduction of democratic table manners into stuffily aristocratic state dinner parties. Written in a strong, lively style pointed with Adams's wit, the History chronicles the consolidation of American character, and poses questions about the future course of democracy.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.