Bøker i Latin American Women Writers-serien

Whether writing of insomnia from a mosquito's point of view or showing us what happens after the princess kisses the frog, Ana Maria Shua, in these fleet and incandescent stories, is nothing if not pithy - except, of course, wildly entertaining. Some as short as a sentence, these microfictions have been selected and translated from four different books.

Contains stories that announce a dramatic change, a transformation of the literature of love in Latin America, and of the role - even the nature - of women in this most "feminine" literary tradition.

A novel about a twin brother and sister. From the moment of their births, everything changes. The lives of the family members are each consumed by illness, obsession, and insanity. Using the violent dissolution of the family as a metaphor, this book explores the social crises in Chile during the military dictatorship of General Augusto Pinochet.

A novel that takes place in the new 'free market' era of personal choices and relations: a chaotic, sometimes hopeful, often comic world that has supplanted the old order of political terror and clearly demarcated ideological divides. It draws upon the sentimentality and ephemera of popular culture.

A gentle maiden aunt who has been victimized for years unexpectedly retaliates through her talent for making life-sized dolls filled with honey. The Youngest Doll, based on a family anecdote, is a stunning literary expression of Rosario Ferrs feminist and social concerns. It is the premier story in a collection that was originally published in Spanish in 1976.

A work about the voices, clashes, and traffic of Sao Paulo, a city in the middle of rapid change. It includes public documents as well as dialogue and narration, giving a panorama of the city in a sequence of colorful slices. It dramatizes the problems of exploitation, poverty, racial prejudice, prostitution, state repression, and neocolonialism.

Ana Maria Shua's brilliantly dark satire transports readers to a dystopic future Argentina where gangs of ad hoc marauders and professional thieves roam the streets while the wealthy purchase security behind fortified concrete walls and the elderly cower in their apartments in fear of being whisked off to state-mandated ""convalescent"" homes, never to return.

Dystopian fantasy, political parable, morality tale - however one reads it, this novel is first and foremost pure Ana Maria Shua, a work of fiction like no other and a dark pleasure to read. Shua, an Argentinian writer widely celebrated throughout Latin America, frames her complex drama in deceptively simple, straightforward prose.

Decorum was everything - in society, where Catholicism dictated the terms, and in literature, where a code of decency governed writers and readers alike. This title includes stories that announce a dramatic change, a transformation of the literature of love in Latin America, and of the role of women in this most 'feminine' literary tradition.

A collection of stories that focus on female subjectivity. It features stories such as: "The Nocturnal Butterflies"; "Shadows in the Shadows"; and, "The Shunammite".

Erotic entanglements, startling revelations, a furtive intruder, even a possible murder? Not at all what the students of mind control class envisioned when they gathered on a ranch outside Buenos Aires for a relaxing weekend. But here nothing is what it seems, least of all Magdalena herself.

Tells a story of a lonely woman who seeks a connection at a Brazilian spa. This work offers the reader fresh definitions of happiness and mature love - or perhaps the reassurance that in life, nothing is ever quite as terrible as one fears or quite as glorious as one remembers.