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When a prisoner is shot to death in the exercise yard of a Saskatchewan penitentiary, Joanne Kilbourn finds herself haunted by a part of her past she wished had never happened. The dead prisoner is Kevin Tarpley, the man who six years earlier had brutally killed her politician husband, Ian, in a seemingly senseless act alongside the TransCanada Highway. The haunting takes on a more menacing cast several days later when Tarpley's sinister wife, Maureen, is discovered dead in a snow-swept Regina parking lot. A brightly coloured scarf is found wound tightly around her neck, a scarf that belongs to none other than Joanne Kilbourn. Soon this single mother, author, university professor, and TV-show panelist is deemed the "number one” suspect in Maureen Tarpley's demise.Joanne knows there has to be a connection between these two murders. But what is it? A cryptic letter sent to Joanne by Kevin Tarpley just days before his death intimates that Ian Kilbourn's killing may not have been as senseless as first assumed. In fact, there are hints that some of Ian's political colleagues may have been involved. But how deeply and in what way?Then there's the faded photograph of a pretty young woman and her baby that Joanne finds tucked in the wallet of her dead husband. Does it offer any clue to Ian's murder, or to the deaths of the Tarpleys? Warily, Joanne Kilbourn is forced to follow a tangled trail deep into a heartbreaking past she never knew existed. A Colder Kind of Death is the fourth novel featuring Gail Bowen's "reluctant sleuth,” Joanne Kilbourn. With its deft mix of wry humour and mayhem, closely observed family scenes and gripping suspense, warm characterization and betrayal, it confirms Gail Bowen's stature as one of the greats of mystery fiction.

In this chilling tale of the terrible power of the ties that both bind us and blind us, Gail Bowen has given us her best novel yet. Brimming with the author's characteristic empathy for the troubled, The Glass Coffin explores the depth of tragedy that a camera's neutral eye can capture - and cause.Canada's favourite sleuth, Joanne Kilbourn, is dismayed to learn who it is that her best friend, Jill Osiowy, is about to marry. Evan MacLeish may be a celebrated documentary filmmaker, but he's a cold fish who not only has already lost two wives to suicide, but has exploited their lives - and deaths - by making acclaimed films about them. Not even Jill appears to be particularly fond of him, and Jo is appalled to learn that her friend is marrying Evan primarily to become stepmother to his teenaged daughter, Bryn. Even Bryn hates her father for having filmed her all of her short life. It's obvious to Joanne that this is stony ground on which to found a marriage. What is not obvious is that it is about to get bloodsoaked.Intelligent, sympathetic, and harder-edged than earlier novels in the Joanne Kilbourn series, The Glass Coffin is the work of a writer at the top of her form.

Gail Bowen, winner of the 1995 Arthur Ellis Award for best crime novel for her last Joanne Kilbourn mystery, A Colder Kind of Death, is back - with her most daring mystery to date.In the horrifying opening paragraph of A Killing Spring, Reed Gallagher, the head of the School of Journalism at the university where Joanne Kilbourn teaches, is found dead in a seedy rooming house. He is dressed in women's lingerie, with an electric cord around his neck. Suicide, the police say. A clear case of accidental suicide. But for Joanne, who takes on the thankless task of breaking the news to Gallagher's wife, this death is just the first in a series of misfortunes that rock her life, both professional and personal.A few days after Gallagher's death, the School of Journalism is vandalized - its offices and computers are trashed, and homophobic graffiti are sprayed everywhere. Then an unattractive and unpopular journalism student in Joanne's politics class stops coming to school after complaining to an unbelieving Joanne that she's being sexually harassed. Clearly, all is not as well at the university as Joanne had thought. Nor is all well in her love life after the casual racism of a stranger drives a wedge between Joanne and her lover, Inspector Alex Kequahtooway. To make matters worse, Joanne is unceremoniously fired by her best friend from the weekly political panel on Nationtv, which she's being doing for years.Badly shaken by these calamities, Joanne struggles to carry cheerfully on. Action, she knows, is better for her than moping. She decides to find out why her student has stopped coming to class, and in doing so, Joanne steps unknowingly into an on-campus world of fear and deceit and murder.

Murder is the last thing on Joanne Kilbourn's mind on a perfect morning in May. Then the phone rings, and she learns that her daughter Mieka has found the corpse of a young woman in an alley near her store. So begins Joanne's chilling collision with evil in Gail Bowen's riveting third mystery, The Wandering Soul Murders.Joanne is stunned and saddened by the news that the dead woman, at seventeen, was already a veteran of the streets. When, just twenty-four hours later, her son's girlfriend is found dead, drowned in a lake in Saskatchewan's Qu'Appelle Valley, Joanne's sunny world is shattered. Her excitement about Mieka's upcoming marriage, her involvement in the biography she is writing, even her pleasure at her return to Regina all fade as she finds herself drawn into a twilight world where money can buy anything and there are always people willing to pay.

The tenth novel in the highly acclaimed Joanne Kilbourn series features the murderous fallout of a tell-all book on the troubled adult children of Canadian celebrities.When journalist Kathryn Morrissey's sensational book on the lives of thirteen adult children of prominent Canadians is published, one of the parents, Sam Parker, is furious enough to take a pot shot at the author, grazing her shoulder. Charges are laid, and Joanne's new beau, Zack Shreve, is hired by Parker as his defence counsel. At the trial, which Joanne is covering for NationTV, Shreve focuses the jury's attention not on who shot whom, but on why — on the ethics governing the relationship between a journalist and her subject. Morrissey's betrayal of her subjects opens up questions about an even more serious betrayal — the betrayal of children by their parents. While everyone condemns Parker for taking a gun to Morrissey, no one can fault his defence of his only child, Glen, a transsexual. The mutual love and commitment between this father and child stands in stark contrast to the alienation between Howard Dowhaniuk, Saskatchewan's former premier, and his son, Charlie.On the day of the verdict, Morrissey is brutally murdered, and Joanne's investigation quickly has her trying to unravel the endless knot of the relationship between parent and child. A deeply affecting novel of trust and betrayal, The Endless Knot is a superb mystery by a virtuoso of the genre.