Bøker i Imperial Encounters in Russian History-serien

This new volume from the author of Scenarios of Power explores the effect of the symbolic representations of the Russian imperial government on law, administrative practice, and concepts of national and imperial identities throughout centuries of monarchical rule. Richard Wortman characterizes the monarchy as an active agent in Russia's political experience, one whose dominant role was resisting change until the inevitable collapse facing all absolute monarchies.

Situated on the intersection of comparative literary criticism, political history and theory, and cultural analysis, Terror and Pity: Aleksandr Sumarokov and the Theater of Power in Elizabethan Russia offers an in-depth reading of early Russian tragedy as a political genre. Imported to Russia by Aleksandr Sumarokov around 1750, tragedy reenacted and shaped the symbolic economy and the often disturbing historical experience of "e;absolutist"e; autocracy. Addressing half-forgotten texts and events, this study engages with literary and cultural theory from Walter Benjamin to Foucault and "e;new historicism"e; in order to contribute to a broader discussion of early modern "e;poetics of culture."e;

This literary, cultural history examines imperial Russian tourism's entanglement in the vexed issue of cosmopolitanism understood as receptiveness to the foreign and pitted against provinciality and nationalist anxiety about the allure and the influence of Western Europe. The study maps the shift from Enlightenment cosmopolitanism to Byronic cosmopolitanism with special attention to the art pilgrimage abroad. For typically middle-class Russians daunted by the cultural riches of the West, vacationing in the North Caucasus, Georgia, and the Crimea afforded the compensatory opportunity to play colonizer kings and queens in "e;Asia."e; Drawing on Anna Karenina and other literary classics, travel writing, journalism, and guidebooks, the investigation engages with current debates in cosmopolitan studies, including the fuzzy paradigm of "e;colonial cosmopolitanism."e;