Bøker i Iberian and Latin American Studies-serien

The aim of this book is to engender Mexican folk art and locate women at its centre by studying the processes of creation, distribution, and consumption, as well as examining iconographic aspects, and elements of class and ethnicity, from the perspective of gender. The author will demonstrate that the topic provides unique insights into Mexican culture, and has enormous relevance within and without the country, given the fact that much folk art is made for the United States and Europe, either in terms of the tourists who buy it on coming to Mexico, or that which is exported.

This is a comprehensive study of the impact of censorship on theatre in twentieth-century Spain, analysing changes in censorship from the Second Republic to the post-Franco transition to democracy, and illuminating the ideological underpinnings, the effects on the industry and the responses of theatremakers.

Curating and the Legacies of Colonialism in Contemporary Iberia redefines Iberian and curatorial Studies by situating curatorial practice at the centre of the configuration of modern, postcolonial societies in the Iberian context.

This book is the first and most extensive academic monograph to be published on the work of the Mexican neo-conceptual artist Teresa Margolles. A range of art works produced by Margolles throughout the length of her career, which began in the 1990s (as part of the SEMEFO collective) and continues to the present day, are explored from such theoretical perspectives as the philosophy of death; the difficult spectatorship of death and the corpse; approaches to the representation of death and dead bodies in art from inside and outside Mexico; and the response of art to traumatic events in Mexico during and since the 1990s. The extensive scope of the study is a significant contribution to scholarly material on the artist, attending to difficult questions around art and ethics; its analysis of Margolles's work is situated within the contexts of the long tradition of the display of real bodies and body parts in Mexican visual culture, against the backdrop of the effects of NAFTA and the War on Drugs.

This book analyses Carmen Martin Gaite's novels published in the 1990s. The book is particularly important for its focus on the way a persistent presence of visual elements (drawing, painting and collage) shed light on the relevance of her residence in the United States.

As well as offering an in-depth analysis of Brazilian film culture, this book engages with well-known international films and directors and sheds light on cinematic traditions that are less familiar to the non-specialist.

Ugalde's fascinating and well-documented study demonstrates how Spanish authors, dramatists and visual artists bring Shakespeare's desperate and suicidal heroine to life in new guises.

While many facets of human life, such as the exploration of space, have caught the imagination, human madness exerts the most enduring appeal. This book takes a fresh look at a variety of literary representations of the irrational, and explores its timeless fascination.

When discussing the Tlatelolco 1968 massacre, neither official sources nor the 'voice of the people' necessarily aim to tell the 'truth'. They rather stir up feelings of anger, sadness or shame, and this book demonstrates the extent to which the triggering of such emotions affects what those reading different accounts will believe.

This book traces a link between Argentina's neoliberal crisis, race and national identity, through the analysis of how cultural products of the period challenged the dominant image of the nation as homogeneously white.

Who was Xespir? Why are Catalan adaptations and performances of Shakespeare causing such a stir internationally? This work tells the history of Shakespeare's translation and reception in Catalonia, showing his importance for Catalan cultural regeneration since the 19th-century and his contribution to the vibrancy of contemporary Catalan culture.

Focuses on the subject of 'melancholy madness' in Spain. This work demonstrates that the subject of melancholy in the Spanish Golden Age is an indispensable link in a chain which may help us to understand the appearance of sadness and malcontent in Europe at the dawn of modernity.

Jose Saramago was awarded the Nobel Prize in 1998, the first writer in Portuguese to receive the world's most prized literary award. This book covers both his acclaimed historically-based fictions and his, allegorical works, demonstrating the continuity of thought and image between these two phases of the writer's career.

This book examines issues of sex and society in early twentieth-century Spain, with particular emphasis on eugenics and the sex reform movement. As a central narrative thread it uses the specific case history of Hildegart Rodriquez (1914-33), a 'eugenic' child who came to be one of the central players in the Spanish chapter of the World League for Sexual Reform (WLSR) and was made tragically famous when murdered by her mother. In the last two years of her life Hildegart was in correspondence with the English sexologist Havelock Ellis. Her letters to him, reproduced in the appendix, provide a unique source for understanding the WLSR in Spain, its complexities, and its relationship to similar movements elsewhere in Europe. The letters also make it possible to glimpse in poignant and dramatic detail the personal tensions and anxieties in the life of this young woman that was brought to such a premature end.

This is the first monograph on the performance and reception of sixteenth- and seventeenth- century national drama in contemporary Spain, which attempts to remedy the traditional absence of performance-based approaches in Golden Age studies. The book contextualises the socio-historical background to the modern-day performance of the country's three major Spanish baroque playwrights (Calderon de la Barca, Lope de Vega and Tirso de Molina), whilst also providing detailed aesthetic analyses of individual stage and screen adaptations.

This book explores the work of Elias Querejeta, Spain's most important and political producer, through a particular emphasis on the representation of landscape in his films. In doing so, the book examines the ways in Spanish history has been shaped by geographical change since the 1960s.

An English-language study of a group of five artists closely linked with the Spanish avant-garde in the 1920s and 1930s, known as the 'Other' Generation of 27. It demonstrates how these humorists drew on the humour of Chaplin, Keaton, Lubitsch and the Marx Brothers for their stage comedy.

This critical anthology provides a selection and critical readings of fictions by Spanish and Latin American women writers, covering a range of fantastic tropes that attest to the richness and subversive potential of female fantastic fiction in the Spanish language.

Graciliano Ramos and the Making of Modern Brazil provides new readings and fresh perspectives on the Brazilian writer Graciliano Ramos (1892-1953), whose socially and politically engaged work remains a key reference for our understanding of the making of modern Brazil and continues to reverberate in the country's contemporary context.

Capitalism and its Discontents presents a series of interpretative essays on a number of key modern and contemporary Latin American novels and films. The overarching theme in the essays is the relation between such textual materials and their regional contexts.

This book is an anthology of over a hundred of the finest sonnets of the Spanish Golden Age, each accompanied by an accurate and lively translation into an English sonnet and by a detailed critical commentary.

In a world increasingly dominated by visual sensation, our understanding of the role and influence of comics and cartoon humour in popular culture has become essential. This book offers a critical and cognitive focus that captures the changing fortunes of Catalan humour production against the shifting political landscape in the period 1898-1982. It considers how Catalan satire has been influenced by periods of relative calm as well as censorship, violence, war and dictatorship, and among its key features is its presentation of a continued cartooning tradition that was not ended by the installation of the Franco dictatorship, but which rather continued in a number of adapted forms, playing its own role in the evolution of the period. Thus, as well as introducing the most representative cartoonists and publications, the Catalan example is used to explore broader aspects of this complex communication form, opening new avenues for cultural, historical and socio-political research.

Presents a full-length study (in English) of the work of the Argentine poet and anthropologist Nestor Perlongher (1949-92). This book analyses and contextualizes his work whilst offering tools for reading and understanding the challenging and experimental poetry.

This volume examines Brazilian films released between 1995 and 2010, with special attention to issues of race, ethnicity and national identity. Focusing on the idea of the nation as an 'imagined community', the author discuss the various ways in which dominant ideas about brasilidade (Brazilian national consciousness) are dramatised, supported or attacked in contemporary fiction and documentary films.

Focuses on women's crime writing from Spain and offers an approach to Spanish crime fiction, combining literary criticism with sociological and criminological theory. This multidisciplinary study analyses how female authors use crime and detective genres to analyse the role and position of their countrywomen.

Research into homosexuality in Spain is in its infancy. The last ten or fifteen years have seen a proliferation of studies on gender in Spain but much of this work has concentrated on women's history, literature and femininity. In contrast to existing research which concentrates on literature and literary figures, Los Invisibles focuses on the change in cultural representation of same-sex activity of through medicalisation, social and political anxieties about race and the late emergence of homosexual sub-cultures in the last quarter of the twentieth century. As such, this book constitutes an analysis of discourses and ideas from a social history and medical history position. Much of the research for the book was supported by a grant from the Wellcome Trust to research the medicalisation of homosexuality in Spain.A PDF version of this book is available for free in open access via the OAPEN Library platform. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license and is part of the OAPEN-UK research project.

This is the first book in English to analyse the medical category of 'hermaphroditism' in Spain over the period 1850-1960. It attempts to show how the relationship between the male and female body, biological 'sex', gender and sexuality constantly changed in the light of emerging medical, legal and social influences. Tracing the evolution of the hermaphrodite from its association with the 'marvellous' to the association with intersexuality and transexuality, this book emphasizes how the frameworks employed by scientists and doctors reflected not only changing international paradigms with respect to 'hermaphrodite science' but also social anxieties about shifting gender roles, the evolving discourse on sexuality and, in particular, the increased visibility of the 'sexual deviancies' such as homosexuality and changing legislation on marriage and divorce. Finally, we hope to open a space whereby the voice of 'hermaphrodites' and 'intersexuals' themselves could be heard in the past as agents in the construction of their own destiny as figures deemed 'in-between' by medicine and society.

Analyses the 'waste versus profit' concept (as propounded by the British author Samuel Smiles and which found many supporters in mid-nineteenth century Spain) in the four novels of the "Torquemada" series, by Benito Perez Galdos.

Examines the cultural policy of the Catalan Autonomous Government under the leadership of Jordi Pujol and his party, Convergencia i Unio, which were in power from the post-Franco transitional period of 1980 to Pujol's retirement in 2003.

This book is a collection of essays on the Mexican transition to democracy that offers reflections on different aspects of civic culture, the political process, electoral struggles, and critical junctures.