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The Integrated Self is a book in which Stock continues his project of reading Augustine, and one in which he moves forward in new and perhaps unexpected directions.
In the decades after U.S. independence, American novelists carried on an argument that pitted direct democracy against the representative liberalism they attributed to their British counterparts. The result was an American novel distinguished by its use of narrative tropes that generated a social system resembling today's distributed network.
Compassion's Edge traces the relation between compassion and toleration after France's Wars of Religion. This is not, however, a story about compassion overcoming difference but one of compassion reinforcing division. It provides a robust corrective to today's hope that fellow-feeling draws us inexorably and usefully together.
In The Great War and American Foreign Policy, 1914-1924, Robert E. Hannigan challenges the conventional belief that the United States entered World War I only because its hand was forced and disputes the claim that Washington was subsequently driven by a desire "to make the world safe for democracy."
Our Emily Dickinsons situates Dickinson's life and work within larger debates about gender, sexuality, and literary authority in America. Examining Dickinson's influence on Marianne Moore, Sylvia Plath, Elizabeth Bishop and others, Vivian R. Pollak complicates the connection between authorial biography and poetry that endures.
In A Theater of Diplomacy, Ellen R. Welch argues that theater served not merely as a decorative accompaniment to negotiations, but rather underpinned the practices of embodied representation, performance, and spectatorship that constituted the culture of diplomacy in the early modern period.
In the Shadow of the Gallows reveals how a sense of racialized culpability shaped Americans' understandings of personhood prior to the Civil War. Jeannine Marie DeLombard draws from legal, literary, and popular texts to address fundamental questions about race, responsibility, and American civic belonging.
In this wry and insightful memoir, distinguished American diplomat John Paton Davies, Jr. describes his upbringing and wartime adventures in Asia, encounters with key twentieth-century figures from Mahatma Gandhi to Joseph Stalin, and how he carried on after his Foreign Service career was cut short by McCarthyism.
Saladin M. Ambar's innovative study is the first book to explicitly credit governors with making the presidency what it is today. This book explodes the idea that the modern presidency began after 1945, instead placing its origins squarely in the Progressive Era.
Examining the shift between American immigrant policy between 1924 and 1964, Ellis Island Nation traces the emergence of "contributionism," the belief that the newcomers from eastern and southern Europe contributed important cultural and economic benefits to American society.
Daniel Cottom traces the vagabond word "bohemia" as it migrated across national borders over the course of the nineteenth century-from France to the United States, England, Italy, Spain, and Germany-and how it was transformed, contested, or rejected along the way.
Amid thorny issues of translation and appropriation, imperial rivalry, the rise of commercial authorship, and anxieties about authenticity, Barbara Fuchs traces how early modern English writers borrowed Spanish literary models, triumphantly reimagining the transnational appropriation as heroic looting.
Focusing on such popular figures as the stage Jew, Scot, and Irishman, Michael Ragussis reveals the crucial role the theater played in developing, maintaining, and questioning the ethnic stereotypes through which the identity of the English nation was defined.
Animal Characters follows five species through the literature of early modern Europe. The horse, the parrot, the cat, the turkey, and the sheep all undergo a dramatic change in character as European writers begin to develop a new interest in-and understanding of-human character in its relation to literature.
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