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Is there more to the social construction of gender than the social sciences have described? This collection of essays explore the art of constructing gender in symbolic media images; in poetry, photography and montage; in dramatic identity politics; and in contemporary feminism.

Forming and Reforming Identity exposes the historical sites of identity formation and seeks to define the mechanisms of modern-day gender ideologies. Illuminating the power of the family and state in shaping gender identities, the book also examines the constitution of these identities. Each chapter reveals the complexities and contradictions that inevitably accompany the formation of any new category of identity, whether they are deliberately restrictive or intended as a reformation of the old. The volume moves, as gender construction does, across a field of different media: novels, plays, teleplays, films, official documents, political theory, and advertisements. Four sections-REMOLDING WOMAN; REBELLING MAN; HOMEMADE IDENTITIES; and FEMINISMS THAT MAKE (A) DIFFERENCE-address such subjects as the representation of American women in the 1950s; nationalism and respectable sexuality in India; women, Hollywood cinema, and World War II; compulsory heterophobia; and the televising of AIDS.>[ go to the Genders website ]

The epidemic of mass rape in the former Yugoslavia has illustrated once again, and in particularly brutal fashion, the inextricable relationship between national politics, and body politics. This book turns its attention to the Second World, specifically to such subjects as the birth of the sex media and porn industry in Russia and more.

What do narratives by British suffragettes of being forcibly fed have in common with the representation of indigenous women in Canadian police archives? How are literary representations of domestic violence related to the use of silence as a strategy of resistance in African American women's writing? This title deals with these questions.

What do narratives by British suffragettes of being forcibly fed have in common with the representation of indigenous women in Canadian police archives? How are literary representations of domestic violence related to the use of silence as a strategy of resistance in African American women's writing? This title deals with these questions.

In these spirited and powerfully written essays, a new generation of intellectuals makes its mark, challenging conservatives and liberals alike to chart a new course for a responsible politics in contemporary society. A new intellectual movement on the left emerges here. No longer trapped by the old polarizing antagonism between Marxism and feminism, these authors demonstrate as never before the need for an awaremess of gender as it affects every aspect of our society. At the same time, these paradigmatic essays map out a new terrain for feminist thinking, one that fully recognizes the complex workings of gender and leaves oppositional feminism far behind.In the keynote essay, Ambivalence as Alibi, Rosemary Hennessy challenges the most basic assumptions of postmodern sophistication to forge a compelling sytheseis of political, economic, and artistic theory. Betty Joseph, Jennifer Brody, and Poonam Pillai break through the shibboleths of Western liberal tolerance to describe gender inequalities that are intrinsically inter-cultural. Eileen Cleere demonstrates that novels are an important source for understanding how people interpret the economic conditions in which they live, linking social history and literary criticism in a provocative new way. Bridget Elliott uncovers the unusual social and artistic imagination of Marie Laurencin, an artist who was both working-class and avant-garde, and who makes us rethink basic assumptions of artistic form in the visual representation of women. Laura Lyons, analyzing the no-wash protest among IRA prisoners, discovers a new kind of political protest that draws on performance art and the discourse of the body for its political symbolism. And Joseph Litvak, in a highly suggestive critical reading, makes us wonder if the New Historicism may possibly owe its greatest debt to the charming young men of Jane Austen's fictitious world. >[ go to the Genders website ]

Queer theory arose as a challenge to the stability of sexual categories. But is queer theory in the 1990s in danger of becoming just another category of theoretical inquiry and just another academic discipline? This book demonstrates the extent to which contemporary queer studies involves practices of interdisciplinary reading and analysis.

These essays reveal an erotic overflow that cannot be contained within any one gendered identity. They examine how the erotic escapes containment and disclose problems inherent in the intersections of gender and desire.

These essays reveal an erotic overflow that cannot be contained within any one gendered identity. They examine how the erotic escapes containment and disclose problems inherent in the intersections of gender and desire.

The feminist pornography debates are centered around the opposition between pro-censorship factions and the pro-sex radicals or sex positives. But what exactly is the relationship between these debates and postmodern theories of reading and performativity? What is the history behind today's sexual radicalism? This title deals with these questions.

The feminist pornography debates are centered around the opposition between pro-censorship factions and the pro-sex radicals or sex positives. This book explore a variety of historical contexts for understanding contemporary forms of sexual representation and the repression of such representations.