Bøker i Gender in the Middle Ages-serien

Uncovers the female voices, lived experiences, and spiritual insights encoded by the imagery of textiles in the Middle Ages.

Sheds new light on how masculinity was understood, lived, performed and viewed during a period of huge change.

An interdisciplinary approach to the medieval manor pre- and post-Conquest.

Essays on women and devotional literature in the Middle Ages in commemoration and celebration of the respected feminist scholar Catherine Innes-Parker.

An examination of female same-sex desire in Chaucer and medieval romance.In both medieval and modern contexts, women who do not desire men invite awkward silences. Men's dissident sexual practices have been discussed energetically by writers of law and religion, medicine and morality; reams of medievaltexts are devoted to horrified or fascinated references to men's deviant intimacies with men. Yet women - despite the best efforts of recent scholars - remain at the margins of this picture, especially in studies of literature. This book aims to re-centre female desire. Identifying a feminine or lesbian hermeneutic in late-medieval English literature, it offers new approaches to medieval texts often denigrated for their omissions and fragmentation, their violence and uneven poetic texture. The hermeneutic tradition Chaucer inherited, stretching from Jerome to Jean de Meun, represents female bodies as blank tablets awaiting masculine inscription, rather than autonomous agents.In the Legend, Chaucer considers the unspoken problem of female desires and bodies that resist, evade, and orient themselves away from such a position. Can women take on hermeneutic authority, that phallic capacity,without rendering themselves monstrous or self-defeating? This question resonates through three Middle English romances succeeding the Legend: the alliterative Morte Arthure, the Sowdone of Babylon, and Undo YourDoor. With combative innovation, they repurpose the hermeneutic tradition and Chaucer's use of it to celebrate an array of audacious female desires and embodiments which cross and re-cross established categories of masculine and feminine, licit and illicit, animate and inanimate. Together, these texts make visible the desires and the embodiments of women who otherwise slip out of visibility, in both medieval and post-medieval contexts.

Ground-breaking interdisciplinary approach to the medieval manor pre- and post-Conquest.Medieval manors have long been the subject of academic study, though the ways in which these houses reflected and shaped - and were shaped by - their occupants to express social authority have not yet been fully explored. This book undertakes a wide-ranging and interdisciplinary examination of them, aiming to provide a fuller account of how concepts of space and domestic place were understood, represented, and used by their occupants in England and Normandy from c. 900 to c. 1200, and how this illuminates aspects of gender and authority in the period. Blending approaches from archaeology and history, it uses evidence from Anglo-Saxon wills, standing and excavated manorial sites inEngland and Normandy, and a variety of written texts from vitae to history to poetry, in order to delve into, deconstruct and reconstruct gendered notions of authority in the period. This book ultimately challenges ideas ofgendered objects and places through the medieval construction of authoritative personae, and the use and representation of medieval manors, focusing on the household as a place and space of performance in the age of the Norman Conquest. KATHERINE WEIKERT is Senior Lecturer in Early Medieval History at the University of Winchester.

First comprehensive investigation of the major significance of female sinners turned saints in medieval literature.During the Middle Ages, the lives of saints such as Mary Magdalen and Mary of Egypt - "e;holy harlots"e;, women who repented of an early life of licentiousness to become blessed - were hugely popular, for both clerical and laypersons,men and women alike. These legends are rife with paradox: the saints are presented as epitomes of a type of femininity universally accepted as a model for all Christians to emulate in their quest for salvation, but at the same time they constitute marginal figures who could be petitioned in support of unconventional beliefs and lifestyles. The holy harlot's potential to contain the markers of both sainthood and whoredom within a single female body was however rejected in the sixteenth century, and so this fascinating model of sanctity has since been largely overlooked. This book, the first full-length study on the topic, aims to redress the situation, demonstrating that theseapparent outliers transformed mainstream concepts of piety and womanhood. It uses the Old English Martyrology and the Old English Life of Mary of Egypt to show that the early English conceived harlots becoming saints as a move from female to queer rather than as a gender inversion. In the later Middle Ages, "e;holy harlot"e; lives in the French of England and in Middle English (including the South English Legendary, the Digby Mary Magdalene, and in lives by John Mirk and Osbern Bokenham) are shown to demonstrate the centrality, from the twelfth-century rise of affective piety, of the harlot saints' femininity as a model for Everyman. They can also be seen as an influence on the writings of such women as Christina of Markyate, Margery Kempe, and Elizabeth Barton, and key to the self-representation of Bernard of Clairvaux and the Wycliffites. JULIETTE VUILLE is a Lecturer in Old and Middle English at the University of Lausanne.

A consideration of the ways in which the past was framed and remembered in the pre-modern world.The training and use of memory was crucial in medieval culture, given the limited literacy at the time, but to date, very little thought has been given to the complex and disparate ways in which the theory and practices of memoryinteracted with the inherently unstable concepts of time and gender at the time. The essays in this volume, drawing on approaches from applied poststructural and queer theory among others, reassess those ideologies, meanings and responses generated by the workings of memory within and over "e;time"e;. Ultimately, they argue for the inherent instability of the traditional gender-time-memory matrix (within which men are configured as the recorders of "e;history"e;and women as the repositories of a more inchoate familial and communal knowledge), showing the Middle Ages as a locus for a far more fluid conceptualization of time and memory than has previously been considered. Elizabeth Cox is Lecturer in Old English at Swansea University; Roberta Magnani is Lecturer in Medieval Literature at Swansea University; Liz Herbert McAvoy is Professor of Medieval Literature at Swansea University. Contributors: Anne E. Bailey, Daisy Black, Elizabeth Cox, Fiona Harris-Stoertz, Ayoush Lazikani, Liz Herbert McAvoy, Pamela E. Morgan, William Rogers, Patricia Skinner, Victoria Turner.

Initiates a wider development of inquiries into women's literary cultures to move the reader beyond single geographical, linguistic, cultural and period boundaries.

A gendered reading of monster and the monstrous body in medieval literature.

An examination of female same-sex desire in Chaucer and medieval romance.In both medieval and modern contexts, women who do not desire men invite awkward silences. Men's dissident sexual practices have been discussed energetically by writers of law and religion, medicine and morality; reams of medieval texts are devoted to horrified or fascinated references to men's deviant intimacies with men. Yet women - despite the best efforts of recent scholars - remain at the margins of this picture, especially in studies of literature.This book aims to re-centre female desire. Identifying a feminine or lesbian hermeneutic in late-medieval English literature, it offers new approaches to medieval texts often denigrated for their omissions and fragmentation, their violence and uneven poetic texture. The hermeneutic tradition Chaucer inherited, stretching from Jerome to Jean de Meun, represents female bodies as blank tablets awaiting masculine inscription, rather than autonomous agents. In the Legend, Chaucer considers the unspoken problem of female desires and bodies that resist, evade, and orient themselves away from such a position. Can women take on hermeneutic authority, that phallic capacity, without rendering themselves monstrous or self-defeating? This question resonates through three Middle English romances succeeding the Legend: the alliterative Morte Arthure, the Sowdone of Babylon, and Undo Your Door. With combative innovation, they repurpose the hermeneutic tradition and Chaucer's use of it to celebrate an array of audacious female desires and embodiments which cross and re-cross established categories of masculine and feminine, licit and illicit, animate and inanimate. Together, these texts make visible the desires and the embodiments of women who otherwise slip out of visibility, in both medieval and post-medieval contexts.

An investigation of the public image of women as presented in contemporary drama.

An exploration of the influence of gender on the workings of memory in the Middle Ages, focussing on the non-elite.

An investigation into texts specifically addressed to women sheds new light on female literary cultures.

An investigation of the motif of the unspeakable as manifested in a wide range of medieval texts, from the Exeter Book to Chaucer.

An exploration of the relations between medical and religious discourse and practice in medieval culture, focussing on how they are affected by gender.

Essays offering new approaches to the changing forms of medieval religious masculinity.

New research into medieval women from the Anglo-Saxon to the late medieval period demonstrates their energy, defiance and wit.

Fresh approaches to how premodern women were viewed in legal terms, demonstrating how this varied from country to country and across the centuries.