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Bøker i Film Theory in Practice-serien

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  • av USA) Tinkcom & Matthew (Georgetown University
    297 - 1 210,-

    An examination of the field of queer theory and its relevance to the film Brokeback Mountain

  • av Hilary Neroni & Todd McGowan
    218 - 779,-

  • av UK) Rushton & Dr Richard (Lancaster University
    245 - 887,-

  • av USA) Kornbluh & Anna (University of Illinois
    244 - 1 013,-

  • av USA) Morrison & James (Claremont McKenna College
    274 - 1 210,-

  • av Canada) Flisfeder & Matthew (University of Winnipeg
    294 - 1 210,-

    Provides an introductory explanation of postmodernism and its connection to film theory, and how it can be used to interpret Ridley Scott s film, Blade Runner."

  • av Canada) Ruti & Mari (University of Toronto
    297 - 1 210,-

    An overview of feminist film theory and how it explicates Pretty Woman.

  • av Canada) Burnham & Clint (Simon Fraser University
    368 - 1 210,-

    "An exploration of Fredric Jameson's film theory and how it explicates Martin Scorsese's film The Wolf of Wall Street"--

  • av USA) Raengo & Alessandra (Georgia State University
    297 - 1 210,-

    "An introduction to Critical Race Theory through a close analysis of Spike Lee's film Bamboozled"--

  • av USA) Mittell & Jason (Middlebury College
    297 - 1 210,-

  • av USA) Basu Thakur & Gautam (Boise State University
    395 - 1 286,-

    "An explanation of postcolonial film theory and how it explicates James Cameron's film"--

  • av USA) McGowan & Todd (University of Vermont
    414 - 1 286,-

    "Psychoanalytic Film Theory and The Rules of the Game offers a concise introduction to psychoanalytic film theory in jargon-free language and shows how this theory can be deployed to interpret Jean Renoir's classic film"--

  • av Hilary (University of Vermont Neroni
    414,-

    The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Feminist Film Theory and Cléo from 5 to 7 offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda''s critically acclaimed 1962 film Cléo from 5 to 7.Hilary Neroni employs the methodology of looking for a feminist alternative among female-oriented films. Through three key concepts-identification, framing the woman''s body, and the female auteur-Neroni lays bare the debates and approaches within the vibrant history of feminist film theory, providing a point of entry to feminist film theory from its inception to today. Picking up one of the currents in feminist film theory - that of looking for feminist alternatives among female-oriented films - Neroni traces feminist responses to the contradictions inherent in most representations of women in film, and she details how their responses have intervened in changing what we see on the screen.

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