Bøker i Exposures-serien

An accessible introduction to photography's perhaps most contested, complex and emotive subject, war.

Magnificent and mysterious, Tibet has been a source of fascination for outsiders for centuries, and its grand landscapes and vibrant culture have especially captivated photographers. But the country is both geographically and politically challenging, and access from the outside has never been easy. With this book, Clare Harris offers the first historical survey of photography in Tibet and the Himalayas, telling the intriguing stories of both Tibetans and foreigners who have attempted to document the region's wonders on film. Harris combines extensive research in museums and archives with her own fieldwork in Tibetan communities to present materials that have never been examined before--including the earliest known photograph taken in Tibet, dating to 1863. She looks at the experimental camera-work of Tibetan monks--including the thirteenth Dalai Lama--and the creations of contemporary Tibetan photographers and artists. With every image she explores the complex religious, political, and cultural climate in which it was produced. Stunningly illustrated, this book will appeal to anyone interested in the dramatic history of Tibet since the mid-nineteenth century and its unique entanglements with aesthetics and modernity.

Photography and Death reveals the beauty, meaning and significance of images once dismissed as disturbing, perverted or grotesque and charts changes in their stylistic treatment through the decades.

Can film capture what our eyes can't see? There are many examples historical and contemporary of photographs of spirits or ghosts. These images have been derided as hoaxes or, at the other extreme, held up as irrefutable proof of the otherworld. This title examines these blurred images of phantoms, psychical emanations and religious apparitions.

Photography and Archaeology examines some of history's most famous archaeological excavations, as well as lesser-known finds, and the ways these sites have been represented in photographs by Maxime du Camp, Francis Frith, John Beazley Greene and many more.