Bøker i Exeter Hispanic Texts-serien

The first edition of the devotionary composed by Constanza de Castilla. Comprising a variety of prayers and liturgy offices in Spanish and Latin, the book provides evidence of the beliefs, experience, and expression of religious women in Spain of the later Middle Ages.

An early sixteenth century Spanish romance.

The Vita Secundi is a Greek text of the second century AD. The substantial introduction to the edition deals with the motives for the work's translation into Spanish, tracks the extent of its diffusion in Spain, and analyses in detail the textual history of the Spanish version.

In 1659, Luis de Haro met with Cardinal Jules Mazarin to conclude a peace treaty that would end over twenty years of war. The hitherto unpublished letters sent by Haro to Philip IV offer an account of the negotiations that diverges from Mazarin's reports. This edition offers a mix of the original letters and summaries, as well as explanatory notes.

The Treaty of Bayonne of 1388 between Juan I, King of Castile, and John of Gaunt, Duke of Lancaster and Pretender to the Castilian throne, was one of the most important treaties of the Hundred Years War. In the transcription of the documents, the original spellings of words, however inconsistent, have been respected.

A collection of poems in the 'ensaladas' tradition, a Renaissance style of rustic and pastoral lyricism.

A selection of poems from a poet writing at the turn of the twentieth century.

El ritmo is a collection of letters from Salvador Rueda to the Catalonian critic Jose Yxart, first published in Madrid in 1894. El ritmo sets out, in a sometimes ironical tone, a panorama of the state of poetry in Spanish at the end of the nineteenth century.

This book reprints a wide variety of articles and speeches for the first time since they appeared in Spanish and foreign journals and in clandestine broadsheets from France. Some censored material has been restored.

This edition of Antonio Machado's work offers a complete revision of the interpretations advanced by critics on the first version of Soledades (1903). Based on Machado's original edition it will be the only reliable text on the market of this work, the very embodiment of Spanish modernism. It will offer, as well as the text, a substantial analysis of the changes made for the second edition of 1907 that reveal the progressive influence of Modernismo on Machado's conceptionsUsing new theoretical models, the editor has been able to tell us more about Machado's poetic practice, his evolution as a poet and, consequently, more about the development of Symbolism in Spain than has previously been possible.The text will be useful to specialists of Machado and the period (18901910) and to postgraduates and final-year students working on the period.