Bøker i Ethnography, Theory, Experiment-serien

Focusing on the major ceremonial cycle of the Enawene-nawe people, Vital Diplomacy sheds new light on classic Amazonian themes.

Co-authored by three anthropologists with long-term expertise studying Pentecostalism in Africa and Melanesia, and in recognition of the increasingly non-territorial nature of religion in the contemporary world, Going to Pentecost offers an experimental approach to the study of global religious movements, and Pentecostalism in particular.

Built around key events, from the eviction of a self-managed social centre in Copenhagen in 2007 to the Climate Summit protests in 2009, this book contributes to anthropological literature on contemporary Euro-American politics foreshadowing recent waves of public dissent. Stine Krijer explores political forms among left radical and anarchist activists in Northern Europe focusing on how forms of action engender time. Drawing on anthropological literature from both Scandinavia and the Amazon, this ethnography recasts theoretical concerns about body politics, political intentionality, aesthetics, and time.

Our political age is characterized by forms of description as 'big' as the world itself: talk of 'public knowledge' and 'public goods,' 'the commons' or 'global justice' create an exigency for modes of governance that leave little room for smallness itself. Rather than question the politics of adjudication between the big and the small, this book inquires instead into the cultural epistemology fueling the aggrandizement and miniaturization of description itself. Incorporating analytical frameworks from science studies, ethnography, and political and economic theory, this book charts an itinerary for an internal anthropology of theorizing. It suggests that many of the effects that social theory uses today to produce insights are the legacy of baroque epistemological tricks. In particular, the book undertakes its own trompe l'oeil as it places description at perpendicular angles to emerging forms of global public knowledge. The aesthetic 'trap' of the trompe l'oeil aims to capture knowledge, for only when knowledge is captured can it be properly released.