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Covers the treble, tenor, and bass viol. This book has technical instruction and assumes no knowledge beyond an ability to read music. Each point is illustrated with photographs, diagrams, and graded musical exercises. It highlights problems likely to be encountered and shows how they can be overcome.

A 'hidden' instrument in the classical music world, the mandolin's repertoire of original music remains largely unknown. This book examines the lives and works of the mandolin's greatest composers, and taken together with The Early Mandolin provides the first comprehensive survey of the instrument's history. It also examines aspects of technique and looks at present-day orchestras and soloists.

This book establishes the principles of interpretation that singers active in England during the late eighteenth and early nineteenth centuries - both foreign and English - applied to recitatives, arias, and songs. It is the first single guide to historical performance of one of today's most popular repertoires.

The Lute in Britain is the first comprehensive account of the lute's history and music in Britain from medieval times to the present. Writing for the music student, the serious listener, the player, maker, and lute enthusiast, Spring makes available for the first time over forty years of musical scholarship that has previously been the preserve of academic journals.

Presents a translation of the third volume of Syntagma musicum, a multi-volume work by a German composer and theorist. This volume deals with terminolgy and performance practice, and offers us a detailed commentary available from the 17th century about the performance of particular pieces of music.

Following James Tyler's earlier introduction to the history, repertory, and playing techniques of the four- and five-course guitar ("The Early Guitar"), this book serves as a guide to the history and repertory of the guitar from the Renaissance to the dawn of the Classical era. It provides information about players, composers, and instruments.

This study identifies and describes the two early types of mandolin and presents the full extent of their repertoires, including works by Handel, Scarlatti, Vivaldi, Hummel, Beethoven and Sammartini, whose recently-discovered sonata is published here for the first time.

This is the first in-depth survey of the oboe during its Golden Age, tracing the history of the instrument from its invention through its many mutations as it adapted to the changing demands of composers. The author describes in detail the instruments, players, makers, and composers, how and where it was played, and who listened to it.

Leopold Mozart's Treatise on the Fundamental Principles of Violin Playing was the major work of its period on the violin and comparable in importance to Quantz's treatise on the flute and P.E. Bach's on the piano.

This work, first published in 1618, is a detailed reference of musical instruments of the period. It will be of particular interest, in the light of the current revival in early instrumental music, to those making and playing Renaissance and early baroque instruments.

This is a study of the manufacture of brass instruments, particularly the trumpet, in Nuremberg during the 17th and 18th centuries. The book begins with a brief history of the trumpet and an introduction to the changes in style, shape and ornamentation that occurred over 200 years.

The Baroque Clarinet is a sourcebook for the historical study of the European clarinet during the first half of the eighteenth century. The book is based on a comprehensive study of the theoretical, musical, and iconographical evidence, and many conclusions are presented here for the first time.

The practical method which linked keyboard technique, improvization, performance and composition was the thoroughbass, the centre of the Baroque musician's art. This manuscript, containing a large collection of figured bass fugues, provides a window into this very process.

This is a study of the flutes used in the Renaissance, Baroque and Classical eras. It details the history of the transverse flute from 1500 until the early 19th century.

This book comprises an edition, with commentary, of Handel's exercises for continuo playing which he wrote for the daughters of George II. Remaining faithful to the source, this is a useful book for students and performers of the music of Handel and his contemporaries.

Editing Early Music is designed as a guide to editorial procedures suitable for music written from the Middle Ages to about 1830. In this revised edition the opportunity has been taken to make a number of corrections and to add a Postscript entitled `Stemmatics and Textual Criticism'. The bibliography has been updated.