Bøker i Early Modern Exchange-serien

Explores how authors and readers are represented in printed editions of three major literary figures: Jean Lemaire de Belges, Clement Marot, and Francois Rabelais. Print culture is marked by an anxiety of reception that became much more pronounced with increasingly anonymous and unpredictable readerships in the sixteenth century.

Explores sixteenth- and seventeenth-century English retellings of the Roman siege of Jerusalem and the way they informed and were informed by religious and political developments. The siege functioned as a touchstone for writers who sought to locate their own national drama of civil and religious tumult within a larger biblical context.

Examines a set of perennial narrative motifs centred on violence within the family as they have appeared in French, English, Spanish, and American literatures. This book questions the traditional separation between the honoured genre of tragedy and the less respected genres of histoires tragiques, gothic tales and novels, and horror stories.

Firmly grounded in literary studies but drawing on religious studies, translation studies, drama, and visual art, Milton Among Spaniards is the first book-length exploration of the afterlife of John Milton in Spanish culture, illuminating underexamined Anglo-Hispanic cultural relations.

Presents a reconsideration of literary production in post-Tridentine Italy. With particular attention to the much-maligned tradition of spiritual literature, the volume's contributors weave literary analysis together with religion, theatre, art, music, science, and gender to demonstrate that the literature of this period is positively innovative.

Presents a reconsideration of literary production in post-Tridentine Italy. With particular attention to the much-maligned tradition of spiritual literature, the volume's contributors weave literary analysis together with religion, theatre, art, music, science, and gender to demonstrate that the literature of this period is positively innovative.

Involuntary Confessions of the Flesh in Early Modern France was inspired by the observation that small slips of the flesh (involuntary confessions of the flesh) are omnipresent in early modern texts of many kinds. These slips (which bear similarities to what we would today call the Freudian slip) disrupt and destabilize readings of body, self, and textthree categories whose mutual boundaries this book seeks to softenbut also, in their very messiness, participate in defining them. Involuntary Confessions capitalizes on the uncertainty of such volatile moments, arguing that it is instability itself that provides the tools to navigate and understand the complexity of the early modern world. Rather than locate the body within any one discourse (Foucauldian, psychoanalytic), this book argues that slips of the flesh create a liminal space not exactly outside of discourse, but not necessarily subject to it, either. Involuntary confessions of the flesh reveal the perpetual and urgent challenge of early modern thinkers to textually confront and define the often tenuous relationship between the body and the self. By eluding and frustrating attempts to contain it, the early modern body reveals that truth is as much about surfaces as it is about interior depth, and that the self is fruitfully perpetuated by the conflict that proceeds from seemingly irreconcilable narratives. Interdisciplinary in its scope, Involuntary Confessions of the Flesh in Early Modern France pairs major French literary works of the sixteenth and seventeenth centuries (by Marguerite de Navarre, Montaigne, Madame de Lafayette) with cultural documents (confession manuals, legal documents about the application of torture, and courtly handbooks). It is the first study of its kind to bring these discourses into thematic (rather than linear or chronological) dialog. In so doing, it emphasizes the shared struggle of many different early modern conversations to come to terms with the bodys volatility.

Examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. Andrea Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres.

Examines a set of perennial narrative motifs centred on violence within the family as they have appeared in French, English, Spanish, and American literatures. This book questions the traditional separation between the honoured genre of tragedy and the less respected genres of histoires tragiques, gothic tales and novels, and horror stories.