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The Foreigner (1909) tells the story of Kalman Kalmar, a young Ukrainian immigrant working in rural Saskatchewan. It addresses the themes of male maturation, cultural assimilation, and a form of muscular Christianity recurring in Connors popular Western tales. Daniel Colemans afterword considers the texts departure from Connors established fiction formulas and provides a unique framework for understanding its depiction of difference.
First published in 1947, In Due Season broke new ground with its fictional representation of women and of Indigenous people. Set during the dustbowl 1930s, this tersely narrated prize-winning novel follows Lina Ashley, a determined solo female homesteader who takes her family from drought-ridden southern Alberta to a new life in the Peace River region. Here her daughter Poppy grows up in a community characterized by harmonious interactions between the local Mtis and newly arrived European settlers. Still, there is tension between mother and daughter when Poppy becomes involved with a Mtis lover. This novel expands the patriarchal canon of Canadian prairie fiction by depicting the agency of a successful female settler and, as noted by Dorothy Livesay, was "e;one of the first, if not the first Canadian novel wherein the plight of the Native Indian and the Mtis is honestly and painfully recorded."e; The afterword by Carole Gerson and Janice Dowson provides substantial information about author Christine van der Mark and situates her under-acknowledged book within the contexts of Canadian social, literary, and publishing history.
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