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Only rarely in publishing history has the ideal edition of a literary work been created, where text, typography, and illustrations complement one another perfectly. Among the few examples are the Kelmscott Chaucer, Baskerville's Milton, and Beardsley's Salome. Another such book is the 1896 edition of Pope's The Rape of the Lock, illustrated by Aubrey Beardsley.Beardsley's elaborate drawings for The Rape of the Lock were created during the last phase of his brief career. This nearly Romantic period, characterized by rich, brilliantly imagined decoration and ornamentation and by high textual contrasts, was perfectly suited to the blend of mock-heroic, satire, and delicate fancy of Pope's poems. As Beardsley's biographer R. A. Walker wrote, These drawings show a verve, a wit and appreciation of the poem than can scarcely be matched in English literature. Using his unique line and black blot technique, Beardsley created a masterpiece of design and mood.This Dover edition reproduces the first edition: the complete text of the five-canto poem, notes, seven full-page drawings, two half-page drawings, and the original cover design by Beardsley.
This original compilation features color and black-and-white interpretations of Wonderland by dozens of artists, including Rackham, Robinson, and original illustrator Tenniel. A commentary by editor Jeff Menges discusses the artists and their work.
This vibrant compilation features more than 100 hard-to-find examples of works by a noted Japanese woodblock artist including depictions of heavily armored samurai, battle scenes, and well-defended fortresses. Drawn from a series of volumes originally published in 1862, the dynamic images offer authentic views of warrior life during the Edo period.
Original collection of outstanding wood engravings by a noted master ranges from the religious to the erotic with images inspired by The Song of Songs, The Canterbury Tales, and the Gospels.
This pictorial celebration features 155 full-color posters promoting movies, galleries, restaurants, and concerts, in addition to other events and products. This original edition was developed in cooperation with the artist.
Brilliant color plates of Edmund Dulac's book illustrations date from 1908 to 1928 and include Shakespeare's "The Tempest, The Arabian Nights, The Rubaiyat of Omar Khayyam, "and Hans Christian Andersen's fairy tales.
65 plates of Pyle's rare, early-edition printings: action-packed drawings of dueling pirates and pistol-toting buccaneers, Revolutionary-era patriots, knights in armor rescuing fair maidens, and more.
120 full-page plates of magnificent, elaborately carved, museum-quality masks worn by actors playing gods, warriors, beautiful women, feudal lords, and supernatural beings. Captions.
273 great 19th-century woodcuts: crimes, miracles, skeletons, ads, portraits, news cuts. Table of contents includes Calaveras; Disasters; National Events; Religion and Miracles; Don Chepito Marihuano; Chapbook Covers; Chapbook Illustrations; and Everyday Life.
One of the finest wood engravers of the twentieth century, Lynd Ward took his work to a new dimension when he created the "wordless novel. "Gods' Man, his first novel in woodcuts, appeared in 1929; during the 1930s, he published five more pictorial narratives. Ward earned the Library of Congress Award, the Caldecott Medal, and other prestigious awards. Vertigo, published in 1937, is considered to be his masterpiece. Telling this poignant story with 230 stylized woodcuts, the artist rewards his readers' eyes with the intricate beauty of his craft -- and satisfies their spirits with a freedom of interpretation that extends beyond the reach of words. Published more than seventy years ago in the midst of the Great Depression, the dramatic tale of three people dealing with financial instability, joblessness, and debt rings strikingly true today. A young girl who longs to be an accomplished violinist, and a boy who hopes to become a builder, find their dreams shattered by desperate economic times. When an elderly gentleman wields his power to cut his business losses, all three lives are changed forever. Includes a new introduction by David Beronä, a woodcut novel historian and the author of Wordless Books: The Original Graphic Novels.
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