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Bøker i Documentary Film Cultures-serien

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    - Changing Aboriginalities and Australian Documentary Film, 1901-2017
    av Jennifer Debenham
    836,-

    This book is based on a study of Australian documentary films produced by and about Aboriginal and Torres Strait Islanders since the early twentieth century. The book aims to expose the course of race relations in Australia in documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation.

  • av Jouko Aaltonen
    739,-

    Forthcoming

  • Spar 10%
    - Cultures and Practices
     
    790,-

    Documentary in Wales has emerged only recently, with a new Welsh-language broadcaster launching in 1982. It has been modulated by the enriching, but sometimes uneasy, relationship between both national languages (Cymraeg and English). This book explores the unique Welsh context and its effect on the development of documentary.

  • av Dafydd Sills-Jones
    734,-

    «Documentary in the Age of COVID is a timely and astute volume that affirms and challenges our thinking about how the cultural and technological disruption brought by the pandemic response has upended documentary culture. It is a guiding light for documentary practitioners and scholars as they navigate the new terrain of a post-COVID world.»(Professor Belinda Smaill, Monash University)This collection responds to the unusual and disturbing challenges of the COVID-19 pandemic. The volume surveys the immediate effects of the onset of the COVID-19 pandemic in documentary film cultures as well as providing a space for unpacking the recent past and future of documentary in the context of the pandemic¿s possible effects. It is published as part of Peter Lang¿s Documentary Film Cultures series and reflects the value of documentary as an enduring and influential channel of media discourse and community of practice. Media producers have been forced to both interrogate their chosen professions and innovate with limited resources. Already, we are seeing new distribution and production methods emerge to highlight the importance of media-makers as essential workers, as they are uniquely equipped with the ability to represent the various dialogues undertaken to respond to the cultural, social, economic and political challenges the pandemic has foisted on global society.

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