Bøker i Critical Media Studies: Institutions, Politics, and Culture-serien

This anthology of hard-to-find primary documents provides a solid overview of the foundations of American media studies. Focusing on mass communication and society and how this research fits into larger patterns of social thought, this valuable collection features key texts covering the media studies traditions of the Chicago school, the effects tradition, the critical theory of the Frankfurt school, and mass society theory. Where possible, articles are reproduced in their entirety to preserve the historical flavor and texture of the original works. Topics include popular theater, yellow journalism, cinema, books, public relations, political and military propaganda, advertising, opinion polling, photography, the avant-garde, popular magazines, comics, the urban press, radio drama, soap opera, popular music, and television drama and news. This text is ideal for upper-level courses in mass communication and media theory, media and society, mass communication effects, and mass media history.

Well-known for his work in film and theater as director, actor, and writer, Welles' influence in the field of radio has often been overlooked for the more glamorous entertainment of his movies. The Medium and the Magician is a comprehensive review of Welles's radio career, devoted to assessing his radio artistry and influence in the field. Visit our website for sample chapters!

Is deliberative democracy the ideal goal of free speech? How do social movement organizations, activists, and political candidates use the media to frame their discourse. This text aims to answer these and other questions and provide a foundation for evaluating the state of democratic discourse.

This volume is a primer on media governance at a global level and the key influencing forces and organizations, such as ITU, WTO, UNESCO, WIPO and ICANN. It raises key questions and suggests where more complete answers can be found.

To reshape the field of development communication, this text proposes situating theory and practice within contexts of power, recognizing both the ability of dominant groups to control and the potential for marginal communities to resist.

This text shows how and why US educational reforms must seek to build upon rather than downplay the native culture and language of minority students. The work includes stories from teachers and students that show what works - and what doesn't - in creating effective educational opportunties.

Looking at issues of globalization, science, politics, gender, etc. this book advocates a new agenda not only for communication research, but also for the writing that comes out of it.

His name may not be as well known as that of his colleague and spiritual descendent, Marshall McLuhan, but Harold Innis's influence on contemporary critical media and communication studies has been no less profound. This concise look at Innis' life and conributions to the communication field.

Dispels the myth that the television industry is giving viewers the programming they want to see and, thus, we as viewers are responsible for the existence of shows like "Fear Factor" and yet another "Survivor". Introducing us to the political economy of television, the author covers programming and organizations that seek industry accountability.

Democratizing Global Media explores the complex relationship between globalizing media and the spread of democracy around the world. An international, interdisciplinary group of journalists and scholars discusses key_and often contentious_issues such as the power of media, the benefits of media globalization, and the political role of media. More than a critique, Democratizing Global Media offers positive alternatives, from peace journalism to popular movements toward democratizing media and public communication.

Has copyright protection gone too far in keeping the music from the masses? This book shows how the online music industry establishes the model for digital distribution, cultural access, and consumer privacy. It also explores the implications of downloading music.

Talks about how media influence the development of consciousness and societies. This work traces humanity's movement from the oral tradition of preliterate cultures to the electronic media. It presents the author's own influential concepts of oral communication, time and space bias, and monopolies of knowledge.