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In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark''s gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.

Oegema works with the hypothesis that apocalypticism was a major current and mindset from the beginning of the Second Temple period, through Enochic literature, the Qumran Scrolls and the New Testament into Late Antiquity, shaping many inner-Jewish traditions and those emerging from Early Judaism. This book offers an examination of Apocalypticism.

Examines the varied ways in which cultured Roman aristocrats, of very different periods, used their country estates as retreats in which to compose literature and to escape from politics, while others adapted that same tradition of otium ('cultured leisure') to present radical and competing visions of society and literature alike.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.Debates about the legitimacy and ''essence'' of political rule and the search for ''ideal'' forms of government have been at the very heart of political thought ever since antiquity. Caesarism in the Post-Revolutionary Ageexplores the complex relationship between democracy and dictatorship from the 18th century onwards. More concretely, it assesses how democracy emerged as something compatible with dictatorship, both at the level of political thought and practice. Taking Caesarism - a political alternative somewhere between democracy and dictatorship - as its key concept, the book considers: * To what extent was Caesarism seen as a new post-revolutionary form of rule?* What were the flaws and perils, strengths and promises of Caesaristic regimes?* Can 19th-century Caesarism be characterised as a ''prelude'' to 20th-century totalitarianism?* What is the legacy and ongoing appeal of Caesarism in the contemporary world? This study will be of value to anyone interested in modern political history, but also contemporary politics.

What does the concept of 'communion' mean for understanding of the Church and Ecumenism? This title addresses the questions of how to characterize a systematic ecclesiology and the possibility of a systematic communion ecclesiology by investigating the concept of communion in the work of Jean-Marie Tillard, "OP".

In the biblical narratives, women are usually minor characters in the stories of men. Fragments of women's stories must be gleaned from the more cohesive stories of their fathers, husbands and sons. Fragmented Women begins with the premise that, to recover shards of women's stories from androcentric texts like the Bible, it is necessary to step outside the ideology of the text, subverting the patriarchal perspective that has focused attention on the male characters. In this classic work, J. Cheryl Exum draws on feminist literary theory to critique the dominant male voice of the biblical narrative and to construct (sub)versions of women's stories from the submerged strains of their voices in men's stories. For this Cornerstones edition Exum has provided a reflective introduction on the book's impact, and upon how the field has changed since it was published.

An analysis of the Lutheran/Roman-Catholic Joint Declaration on Justification with a focus on the method of 'Differentiated Consensus'. It brings together research and debates in ecclesiology worldwide from a network of international scholars, research centres and projects in the field.

Revision of author's thesis (Ph. D.)--London School of Theology, 2010.

"A survey of Horace's role in, and appropriation by, Victorian culture, addressing issues of social class, education and the prestige of classical scholarship"--

Informed by the analytical practices of the interdisciplinary ''material turn'' and social historical studies of childhood, Childhood By Design: Toys and the Material Culture of Childhood offers new approaches to the material world of childhood and design culture for children. This volume situates toys and design culture for children within broader narratives on history, art, design and the decorative arts, where toy design has traditionally been viewed as an aberration from more serious pursuits. The essays included treat toys not merely as unproblematic reflections of socio-cultural constructions of childhood but consider how design culture actively shaped, commodified and materialized shifting discursive constellations surrounding childhood and children. Focusing on the new array of material objects designed in response to the modern ''invention'' of childhood-what we might refer to as objects for a childhood by design-Childhood by Design explores dynamic tensions between theory and practice, discursive constructions and lived experience as embodied in the material culture of childhood. Contributions from and between a variety of disciplinary perspectives (including history, art history, material cultural studies, decorative arts, design history, and childhood studies) are represented - critically linking historical discourses of childhood with close study of material objects and design culture.Chronologically, the volume spans the 18th century, which witnessed the invention of the toy as an educational plaything and a proliferation of new material artifacts designed expressly for children''s use; through the 19th-century expansion of factory-based methods of toy production facilitating accuracy in miniaturization and a new vocabulary of design objects coinciding with the recognition of childhood innocence and physical separation within the household; towards the intersection of early 20th-century child-centered pedagogy and modernist approaches to nursery and furniture design; through the changing consumption and sales practices of the postwar period marketing directly to children through television, film and other digital media; and into the present, where the line between the material culture of childhood and adulthood is increasingly blurred.