Bøker i Conversations with Filmmakers Series-serien

Lois Weber was one of early Hollywood's most successful screenwriter-directors. Despite her many successes, Weber was pushed out of the business in the 1930s as a result of Hollywood's institutionalized sexism. This book restores her long-muted voice by reprinting more than sixty items in which she expressed her views on a range of filmic subjects.

With this new collection of interviews, readers will recognise the themes that motivate Steven Spielberg, the cinematic techniques he employs to create his feature films, and the emotional connection he has to his movies. The result is a nuanced and engaging portrait of the most popular director in American cinema history.

Roger Corman (b. 1926) is known by many names-- craftsman, artist, maverick, schlock-meister, mini-mogul, mentor, cheapskate, and King of the B's. Yet his commitment to filmmaking remains inspired. He learned his craft at the end of the studio system, only to rebel against Hollywood and define himself as the true independent. And the list of directors and producers who learned under his tutelage--Francis Ford Coppola, Martin Scorsese, James Cameron, Jonathan Demme, and many more--is astonishing.Collected here are many of the most honest and revealing interviews of his epic career, several of which have never been seen in print. Roger Corman: Interviews brings into focus a life committed to the entertaining art of motion pictures.Corman's rare talent combined artistic drive with business savvy, ensuring a successful career that was constantly in motion. At a remarkable pace more akin to silent movies than modern Hollywood, he directed over fifty films in less than fifteen years, some entertaining (Not of This Earth), trendsetting (The Wild Angels), daring (The Intruder), workmanlike (Apache Woman), stylized (The Masque of the Red Death) and even profound (X: The Man with the X-Ray Eyes). In a single year, Corman famously shot a cult classic in two and a half days (The Little Shop of Horrors), reinvigorated the American horror film with a dash of Poe and Price (House of Usher)--and still turned out a few more films shot across the globe. Recently awarded an honorary Oscar for his lifetime contribution to cinema, the self-made Corman has created a legacy as a defining filmmaker.Constantine Nasr, Van Nuys, California, is a filmmaker and DVD producer, whose documentaries include Warner at War; Public Enemies: The Golden Age of the Gangster Film; and 1939: Hollywood's Greatest Year. He has published in Video Watchdog, Famous Monsters of Filmland, and Little Shoppe of Horrors.

Brings together an exceptional array of interviews, profiles, and press conferences tracing the half century that Orson Welles (1915- 1985) was in the public eye. Originally published or broadcast between 1938 and 1989, these pieces confirm that Welles's career was multidimensional and thoroughly interwoven with Welles's persona.

Lars von Trier is the most intriguing film director to emerge in Denmark since the days of his great mentor in spirit Carl Theodor Dreyer. The conversations in this collection trace his development from image-obsessed formalist to control-shunning game master. Most of these interviews are translated into English for the first time.

Hal Ashby (1929-1988) is considered to be the lost genius of the New Hollywood generation. While his name does not bear the familiarity of, say, Robert Altman or Martin Scorsese, his diverse films are among the best known and most beloved of the era. Hal Ashby: Interviews for the first time brings together the best interviews conducted over the course of Ashby's career.