Bøker i Conversations with Filmmakers Series-serien

When George A Romero released his first film, "Night of the Living Dead" (1968), he created a genre - the zombie move - with which his name will always be associated. This collection of interviews with the creator of the zombie genre discusses his inspirations, his development as a director, and the evolution of filmmaking.

Collects eight of Stan Brakhage's most important interviews in which the filmmaker describes his conceptual frameworks; his theories of vision and sound; the importance of poetry, music, and the visual arts in relation to his work; his concept of the muse; and the key influences on his art-making.

Roman Polanski arrived on the international scene in 1962 with his first feature film, "Knife in the Water", and his face was on the cover of "Time magazine" by the end of that year. His vibrant, disturbing, and often violent films have both entertained and infuriated audiences. His films have elevated him to the pinnacle of his oeuvre.

This revised and updated edition gathers interviews and profiles covering the entire forty-five year span of Woody Allen's career as a filmmaker, including detailed discussions of his most popular as well as his most critically acclaimed works. The present collection is a complete update of the volume that first appeared in 2006. In the years since, Allen has continued making movies, including Midnight in Paris and the Oscar-winning Blue Jasmine.While many interviews from the original edition have been retained in the present volume, ten new entries extend the coverage of Allen's directorial career through 2015. In addition, there are two new, in-depth interviews from the period covered in the first edition. Most of the interviews included in the original volume first appeared in such widely known publications and venues as the New York Times, the Washington Post, Time Magazine the New Yorker, Rolling Stone, and Playboy. A number of smaller and lesser-known venues are also represented, especially in the new volume. Several interviews from non-American sources add an international perspective on Allen's work.Materials for the new volume include pieces focusing primarily on Allen's films as well as broader profiles and interviews that also concentrate on his literary talent. Perhaps Stephen Mamber best describes Allen's distinctiveness, especially early in his career: "Woody Allen is not the best new American comedy director or the best comedy writer or the best comedy actor, he's simply the finest combination of all three."Robert E. Kapsis, Great Neck, New York, is professor of sociology and film studies at Queens College and the Graduate Center of the City University of New York. He is author of Hitchcock: The Making of a Reputation and editor of several volumes in the Conversations with Filmmakers Series. Currently, Kapsis is collaborating with the Museum of the Moving Image and the Academy of Motion Pictures Arts and Sciences in developing a major career retrospective on Steve Martin.

David O. Russell (b. 1958) boasts a diverse body of work as a writer and director, spanning multiple genres and featuring radically differing aesthetic styles. This career-spanning volume features conversations with scholars and journalists as well as filmmakers, revealing Russell's evolving writing and directing process, and opening his life to reveal how a remarkable body of work has come to be.

These interviews trace Wes Craven's life and career, from his upbringing in a strict religious family and his life as an academic to his years toiling in exploitation cinema. The volume also chronicles Craven's ascendancy as an independent director, his work within the studio system, and his eventual triumph in mainstream cinema.

A refugee from post-World War II Europe who emigrated to the US in 1949, Jonas Mekas (1922-2019) became one of America's foremost champions of independent cinema and one of its most innovative filmmakers. This collection of eighteen interviews covers almost sixty years of the filmmaker's career.

After a robust career in the Netherlands as the country's most successful director, Paul Verhoeven built an impressive career in the US with controversial blockbusters. Paul Verhoeven: Interviews covers every phase of the director's career, beginning with six newly translated Dutch newspaper interviews and ending with a set of previously unpublished interviews dedicated to his most recent work.

This wide-ranging and insightful collection of interviews with D.A. Pennebaker (b. 1925) spans the prolific career of this pioneer of observational cinema. From the 1950s to the present day, D.A. Pennebaker has made documentary films that have revealed the world of politics, celebrity culture, and the music industry.

Bertrand Tavernier (b. 1941) is widely considered to be the leading light in a generation of French filmmakers who launched their careers in the 1970s, in the wake of the New Wave. In this collection, containing numerous interviews translated from French and available in English for the first time, he discusses the arc of his career.

Collects published conversations with filmmaker Mike Leigh. Not just a close-up encounter with Leigh, they also express both his unusual work style and the emotional and intellectual toughness that characterizes his distinct approach to filmmaking. As Leigh speaks in these interviews, he reveals what is unique in his work.

A director, producer, and writer, George Lucas is the power behind "The Force". This first book of Lucas's interviews affords fans and students of film and science fiction a rare opportunity. Editor Sally Kline collects conversations from the reticent director spanning Lucas's entire career.

Presents an irreverent and humorous collection of conversations with the acclaimed documentary filmmaker. Errol Morris (b. 1948) has created some of America's most innovative, lasting cinematic works. This volume features startling interviews from throughout his career, as well as intimate, never-before-published discussions.

The interviews in this book offer a range of insights into the theoretical, critical, and practical circumstances of Eric Rohmer's remarkably coherent body of films, but also allow Rohmer to act as his own critic, providing us with an array of readings concerning his interest in setting, season, colour, and narrative.

Taken from a variety of sources including academic journals, mainstream newspapers, and independent bloggers, Danny Boyle: Interviews is one of the first books available on this director. As an interviewee, Boyle displays an engaging honesty and openness. His success proves that classical storytelling artists still resonate with audiences.

A collection of interviews made with director James Ivory (b 1928), producer Ismail Merchant (1936-2005), and screenwriter Ruth Prawer Jhabvala (b 1927). It traces their career, while offering insights into their creative filmmaking process.

Rogue filmmaker Robert Rodriguez (b. 1968) rocketed to fame with his ultra-low-budget film El Mariachi (1992). In this, the first book devoted to Rodriguez, interviews and articles from 1993 to 2010 reveal a filmmaker passionate about making films on his own terms.

Abraham Polonsky (1910-1999), screenwriter and filmmaker of the mid-twentieth-century Left, recognized his writerly mission to reveal the aspirations of his characters in a material society structured to undermine their hopes. In the process, he ennobled their struggle. This volume examines his life and career.

A pioneer of the New Queer Cinema, Todd Haynes (b. 1961) is a leading American independent filmmaker. He has garnered numerous awards and nominations and an expanding fan base for his provocative and engaging work. Gathering interviews from 1989 through 2012, this collection presents a range of themes, films, and moments in the burgeoning career of Todd Haynes.

David Fincher (b. 1962) did not go to film school and hates being defined as an auteur. He prefers to see himself as a craftsman, dutifully going about the art and business of making film. This collection of interviews highlights Fincher's unwavering commitment to his craft as he evolved from an entrepreneurial music video director into an enterprising feature filmmaker.

Over the course of his career, legendary director Werner Herzog (b. 1942) has made almost sixty films and given more than eight hundred interviews. This collection features the best of these, focusing on all his major films. Together, these interviews offer an unprecedented look at Herzog's work, his career, and his public persona as it has developed and changed over time.

Although Alexander Payne's body of work is quantitatively small, it is qualitatively impressive. His movies have garnered numerous accolades and awards. In this first compilation of his interviews, Payne reveals himself as a captivating conversationalist. The discussions collected here range from 1996 to 2013.

With a career spanning more than forty years, Barbara Kopple (b. 1946) long ago established herself as one of the most prolific and award-winning American filmmakers of her generation. Her projects have ranged from labor union documentaries to fictional feature films to an educational series for kids on the Disney Channel. Through it all, Kopple has generously made herself available for a great many print and broadcast interviews. The most revealing and illuminating of these are brought together in this collection.Here, Kopple explains her near-constant struggles to raise money (usually while her films are already in production) and the hardships arising from throwing her own money into such projects. She makes clear the tensions between biases, objectivity, and fairness in her films. Her interviewers raise such fundamental questions as what is the relationship between real people in documentaries and characters in fictional films? Why does she embrace a cinéma vérité style in some films but not others? Why does she seem to support gun ownership in Harlan County, U.S.A., only to take a decidedly more neutral view of the issue in her film Gun Fight?Kopple's concern for people facing crises is undeniable. So is the affection she has for her more famous subjects--Woody Allen playing a series of European jazz concerts, Gregory Peck on tour, and the Dixie Chicks losing a fan base but making a fresh start.GREGORY BROWN, Valdosta, Georgia, is an assistant professor of mass media at Valdosta State University. A former newspaper reporter and editor, he has served both as a juror for the Broadcast Education Association's annual student documentary film festival as well as a member of the screening committee of the Hot Springs Documentary Film Festival in Arkansas.

Taiwanese born, Ang Lee has produced diverse films in his award-winning body of work. Sometimes working in the West, sometimes in the East, he creates films that defy easy categorization. Ang Lee humbly reveals here a personal journey that brought him from Taiwan to his chosen home in the United States as he struggled and ultimately triumphed in his quest to become a superb filmmaker.

Charles Burnett (b. 1944) is a groundbreaking African American filmmaker and one of America's finest directors, yet he remains largely unknown, and few filmgoers have seen his films or heard of Burnett. The interviews in this volume explore this paradox and collectively shed light on the work of a rare film master.

The seventeen interviews in this volume, most of which have been translated into English for the first time, offer new insights into Claude Chabrol's remarkably wide-ranging filmography, providing a sense of his attitudes and ideas about a number of subjects.

Lois Weber was one of early Hollywood's most successful screenwriter-directors. Despite her many successes, Weber was pushed out of the business in the 1930s as a result of Hollywood's institutionalized sexism. This book restores her long-muted voice by reprinting more than sixty items in which she expressed her views on a range of filmic subjects.

With this new collection of interviews, readers will recognise the themes that motivate Steven Spielberg, the cinematic techniques he employs to create his feature films, and the emotional connection he has to his movies. The result is a nuanced and engaging portrait of the most popular director in American cinema history.