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Focusing on the 1950s when Hollywood's interest in the past was at its peak, this book reconstructs how filmmakers understood their treatment of the past, suggesting why many of them saw their work as superior to that of professional historians. It explains how and why Hollywood blurs the boundaries between fiction and historical reality.

In this new edition of Licence To Thrill, James Chapman builds upon the success of his classic work, regarded as the definitive scholarly study of the history of the James Bond film series from the first picture, Dr No (1962), to the present. He considers the origins of the films in the spy thrillers of Ian Fleming and examines the production histories of the films in the contexts of the British and international film industries. This edition includes a new introduction and chapters on Quantum of Solace (2008), Skyfall (2012), Spectre (2015) and No Time to Die (2021). Chapman explores how the films have changed over time in response to developments in the wider film culture and society at large. He charts the ever-evolving Bond formula, analysing the films' representations of nationhood, class, and gender in a constantly shifting cinematic and ideological landscape.

A young man leaves his home to look for work in the cinema industry and is not heard of again, disappearing after a first rejection: one hopeful actor of hundreds seeking a route to stardom.

Noel Brown celebrates and explores popular children's films from the Harry Potter franchise to Paddington, revealing the industrial, social and cultural history behind cherished classics.

Focuses on previously unstudied Italian, German and British films

Where Hollywood and China meet

Offering an examination of films for child and family audiences in a global context, this book encompasses both live-action and animated films from the Hollywood, British, Australian, East German, Russian, Indian, Japanese and Brazilian cinemas.

This innovative book offers a startlingly fresh perspective on one of the most iconic figures in American film history.

The large literature about politics of Hollywood in the period of McCarthy and the blacklist has largely overlooked political filmmaking during those agitated years. This title examines the vibrant cycle of independently produced political films made while House Committee on Un-American Activities was investigating communists in the film industry.

An exploration of the development of anti-war cinema in Britain, America, Germany and France from the ground-breaking Lay Down Your Arms in 1914 through to Stanley Kubrick's Paths of Glory

Examining the diverse industrial, institutional and cultural contexts which have allowed Scottish film to evolve and grow since the 1970s, this book narrates a story of interest to any student of contemporary British film.

Combining archival research and interviews with Rank's contemporaries and family, this study charts the 1940s "golden era" of the British film industry that Rank, having bought the Odeon and Gaumont British chains and made inroads into the American market, helped to create.

Investigates Hollywood's ability to appeal to British filmgoers, as well as its ability to alienate, enrage and amuse them across films ranging from The Four Horsemen of the Apocalypse (1922) to The Patriot (2000).

At the outbreak of the WWII, all cinemas in Britain were closed. Ten days later, they were opened again as a way of boosting morale. Over the next six years, some 300 feature films and thousands of short films were produced in what is seen as British cinema's 'finest hour'. This work charts this period through the eyes of thirteen key films.

Travelling from Warsaw to Blackpool, Marseilles to Madrid, this study investigates the postmodern nature of contemporary Europe's urban life and cinema, showing how European films represent these cities across old and new Europe. It tackles changes wrought under the effects of political change.

A detailed study of the workings of the American film industry during the 1930s. Schindler illustrates how the studios helped to foster ideas of social unity and patriotism.

The films "Brigadoon" and "Braveheart" have an enormous resonance and provide general impressions of "Scottishness". This provocative study discusses the films' representations of Scotland and the Scots, looking at how Scotland is (mis)recognized and yet often comes to be "known".

This book questions how films create and interpret what Christmas means to societies across the Anglo-Saxon and European world, examining topics such as Santa Claus in cinema, Dickens and Christmas and Spanish and German seasonal creations. In the CINEMA AND SOCIETY series.

Michael Powell and Emeric Pressburger made a range of films, from "The Spy in Black" and "The Life and Death of Colonel Blimp" to "A Canterbury Tale" and "The Red Shoes". This book looks at these classic films to explore their complex relationship to national identity, and their interest in exile, borderlands, utopias, escapism, art and fantasy.

The Hollywood family film is one of the most popular, commercially-successful and culturally significant forms of mass entertainment. This book provides the history of the Hollywood family film, tracing its development from its beginnings in the 1930s to its global box-office dominance today.

Gives a picture of popular consensus between the government and the film industry over the cinematic representation of Britain and the British at war. It examines the role of the cinema as a vehicle of propaganda, and shows the relationship between the Ministry of Information and the film industry.

Exploring debates about children and how they use and respond to the media, the author researches attempts to control children's viewing, the ideas that supported these approaches and the extent to which they were successful. She develops a proposition that children are agents in the regulation of their own viewing and not passive consumers.

Looking at popular British film in the 1940s, Realism and Tinsel goes beyond the established histories of the Ealing Comedies to excavate a rich tradition of melodrama, morbid thrillers and costume pictures.

Making use of the files of the US Production Code Administration, this is a film-by-film study of the way in which British films were censored in the USA between 1933 and 1960.

This text focuses on the dynamic relationship between narrative and spectacle in Hollywood cinema. It shows how narrative - far from being eclipsed by special effects - remains integral to the cinematic "blockbuster", citing the continuing relevance of the mythic American frontier.

A comprehensive analysis of Nazi film propaganda in its political, social and economic contexts. It considers more than 100 films, identifying those aspects of Nazi ideology that were concealed in the framework of popular entertainment under the direction of Joseph Goebbels, Propaganda Minister.

Lenin, Stalin, Trotsky, Hitler and Goebbels regarded cinema as their most important weapon for mass political propaganda. This book examines the ways in which cinema was used for political purposes by two of the most highly politicised societies in 20th-century European history.

This text employs the Western film as a vital medium for examining the many tensions - political, racial, sexual, social and religious - which have beset modern America from "Stagecoach" and the Depression's last years to the decline of the genre in the 1970s.