Utvidet returrett til 31. januar 2025

Bøker i Chawton House Library: Women's Novels-serien i rekkefølge

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  •  
    7 885,-

    Contains the first ten books from the series.

  • - by Alicia LeFanu
    av Anna M. Fitzer & Alicia Lefanu
    285 - 635,-

  •  
    1 754,-

    Family Annals, or the Sisters, Mary Hays's last novel, was originally published in 1817. Accompanied by a new introduction, this title will contribute to various debates about women's education in the nineteenth-century, and will provide a new avenue of research in women's writing.

  • av Caroline Franklin
    1 952,-

    Accompanied by extensive editorial commentary, this edition of Celia in Search of a Husband contributes to this scholarship on the literary history of women's writing, and will be a welcome to those with a particularly interest in women's writing, satiric novels and spoofs, and Jane Austen.

  •  
    1 940,-

    Sarah Fielding was one of the most respected women authors of her generation and a key figure in the development of the novel. This edition revives The Countess of Dellwyn, the only one of Sarah Fielding¿s major works not previously available in a modern scholarly edition. The novel is satirical and didactic, taking as its targets fashionable life and modern marriage (and scandalous divorce) and narrated with acerbic wit by its anonymous third-person narrator.

  • - by Dorothea Du Bois
    av Dorothea Du Bois
    1 826,-

    This scholarly edition of Du Bois's 1770 novel, Theodora, A Novel, introduces readers to a unique voice in women's writing of the eighteenth century that has been undeservedly dismissed by literary history for far too long.

  • - by Mary Brunton
     
    1 928,-

    Discipline, the second novel by the Scottish writer Mary Brunton (1778-1818), was published in 1814. While less well known than its predecessor Self-Control (1811), it is nonetheless equally deserving of a central place in the canon of Romantic-era fiction. Discipline¿s innovative psychological realism sets it apart from its contemporaries. Through the moral growth of its heroine Ellen Percy, it insists on women¿s self-determination and their ability to become rational agents in a world that treats them as objects merely of desire or contempt.

  • - by Marguerite Blessington
     
    1 816,-

    Marmaduke Herbert; or, the Fatal Error - a highly popular novel reprinted in German, French and American editions within a year of its publication. In addition, editorial apparatus put the novel in its literary and cultural context, discusses its contemporary reception, and provide explanatory notes on the text regarding people.

  • - by Charlotte Dacre
    av Lucy Cogan
    1 577,-

    Dacre's novel was a bestseller, with two subsequent editions in two years. It tells the story of the wilful Cazire, whose passionate yet destructive adventures are recounted from the monastery where she now lives. The book will be of interest to those researching the Gothic, women's writing and the development of the nineteenth-century novel.

  • - by Sarah Green
    av Fiona Price
    624 - 1 656,-

  • - by Elizabeth Sophia Tomlins
    av Daniel Cook & Elizabeth Sophia Tomlins
    793 - 1 580,-

    The Victim of Fancy was first published in December 1787 and, despite favourable reviews, has not been published since. Cook's new scholarly edition of this forgotten novel will be of paramount importance in allowing new insights into the form of the sentimental novel as it actually existed in the 1780s, and not as it is often perceived.

  • - by Mrs S C Hall
    av Marion Durnin
    620 - 1 656,-

    Born in Dublin into the Anglo-Irish gentry, Anna Maria Hall moved to London when she was fifteen where she became famous for her books, plays and travel writing. It was her book, Sketches of Irish Character (1829) which made her a household name. This modern critical edition is based on Hall's third, revised edition of 1844.

  • - by Frances Brooke
    av Enit Karafili Steiner
    682 - 1 975,-

    Published in 1763, The History of Lady Julia Mandeville was Frances Brooke's first and most successful novel. This modern critical edition contains an introductory essay on the text, endnotes and textual variants as well as appendices containing contemporary reviews and some of Brooke's other writing.

  • - by Ann Gomersall
    av Margaret S. Yoon & Ann Gomersall
    582 - 1 828,-

  • - by Elizabeth Hays Lanfear
    av Elizabeth Hays Lanfear
    2 048,-

    This modern critical edition contributes both to our knowledge of 18th Century radical writers and thinkers, and to our understanding of the trajectory of women¿s fiction and the Jacobin novel.

  • - by E M Foster
    av Sylvia Bordoni
    316 - 509,-

  • - by Sarah Harriet Burney
    av Lorna Clark
    620 - 1 659,-

  • - by Stephanie-Felicite De Genlis
    av Gillian Dow
    582 - 1 489,-

    Some of the theories Genlis adopts in the education of the eponymous children have their roots in Rousseau's "Emile". However, Genlis herself suggested that Rousseau knew little of the practical education of children. This work is placed within the context of the late eighteenth-century debate on female education.

  •  
    1 659,-

    First published in 1759, this novel aims to promote the cause of the Magdalen House, a charity which sought to rehabilitate prostitutes by fitting them for a life of virtuous industry. It challenges long-standing prejudices against prostitutes by presenting them as victims of inadequate education, male libertinism and sexual double standards.

  • - by Helen Maria Williams
    av Natasha Duquette
    712 - 1 816,-

  • - by Sarah Green
    av Christopher Goulding
    624 - 1 816,-

  • - by Elizabeth Hervey
    av Helena Kelly
    546 - 1 816,-

  • - by Isabelle de Montolieu
    av Laura Kirkley
    620 - 1 489,-

    Thomas Holcroft's 1786 translation of Isabelle de Montolieu's novel is a textual encounter between a rather conventional Swiss woman and a British radical. Just as Montolieu did in her own translations, Holcroft reworked parts of the novel to make it more appealing to his intended audience.

  • - by Mary Brunton
    av Anthony Mandal
    582,-

    Self-Control (1811) was a literary sensation, going into four editions in its first year. The first novelist to set her story against a strong Scottish background, Brunton set the scene for other writers such as Walter Scott. Jane Austen was also a fan, she read it at least twice, worrying that the work might foreshadow her own creations.

  • - by Sydney Owenson
    av Jenny McAuley
    582 - 1 656,-

  • - by Eliza Haywood
    av Carol Stewart
    775 - 1 828,-

    Eliza Haywood was one of the most popular and versatile writers of the eighteenth century. The two novellas in this edition - The Rash Resolve (1724) and Life's Progress (1748) - show her developing and adapting her ideas on the subject of passion and romance. Though superficially presented as cautionary tales, Haywood introduces a feminist slant.

  • - Riccoboni and Brooke, Graffigny and Roberts
    av Marijn S. Kaplan
    285 - 490,-

    This edition connects four female writers from two different countries, presenting the English translations of two of the most popular eighteenth-century French novels and a sequel to one of them.

  • - by Eliza Haywood
    av Carol Stewart
    582 - 2 048,-

    Interest in the work of Eliza Haywood has increased greatly over the last two decades. Though much scholarship is focused on her 'scandalous' early career, this critical edition of The Invisible Spy (1755) adds to the canon of her later, more sophisticated work.

  • - by Sophie Cottin
    av Marijn S Kaplan
    618,-

    Often linked to the works of early Romanticism, Sophie Cottin's Malvina (1803) was a bestselling sentimental novel. First published in France, the English translation by Elizabeth Gunning - a prolific novelist in her own right - allowed Cottin's book to achieve success internationally. This is the first modern scholarly edition of Malvina.

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