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There remains an unexplored aspect of Goethe's career: his surprisingly significant role in 19th century melodrama. This score, the first edition of Eberwein's setting of Goethe's melodrama, Proserpina, offers an unprecedented examination of Goethe's text and overturns the accepted image of the artist as unmusical.

As well as providing a very readable and comprehensive study of the life and music of John Buckley,¿Constellations also offers an up-to-date and informative catalogue of compositions, a complete discography, translations of set texts and the full libretto of his chamber opera, making this book an essential guide for both students and professional scholars alike.

This is a book of considerable historical importance, offering an authoritative account of Liszt's teaching methods as imparted by two of his former students. It contains much valuable information unavailable elsewhere: none of the reminiscences of Liszt published by his students discuss technical matters or interpretation in comparable detail.

In this edition, the first in which all Beethoven's Irish folksong settings are published together, the late baritone, broadcaster and musicologist, Tomas O Suilleabhain, selected texts, mostly by Burns and Moore, which he felt were more appropriate to the airs and to Beethoven's settings.

Lecture proceedings including the essence of theatre; Ireland's contribution to the art of theatre; the potential of drama in the classroom; the relationship between drama and film; and on opera and its history.

Poems 2000-2005 is a transitional collection written while the author - also known to be W. J. Me Cormack, literary historian - was in the process of moving back from London to settle in rural Ireland. It is also a vigorous contribution to the age-old dialogue between Sacred and Profane themes, questioning beliefs and pleasures, guilts and landscapes, poetic methods and prosaic realities.

The author looks at the gospels from a modern angle. Was Jesus a person like us? He investigates these issues conscientiously and opens up a new way in which the modern Christian, despite everything, can confidently be a believer.

This thought-provoking volume of essays, wide-ranging in scope and interdisciplinary in its approach, engages with questions surrounding the many meanings ascribed to death and the memorialisation of the dead.

The Drunkard is a wonderfully eloquent play.'Young Edward Kilcullen's life is blighted by alcohol.