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Explores the last six novels by Spains most honoured contemporary woman writer. Its scholarship is enriched by the voice of Calila herself - as Brown called MartIn Gaite, who was a dear friend - as they conversed and exchanged letters during the composition of the novels.
In this ambitious new interdisciplinary study, Useche proposes the metaphor of the social foundry to parse how industrialization informed and shaped cultural and national discourses in late nineteenth- and early twentieth-century Spain.
In post-Franco Spain the artist novel began to proliferate for the first time in a century, but these novels have received little critical attention. This book studies a selection of authors whose largely realist novels portray a clash between the myth of artistic freedom and artists' willing recruitment by market forces or political influence.
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Ved å abonnere godtar du vår personvernerklæring.