Bøker i Camden House History of German Literature-serien

New essays on the first flowering of German literature, in the High Middle Ages and especially during the period 1180-1230.

A detailed, contextualized picture of the very beginnings of writing in German from around 750 to 1100.

Traces literary developments in the German-speaking countries from 1900 to the present.

Sharply focused essays on the most significant aspects of German Romanticism.

Carefully focused essays on major aspects of one of the most significant German literary movements, the Storm and Stress.

New essays providing an account of the shaping beliefs, preoccupations, motifs, and values of Weimar Classicism.

New essays providing an overview of the major movements, genres, and authors of 19th-century German literature in social and political context.

New essays tracing the 18th-century literary revival in German-speaking lands and the cultural developments that accompanied it.

A collection of fresh essays examining the wide scope and significance of early Germanic culture and literature.The first volume of this set views the development of writing in German with respect to broad aspects of the early Germanic past, drawing on a range of disciplines including archaeology, anthropology, and philology in addition toliterary history. The first part considers the whole concept of Germanic antiquity and the way in which it has been approached, examines classical writings about Germanic origins and the earliest Germanic tribes, and looks at thetwo great influences on the early Germanic world: the confrontation with the Roman Empire and the displacement of Germanic religion by Christianity. A chapter on orality -- the earliest stage of all literature -- provides a bridgeto the earliest Germanic writings. The second part of the book is devoted to written Germanic -- rather than German -- materials, with a series of chapters looking first at the Runic inscriptions, then at Gothic, the first Germanic language to find its way onto parchment (in Ulfilas's Bible translation). The topic turns finally to what we now understand as literature, with general surveys of the three great areas of early Germanic literature: Old Norse, Old English, and Old High and Low German. A final chapter is devoted to the Old Saxon Heliand.Contributors: T. M. Andersson, Heinrich Beck, Graeme Dunphy, Klaus Duwel, G. Ronald Murphy, Adrian Murdoch, Brian Murdoch, Rudolf Simek, Herwig Wolfram.Brian Murdoch and Malcolm Read both teach in the German Department of the University of Stirling in Scotland.

Pathbreaking volume providing a detailed, state-of-the-art overview of the literature of this 350-year period and its cultural and historical background.Early Modern German Literature provides an overview of major literary figures and works, socio-historical contexts, philosophical backgrounds, and cultural trends during the 350 years between the first flowering of northernhumanism around 1350 and the rise of a distinctly middle-class, anti-classical aesthetics around 1700. Recent scholarship has significantly revised many traditional assumptions about the literature of this period, starting with areassessment of the canon. The notion of "e;literature"e; has expanded to include a much wider range of texts than before, such as broadsheets, illustrated books, emblem books, travelogues, demonological treatises, and letters. Greater attention to the cultural and social phenomena that affect literary production has led to hitherto neglected areas of research, including the culture of learning and learnedness; the idea of authorship; the relationship betweenthe intellectual elite and the state and other political authorities and institutions; the development of the family; gender dichotomy; and the early formation of an educated, urban middle class. In an introduction and twenty-seven essays on specific but broadly-based topics of seminal importance to the period, written by leading specialists from North America, the United Kingdom, and Germany, this pathbreaking volume reflects this state-of-the-art research. Contributors: Klaus Garber, Graeme Dunphy, Renate Born, Stephan Fussel, Scott Dixon, Wilhelm Kulmann, Max Reinhart, joachim Knape, Hans-Gert Roloff, Erika Rummel, John Alexander, Peter Hess, Andreas Solbach, Peter Daly, Helen Watanabe-O'Kelly, Jill Bepler, Gerhart Hoffmeister, Steven Saunders, jeffrey Chipps Smith, Wolfgang Neuber, Gerhild Scholz Williams, Anna Carrdus, John L. Flood, Laurel Carrington, Theodor Verweyen, John Roger Paas Max Reinhart is Professor of German at the University of Georgia.