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This volume offers new perspectives on the history of the Byzantine Balkans and beyond-regions that lived for centuries under the long shadow of Constantinople-as well as unique insights into the complex world of late medieval and early modern southeastern Europe during a period of catastrophe.
This volume brings together scholars from fields and disciplines as diverse as medieval history, Byzantine history, Roman art history, and early Islamic studies that were influenced by Walter Kaegi. The contributors examine political culture, source criticism, and institutional continuity and discontinuity in a variety of areas.
Conflict, Bargaining, and Kinship Networks in Medieval Eastern Europe takes the familiar view of Eastern Europe, families, and conflicts and stands it on its head. Instead of a world rife with civil war and killing, this book presents a relatively structured environment where conflict is engaged in for the purposes of advancing one's position, and where death among the royal families is relatively rare. At the heart of this analysis is the use of situational kinship networksrelationships created by elites for the purposes of engaging in conflict with their own kin, but only for the duration of a particular conflict. A new image of medieval Eastern Europe, less consumed by civil war and mass death, will change the perception of medieval Eastern Europe in the minds of readers. This new perception is essential to not only present the past more accurately, but also to allow for medieval Eastern Europe's integration into the larger medieval world as something other than an aberrant other.
This volume offers new perspectives on the history of the Byzantine Balkans and beyond-regions that lived for centuries under the long shadow of Constantinople-as well as unique insights into the complex world of late medieval and early modern southeastern Europe during a period of catastrophe.
This study focuses on four different iconographical forms that appeared in Rome during the eighth and ninth centuries. The author analyzes the experimentation and innovation of Christian iconographies and the artistic vibrancy of early medieval Rome before it became divided between East and West.
This study examines Cypriot society from the crusader conquest of the island in 1191 to the Ottoman conquest of 1571. The author analyzes the ethnic, cultural, and religious landscape of Cyprus and argues that Cypriots adopted a nonviolent, covert form of anti-Latin resistance.
In this book, Chrysovalantis Kyriacou reconstructs the motif of the Byzantine warrior hero in Cypriot folk songs. Kyriacou uses this motif as a focus in examining Cyprus's memories of the pre-Christian past, Christian militarism, power struggles, and ethnoreligious encounters.
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