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Then something very incriminating is discovered in the dead man's flat - something which points to the existence of a high-level cabal - and Brunetti becomes convinced that somebody, somewhere, is taking great pains to provide a ready-made solution to the crime ...

For Commissario Guido Brunetti it began with an early morning phone call. A sudden act of vandalism has just been committed in the chill Venetian dawn, a rock thrown in anger through the window of a building in the deserted city. But soon Brunetti finds out that the perpetrator is no petty criminal intent on some annoying anonymous act.

When Commissario Brunetti is visited by a young bureaucrat investigating the lack of official approval for the building of his apartment years before, his first reaction, like any other Venetian, is to think of whom he knows who might bring pressure to bear on the relevant local government department.

The murder of two clam fishermen off the island of Pellestrina, south of the Lido on the Venetian lagoon, draws Commissario Brunetti into the close-knit community of the island, bound together by a code of loyalty and a suspicion of outsiders worthy of the Mafia.

When one of his wife Paola's students comes to visit him, with a strange and vague interest in investigating the possibility of a pardon for a crime committed by her grandfather many years ago, Commissario Brunetti thinks little of it, beyond being intrigued and attracted by the girl's intelligence and moral seriousness.

Neither Commissario Brunetti nor his wife Paola have ever had much sympathy for the Italian armed forces, so when a young cadet is found hanged, at Venice's elite military academy, Brunetti's emotions are complex. But as Brunetti - and the indispensable Signorina Elettra - investigate further, no one seems willing to talk.

When a wealthy Venetian woman is found brutally murdered, the prime suspect is her Romanian maid, who has fled the city. Commissario Brunetti decides - unofficially - to take on the case himself.

On a cold Venetian night shortly before Christmas, a man is killed in a scuffle in Campo San Stefano. As Brunetti starts to investigate the murky subculture of the Venetian underworld, he discovers that life is cheap in the immigrant community and something of much greater value is at stake.

When Commissario Brunetti is summoned to the hospital bedside of a senior paediatrician whose skull has been brutally fractured, he is confronted with more questions than answers.

As Commissario Guido Brunetti watches his mother buried, he takes some solace in the cloud dappled sky, and the tops of the Venretian cypress trees, moving gently in the spring breeze.

He's charmed - perhaps too charmed, suggests his wife Paola - by her love of Virgil and Cicero, but shocked by her appearance. He believes the man's death is connected to the illegal transportation of refuse - and more sinister material - in his company's trucks.

When Anna Maria Giusti returns from holiday to find her elderly neighbour Constanza Altavilla dead, with blood on the floor near her head, she immediately alerts the police. Commissario Brunetti is called to the scene and it seems the woman has suffered a fatal heart attack.

When a body is found floating in a canal, strangely disfigured and with multiple stab wounds, Commissario Brunetti is called to investigate and is convinced he recognises the man from somewhere.

When several valuable antiquarian books go missing from a prestigious library in the heart of Venice, Commissario Brunetti is immediately called to the scene. The staff suspect an American researcher has stolen them, but for Brunetti something doesn't quite add up.

In Death at La Fenice, Donna Leon's first novel in the Commissario Brunetti series, readers were introduced to the glamorous and cut-throat world of opera and to one of Italy's finest living sopranos, Flavia Petrelli - then a suspect in the poisoning of a renowned German conductor.

In Death at La Fenice, Donna Leon s first novel in the Commissario Brunetti series, readers were introduced to the glamorous and cut-throat world of opera and to one of Italy s finest living sopranos, Flavia Petrelli then a suspect in the poisoning of a renowned German conductor. Now, many years after Brunetti cleared her name, Flavia has returned to the illustrious La Fenice to sing the lead in Tosca.As an opera superstar, Flavia is well acquainted with attention from adoring fans and aspiring singers. But when one anonymous admirer inundates her with bouquets of yellow roses on stage, in her dressing room and even inside her locked apartment it becomes clear that this fan has become a potentially dangerous stalker. Distraught, Flavia turns to an old friend for help. Familiar with Flavia s melodramatic temperament, Commissario Brunetti is at first unperturbed by her story, but when another young opera singer is attacked he begins to think Flavia s fears may be justified. In order to keep his friend out of danger, Brunetti must enter the psyche of an obsessive fan and find the culprit before anyone comes to harm.

In The Waters of Eternal Youth, the twenty-fifth instalment in the bestselling Brunetti series, our Commissario finds himself drawn into a case that may not be a crime at all.

Granted leave from the Questura, Commissario Guido Brunetti decides to finally take a well-earned break and visit Sant'Erasmo, one of the largest islands in the Venetian laguna.