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The discovery of the resting place of the great Egyptian Pharaoh Tutankhamun [Tut.ankh.Amen] in November 1922 by Howard Carter and the fifth Earl of Carnarvon was the greatest archaeological find the world had ever seen. Despite its plundering by thieves in antiquity, the burial of the king lay intact with its nest of coffins and funerary shrines, surrounded by a mass of burial equipment arranged in three peripheral chambers. After the long search for the tomb and its initial discovery and excavation (volume 1), after the discovery of the king's resting place and body (volume 2), the third and final volume of Howard Carter's account sees him reach the treasury, full of the incredible riches that the Pharaoh had sort to take with him to the world beyond and which had seemed lost to time before Carter's historic discovery. Now available in the Bloomsbury Revelations series, the book includes over 150 photographs of the treasury and its contents.

How was it possible, by the later twentieth century, to have erased women as artists from art history so comprehensively that the idea of 'the artist' was exclusively masculine? Why was this erasure more radical in the twentieth century than ever before? This book offers a radical challenge to a women-free Art History.

Published in the Bloomsbury Revelations series and featuring a new preface by the author, this classic biography by acclaimed historian Richard Overy takes the reader on a chilling journey into the heart of Hitler's inner circle.Hermann Goering was Hitler's most loyal supporter, his designated successor and the second most powerful man in the Third Reich. One of the main architects of the Nazi regime, he was also instrumental in the creation of the Gestapo and directly ordered the Final Solution. But who was the man behind the carefully-constructed mask? Self-indulgent and ruthless, sybaritic and brutal, egotistical yet capable of self-effacement, weak-willed yet fiercely calculating, Goering was a contradictory, complex and often bufoonish character. He styled himself as the 'Iron Man' but was known to wear togas, fur coats and faux-medieval hunting outfits. A brilliant World War I fighter pilot, military leader and mercurial Luftwaffe commander, he also loved the opera and took a perverse pride in his ill-gotten, infamous art collection. Richard Overy illuminates the many facets of Goering's personality and charts his story from his golden days as Hitler's most trusted commander to his failures and loss of power after the Battle of Britain, his sensational trial at Nuremberg and his ignominious death by suicide on the eve of his execution.

The Invisible Actor presents the captivating and unique methods of the distinguished Japanese actor and director, Yoshi Oida. While a member of Peter Brook's theatre company in Paris, Yoshi Oida developed a masterful approach to acting that combined the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. Written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides contextual commentary on Yoshi Oida's work and methods. In a new foreword to accompany the Bloomsbury Revelations edition, Yoshi Oida revisits the questions that have informed his career as an actor and explores how his skilful approach to acting has shaped the wider contours of his life.

Presents a comprehensive overview of Alain Badiou's ambitious system. Beginning with Badiou's controversial assertion that ontology is mathematics, this volume sets out his theory of the emergence of truths from the singular relationship between a subject and an event. It provides an introduction to one of the great thinkers of our time.

These two key essays by Antonio Negri, brought together here for the first time, were written in prison two decades apart. Together, the two essays explore the burning issue of our times: is there still a place for resistance in a society utterly subsumed by capitalism?

"The Odyssey" tells the story of the long and painful return of Odysseus from the Trojan War to his homeland of Ithaka. This new translation by Martin Hammond complements his translation of "The Iliad". It aims to capture as closely as possible both the simplicity and the intensity of Homer's epic.

Volumes 1-3 originally published in 1950 by Odhams Press. Volume 4 originally published in 1929 by Charles Scribner's Sons. Volume 5 originally published in 1931 by Charles Scribner's Sons.

Volumes 1-3 originally published in 1950 by Odhams Press. Volume 4 originally published in 1929 by Charles Scribner's Sons. Volume 5 originally published in 1931 by Charles Scribner's Sons.

Volumes 1-3 originally published in 1950 by Odhams Press. Volume 4 originally published in 1929 by Charles Scribner's Sons. Volume 5 originally published in 1931 by Charles Scribner's Sons.

Volumes 1-3 originally published in 1950 by Odhams Press. Volume 4 originally published in 1929 by Charles Scribner's Sons. Volume 5 originally published in 1931 by Charles Scribner's Sons.

A history of Great Britain and its former colonies and possessions, from Caesar's invasions to the beginning of the First World War.

A history of Great Britain and its former colonies and possessions, from Caesar's invasions to the beginning of the First World War.

Originally published: London: Thornton Butterworth Ltd., 1939.

Volumes 1-3 originally published in 1950 by Odhams Press. Volume 4 originally published in 1929 by Charles Scribner's Sons. Volume 5 originally published in 1931 by Charles Scribner's Sons.

Originally published: London: Cassell, 1956.

Originally published: London: Cassell, 1956.

A wholly revised, re-edited and expanded edition of one of the seminal texts of twentieth century theatre. Featuring new translations, additional texts, illustrations and editorial matter, this is a fullest and clearest account yet of Brecht's thinking on theatre and aesthetics.

"A selection of Brecht's principal writings for directors and theatre practitioners"--Page 4 of cover.

Presents the stories of Martin Luther, Mary Wollstonecraft and Rosa Parks, whose sacrifices make us value these precious rights, especially in an age when governments under pressure find it necessary to restrict rights in the name of freedom.