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This book aims to highlight, how and why people of Afro-descendant living in Latin American and Caribbean, continue to experience greater levels of violent racial discrimination, than their African-American counterparts. Contributing scholars provides a range of perspectives which illuminate and explore the experiences of Afro-descendant people and their responses to institutional racism and state violence. This volume is organized categories by region and countries, followed by a range of established and ground-breaking perspectives regarding the experiences of the Afro-descendant population in Latin America and the Caribbean. This collection brings together a comparative set of scholarly contributions, which theorize how patterns of past and post recognition racism is experienced by Afro-descendent people through the process of race reformulation, which often takes place after neoliberal states claim to recognize indigenous and Afro-descendant peoples and their rights. Moreover, scholars and journalists explore the dynamic interplay between racial politics and hegemonic power in the region, and investigate the fluid intersection of social power, racial politics and their impact on the region''s indigenous and Afro-descendant identity and culture. Experts collectively discuss both pervasive forms of racism and discrimination under neoliberal recognition and governance, reformulation and even reinforcement of racial projects, ''the process by which social, economic and political forces determine the content and importance of racial categories'' - under so-called progressive governments. A selection of writers assert that the overarching sentiment is that racial formation is part of a right-wing backlash by the poor of racially dominant groups that are resistant to the social, legal, political advances of Afro-descendant communities, especially in recently left leaning countries. Perceptive authors highlight the hypocrisy of neoliberal multiculturalism, of left-wing governments who proclaim the existence of legal and political rights, while doing little to enforcing them. Instead, choosing racial and cultural essentialisms and stereotypes to justify the subordination and oppression of Afrodescendant and indigenous people.Conclusively, the scholarly and journalistic and state reaction to the death of George Floyd confirms that Latin America is entering a news stage of racial recalcitrance, which exposes the dangers of post-recognition racism in an era of racist resistance to Black protest and Afro-Descendant protests and progress.  

Seeking Justice is a photodocumentary book of the Smiley Culture Protest of April 16th 2011 by award winning photojournalist and author Delroy Constantine-Simms. The 500 timeless Black and white images in Seeking Justice were acquired by following activists and organizers throughout the protest. Seeking Justice reflects the complex and often contentious relationship between the Black community and police through poignant quotes and essays. Seeking Justice is a reflection of the public reaction to the untimely and questionable death of reggae star Smiley Culture, who died in the presence and custody of the London Metropolitan Police in his own home. Seeking Justice is also a contribution to the photographic history of Black British resistance to police oppression and brutality, for future generations to appreciate and learn from. .

This photo book serves as a compelling firsthand visual account of my presence and active participation in the Justice for Trayvon Martin protest, which occurred on July 16th, 2013, outside the U.S. embassy. Its purpose is to ensure that the UK's involvement in the Justice for Trayvon demonstration is documented and preserved in accessible libraries rather than being confined to commercial or private archives.The book is thoughtfully divided into three sections, each exploring a different aspect:Section One: Perspectives on The Death of Trayvon Martin and RacismThis section delves into the tragic event of Trayvon Martin's death and examines the broader issue of racism. It provides diverse perspectives and insights, fostering a deeper understanding of the complex dynamics at play.Section Two: Visual Activism and Iconic Protest ImagesHere, the focus shifts to visual activism and the iconic images captured during the protest. The photographs, taken with basic digital cameras and cell phones, are intentionally presented without watermarks or captions. This decision was made to emphasize the importance of the emotions and experiences conveyed in the images, prioritizing their authenticity over technical perfection.Section Three: Race and Policing in the UKThe final section explores the topic of race and policing within the UK context. It sheds light on the broader implications of racial discrimination and its impact on law enforcement practices. By examining this issue, the book aims to contribute to a more nuanced understanding of the systemic challenges faced by marginalized communities.Throughout the book, I aim to highlight the significance of interpreting the political dress practices of black protestors. By doing so, it becomes evident how the black body's role in civil rights protests can influence our perception and comprehension of these demonstrations. The inclusion of feeling and emotion within photographic theory and practice is vital in engaging viewers as secondary witnesses, allowing them to develop an emotional connection with the events captured in the photographs. The visual experience goes beyond the purely visual, resonating with our other senses and enhancing our overall perception.In conclusion, this photo book acknowledges the profound impact of political dressing and photography on participants in anti-racism and anti-police brutality demonstrations. It recognizes the power of political signage as a means for individuals to assert control over their public appearance and narrative. By utilizing political signage as a form of institutional critique, protestors can present a narrative that is resistant to revision or dismissal by detractors or historical revisionists with a right-wing agenda. Photography serves as a crucial medium for capturing and preserving these narratives that many would otherwise seek to dismiss or erase.Through this photo book,contributes to the ongoing dialogue on racial justice, activism, and the power of visual storytelling. It is the author and photographers intention to inspire reflection, empathy, and a deeper understanding of the experiences and struggles faced by marginalized communities in their pursuit of justice.