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Using societal patterns of exploitation that are evidenced in agrarian societies from the Bronze Age to modern-day corporate globalization, Re-Reading the Prophets offers a new approach to understanding the hidden contexts behind prophetic complaints against economic injustice in eighth-century Judah.

This anthology on Eve brings together an international group of scholars to discuss how this character has been interpreted by Judaism, Christianity and Islam. A venerated figure by many modern feminists and a denigrated figure by those who blame her for original sin, no reader will leave these pages indifferent to the first woman.

On the basis of Christiane Nord's functionalist theory of translation, the author of this book formulated a Participatory Approach to Bible Translation and experimented with it in translating the book of Jonah into Sabaot, a Kenyan language.

Using a form of social-historical criticism this book provides a counter-reading of Lamentations that elucidates the impact and aftermath of siege warfare on Judah's peasants.

The less-discussed character in the Bible is the woman: two talking animals therein have sometimes received more page space. Biblical women are compared to mythical characters from the wider Middle East or from contemporary literature, and feminist/womanist perspectives are discussed alongside traditional and theological perspectives.

From Jael's tent peg to Judith's sword, biblical interpreters have long recognized the power of the "lethal women" stories of the Hebrew Bible and related literature.

Utilizing insights from trauma studies, Daughter Zion's Trauma advances the view that awareness of trauma's potential effects sheds light on many of the book of Lamentations' complex literary features, and suggests new interpretive possibilities.

In the nightstands of hotel rooms, kept under lock and key, in the poetry of a pre-apocalyptic environmental cult, and quoted by children, atheists, and murderers alike - the Bible is omnipresent in the work of Margaret Atwood.

Assembles cutting-edge literary and critical readings of Atwood and the Bible.

Euro-American biblical scholarship has traditionally conceived of the Bible in a way that removes privileged readers from personal responsibility in the subjugation of marginalized communities. Peter McLellan terms this practice gentrified biblical scholarship: readers removed from difference, because of the gentrification of space in the West, who are left without the conceptual resources to understand their relationship with the Bible as simultaneous relationship with minoritized communities. McLellan deploys the theoretical fields of hauntology and critical space theory to argue that the Gospel of Mark is a haunted place. A project written largely in New Jersey's wealthy northern suburbs, each chapter converses with vignettes from Newark, New Jersey's Ironbound neighborhood-a low income, largely Latinx and immigrant community-to explore relations between these two otherwise isolated locales. The result is a discussion of gentrifications harmful effects on vibrant communities, made invisible to suburban Christian readers, and an effort to explore how marginalized people make persistent demands upon those who hold Mark's Gospel sacred.