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This collection examines Southeast Asia's cinematic development throughout the latter part of the 20th century, before the post-2000 revival and the advent of digital filmmaking.
This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its own terms.
Dirgantoro presents the first comprehensive study of feminisms and contemporary art in Indonesia.
This book examines performative interventions that can generate a re-imagining of local publics - both spatially grounded and mediatized - and help to renegotiate the connection between the local and the global.
This book is an ethnographic analysis of the familial life worlds of fans of a movie star named Rajinikanth as well as his appropriation into networks of patronage, praise and social mobility via images.
This book examines an array of auteur-driven fiction and documentary independent film projects that have emerged since the turn of the millennium from East and Southeast Asia.
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