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Features King Oliver, Gunther Schuller, Fats Waller, and black college bands.

Features Thelonious Monk, McCoy Tyner, Count Basie, and John Coltrane.

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Features Lester Young, early black recording, Earl Hines, jazz and bop harmony.

Showcases professional work in the arena of jazz theory. Among the contributors are scholars of jazz theory as well as musicians, including four of the founding members of the jazz section of the Society for Music Theory.

This annual review is dedicated to research on jazz and its related musical forms. It contains numerous musical examples, a book review section, a portfolio of jazz photographs, and bibliographic surveys. Articles include treatments of McCoy Turner, Bill Evans, Charlie Parker and Jimmy Smith.

The Annual Review of Jazz Studies (ARJS) is a journal providing a forum for the ever expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. This 14th issue contains four articles that contravene accepted precepts of jazz orthodoxy: John Howland traces the connection between Duke Ellington's extended works and the 'symphonic jazz' model of the 1920s; Horace J. Maxile, Jr. takes an unfashionably broad perspective of Charles Mingus's 'Ecclusiastics'; Brian Priestley challenges the canonical depiction of Charlie Parker by exploring his ties to the popular music of his time; and John Wriggle presents an extensive examination of the life and work of arranger Chappie Willet.