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From the Antebellum Era through the Gilded Age, New York City's leading art institutions were lightning rods for conflict. Art Wars examines three protracted battles that linked art institutions and disputes about taste to major social and political struggles of the nineteenth century.
Luxurious Citizens traces the ways in which Americans tied consumer desire to the national interest between 1789 and 1865 and reveals how the nation transformed individual desires for goods into an index of civic worth, placing unbridled consumption at the heart of their modern political economy.
In Prairie Imperialists, Katharine Bjork examines how the experiences of American Army officers on the domestic frontier shaped them for the later roles they played in U.S. expansion abroad in the Philippines, Cuba, and Mexico.
Andrew Heath shows how Philadelphians looked to consolidate their city across internal social and sectional divisions as the republic fell apart in the Civil War era. Rallying to the cry "In Union There Is Strength," their battles over what a modern metropolis ought to be reveals how a city of mobs became a city of neighborhoods.
Dennis Patrick Halpin argues that Baltimore is key to understanding the trajectory of civil rights in the late nineteenth and early twentieth century. A Brotherhood of Liberty traces the civil rights victories scored by black Baltimoreans that inspired activists throughout the nation and subsequent generations.
In Force and Freedom, Kellie Carter Jackson provides the first historical analysis exclusively focused on the tactical use of violence among antebellum black activists. Through tactical violence, argues Carter Jackson, abolitionist leaders created the conditions that necessitated the Civil War.
The Apache Diaspora brings to life the stories of displaced Apaches and the kin from whom they were separated. Paul Conrad charts Apaches' efforts to survive or return home from places as far-flung as Cuba and Pennsylvania, Mexico City and Montreal.
Perhaps no other symbol has more resonance in African American history than that of "40 acres and a mule"-the lost promise of Black reparations for slavery after the Civil War. In I've Been Here All the While, Alaina E. Roberts draws on archival research and family history to upend the traditional story of Reconstruction.
In The Kingdom and the Republic, Noelani Arista uncovers a trove of previously unused Hawaiian language documents to chronicle Hawaiians' experience of encounter and colonialism in the nineteenth century, reconfiguring familiar histories of trade, proselytization, and negotiations over law and governance in Hawai i.
Mastering Emotions examines the interactions between slaveholders and enslaved people, and between White people and free Black people, to expose how emotions such as love, terror, happiness, and trust functioned as social and economic capital for slaveholders and enslaved people alike.
Illusions of Empire is the first study to treat antebellum U.S. foreign policy, Civil War campaigning, the French Intervention in Mexico, Southwestern Indian Wars, South Texas Bandit Wars, and U.S. Reconstruction in a single volume, balancing U.S. and Mexican sources to depict a borderlands conflict with lasting ramifications.
Borderlands of Slavery explores how the existence of two involuntary labor systems-Mexican peonage and Indian captivity-in the nineteenth-century Southwest impacted the transformation of America's judicial and political institutions during the antebellum, Civil War, and Reconstruction eras.
The Black Republic explores the critical but overlooked place of Haiti in black thought in the post-Civil War era. Following emancipation, African American leaders considered Haiti a singular example of black self-governance whose fate was inextricably linked to that of African Americans demanding their own right to self-determination.
The Alchemy of Slavery foregrounds diverse and adaptable slaving practices that masters deployed to build a slave economy in Illinois, innovating in response to antislavery pressures.
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