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"Sponsored by Quadrant's Health and Society group (advisory board: Susan Craddock, Jennifer Gunn, Alex Rothman, and Karen-Sue Taussig), and by the Center for Bioethics at the University of Minnesota."

Before the 1820s, the vast majority of Americans ate only at home. As the nation began to urbanize and industrialize, home and work became increasingly divided, resulting in new forms of commercial dining.In this fascinating book, Kelly Erby explores the evolution of such eating alternatives in Boston during the nineteenth century.

Bridging gaps among thehistory of the labor movement, cinema studies, art history, media activism, andhacking, Improper Names examines the contentious politics and thestruggles for the control of a shared alias from the early nineteenth centuryto the age of networks.

Analyzing the medical clinic after neoliberalism.

Examining the role of performance in state-making

"Sponsored by the Quadrant Global Cultures group ... and by the Institute for Global Studies at the University of Minnesota."

By looking closely at three public housing projects in San Francisco, Amy L. Howard brings to light the dramatic measures tenants have taken to create communities that mattered to them. These stories challenge assumptions about public housing and its tenants--and make way for a broader, more productive and inclusive vision of the public housing program in the United States.

In Fiery Cinema, Weihong Bao traces the permutations of cinema as an affective medium in China from the early through the mid-twentieth century, exploring its role in aesthetics, politics, and social institutions.

Originally presented as the author's thesis (doctoral)--University of Washington, 2008.

In 1995 a half-vacant public housing project on Chicago's Near West Side fell to the wrecking ball. The demolition and reconstruction of the Henry Horner housing complex ushered in the most ambitious urban housing experiment of its kind: smaller, mixed-income, and partially privatized developments that, the thinking went, would mitigate the insecur

Why do we feel bad at the zoo? In a fascinating counterhistory of American zoos in the 1960s and 1970s, Lisa Uddin revisits the familiar narrative of zoo reform, from naked cages to more naturalistic enclosures. She argues that reform belongs to the story of cities and feelings toward many of their human inhabitants. In "Zoo Renewal, " Uddin demon

Sometimes a road is more than just a road

An ethnography of coal country in southern West Virginia.