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Up Jumped the Devil will astonish blues fans who thought they knew something about Robert Johnson.
MR. TAMBOURINE MAN THE STORY OF THE BYRDS GENE CLARK
The definitive biography of one of the most intriguing bands of the late twentieth century, written with the participation of the group s key members.
The perfect gift for popular culture feminists and audiophiles alike, Women Who Rock Cross-Stitch features 30 bold cross-stitch patterns alongside off-beat biographies of 20 of the music industry's most seminal figures.
This edition of the Hungarian composer's six-volume cycle of piano studies presents volumes one and two of the series, offering first- and second-year students more than 100 pieces of study material.
The book that set the standard for orchestration texts.
Hailed the Trumpet Bible for over 150 years, this complete pedagogical method contains hundreds of exercises for brass instruments, beginning with basics and progressing to advanced compositions, including the author's famous arrangement of "The Carnival in Venice." Sharing the knowledge he acquired from many years of experience as a performer and teacher, Arban discusses every aspect of playing with emphasis on articulation, tonguing, slurs, tone, and range. He offers an appreciation of all the instrument's inherent difficulties as well as instructive points that touch upon all possible musical questions. Whether you are a beginner or an old master, this unabridged republication of the 1912 edition is an asset to trumpet, French horn, and cornet players. Joseph Jean-Baptiste Laurent Arban (1825-1889), the first famed virtuoso of the cornet, applied Niccolò Paganni's virtuosic technique for the violin to the cornet to prove that the cornet is a true solo instrument. From 1841 to 1845, Arban studied trumpet under Francois Dauverné at the Paris Conservatoire. He was appointed professor of sax horn at the École Militaire in 1857 and professor of cornet at the Paris Conservatoire in 1869. Arban devoted his life to music working as a conductor, composer, and professor. His legacy endures in the Arban Method, which continues to be widely studied by modern horn players, along with his masterful arrangement of "The Carnival of Venice," which remains a legendary soloist cornet piece.
Designing Tube Preamps for Guitar and Bass is the most comprehensive guide to the design of tube-based preamplifiers for musical instrument use, in a single volume. From the input to the phase inverter this book discusses in detail the inner workings and practical design of every part of a conventional guitar preamp, including the use of triodes, pentodes, tone controls, effects loops and much more. This second edition is fully revised and includes four new chapters covering noise, signal switching, topology, and grounding. Aimed at intermediate-level hobbyists and circuit designers, it explores how to manipulate distortion and maximise performance for the perfect tone. With easy-to-read explanations, minimal math and over 250 diagrams and figures, it is an essential handbook for any tube amp enthusiast!
A new Urtext critical edition of Chopin's Ballades, edited by Jim Samson. Composed between 1831 and 1842, Chopin's four Ballades are among the most important works in the Romantic piano literature. The Complete Chopin, 'A New Critical Edition' from Edition Peters is a landmark in the publication of this composer's music. Three of the world's most respected Chopin specialists have been appointed as Series Editors: John Rink, Jim Samson and Jean-Jacques Eigeldinger. With further expertise provided by Christophe Grabowski, the Editorial Consultant, their unrivalled collective knowledge imbues this project with unique authority, drawing upon the latest international scholarship to ensure the stylistic integrity and consistency of the edition. Key Features include: An introductory essay in English, German and French examining the historical background, compositional features and performance practice issuesThe identification of, and adherence to, a single principal sourceA detailed and comprehensive critical commentaryChopin's authentic fingerings onlyEmphasis placed on retaining expressive features of the original notationNotes on the editorial principles and methodology guiding the whole project.
An expanded and updated edition, this Companion will appeal to students and practitioners of electronic music. Including four new chapters and new artists' statements, this book explores the history, theory, creation and analysis of a wide range of styles across the worldwide electronic music scene.
A portable, abridged volume of Dylan's lyrics, from the beginning of his career through to the present day.
'All the hard-living, the drinking, the drugging, the sex, the money, all the bullshit, it was never hard. It was easy. The hard part was not dying from it.' Lemmy, as told to Mick Wall'Unflinching, forthright and full of wry humour as the man himself, and there's little praise greater than that' CLASSIC ROCK
The first detailed contextual study of chamber music in Beethoven's Vienna, at a time when the string quartet reigned supreme among the different chamber genresThis book is the first detailed contextual study of string quartets in Beethoven's Vienna, at a time when that genre reigned supreme among the different chamber genres. Focusing on a key transition period in the early nineteenth century, which bore witness to fundamental shifts in the 'private' sphere of music-making, it explores the 'cultivation' of string quartets by composers, critics, listeners, performers, publishers and patrons. The book highlights these parties' interactions, ideas and ideals, which were central to defining the unique cultures of chamber music arising at this time. We gain fresh insights into publishing and marketing, performance venues and practices, review culture, listening theories and practices, and composition in early nineteenth-century Vienna. Until now, the unique theatricality of chamber music, and the 'social' nature of its discourse, has been poorly appreciated. Cultivating String Quartets in Beethoven's Vienna addresses this misconception and enriches our understanding of this crucial period of change, in which concert life began and previously 'private' music was moved out onto the stage. NANCY NOVEMBER is Associate Professor in Musicology at the University of Auckland.
Lyrical visionary, enduring style icon and one indispensable fifth of post- Peter Green megaband Fleetwood Mac, Stevie Nicks is one of the most recognisable figures in rock 'n' roll history - very much Fleetwood Mac's 'Queen Bee', as Mick Fleetwood himself describes her.
Guitar For Dummies, 4th Edition (9781119293354) was previously published as Guitar For Dummies, 4th Edition (9781119151432). While this version features a new Dummies cover and design, the content is the same as the prior release and should not be considered a new or updated product.
In an account based on more than 200 original interviews, historian Greg Renoff tells the untold story of Van Halen's 1970s ascent out of the backyards of Pasadena to international rock superstardom.
Includes an account of Bernard's Salford childhood, the early days of Joy Division, the band's enormous critical and popular success, and the subsequent tragic death of Ian Curtis.
How sonically distinctive digital "signatures"-including reverb, glitches, and autotuning-affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others.
PHOTOGRAPH goes from behind the drums to behind the lens, as Ringo Starr opens his archives to share more than 250 rare and unseen photographs, with mementos and memories from his childhood, The Beatles and beyond.
The Grateful Dead were one of the most fascinating rock bands and cultural phenomena of the twentieth century. Not just a brilliant rock biography, it forms a compelling portrait of America's West Coast from the halcyon days of Magic Buses and Merry Pranksters to the corporate dawn of the twenty-first century.
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