Musikk

Details the life, works, writings and aesthetic relationships of Igor Stravinsky, whose music epitomises the stylistic crisis of twentieth-century music. His Russian, neo-classical and serial periods along with his writings and wide-ranging creative engagements are presented in over 430 entries by more than fifty international contributors.

The book is for scholars and students from across the humanities who wish to understand the varieties of liturgical culture in medieval Britain and Ireland. The contributors discuss how this rich corpus of music, texts and ritual developed through personal, political and professional networks of monastic, diocesan and lay communities.

This benchmark collection of essays contain authoritative accounts of Thomas Adès's major compositions from a variety of analytical, critical, cultural and historical perspectives. It will appeal not only to Adès specialists, but to those with an interest in contemporary music more broadly.

Presents a new perspective on the aesthetic aspects of liberalism through examinations of music and ideas about music, including listening practices, performance contexts and modes of embodiment across elite and amateur spheres. This book will nuance current understanding, and will appeal to scholars of both Victorian literature and music.

Collaboration, Engagement, and Tradition in Contemporary and Electronic Music offers insights into practices at the forefront of modern music making and is built on a rich collection of concerts and talks, representing over a decade of artistic insight and creative practice showcased at the annual NoiseFloor event.

Collaboration, Engagement, and Tradition in Contemporary and Electronic Music offers insights into practices at the forefront of modern music making and is built on a rich collection of concerts and talks, representing over a decade of artistic insight and creative practice showcased at the annual NoiseFloor event.

Throughout medieval Europe, male and female religious communities attached to churches, abbeys, and schools participated in devotional music making outside of the chanted liturgy. Newly collating over 400 songs from primary sources, this book reveals the role of Latin refrains and refrain songs in the musical lives of religious communities by employing novel interdisciplinary and analytical approaches to the study of medieval song. Through interpretive frameworks focused on time and temporality, performance, memory, inscription, and language, each chapter offers an original perspective on how refrains were created, transmitted, and performed. Arguing for the Latin refrain's significance as a marker of form and meaning, this book identifies it as a tool that communities used to negotiate their lived experiences of liturgical and calendrical time; to confirm their communal identity and belonging to song communities; and to navigate relationships between Latin and vernacular song and dance that emerge within their multilingual contexts.

An examination of why modern art can be easier to appreciate than modern music.

An invaluable guide in voice work The voice is one of the fundamental modes of self-expression, a key touchstone of identity and sense of self. Many people in all walks of life are looking to change their voices, whether to modify a speaking challenge of some kind, to cultivate a professional skill, or for other reasons. Voice practitioners have an invaluable role in guiding clients along the path to their desired voice outcomes. Building on the success of the first edition, Voice Work continues to offer a wide-ranging introduction to the repair, improvement, development, and exploration of the spoken and sung voice. Balancing rigorous scholarship with practical insights, the book draws from all major vocal professions and paths within voice work. It offers guidance for developing the voice alongside detailed, up-to-date insights into the work of voice instruction. Readers of the second edition of Voice Work will also find: Numerous new colour illustrations Extensive reference updates Original chapters on the history of voice work, public speaking and voice work online Updated material on voice and emotions, mindfulness and imagery, voice work and well-being, the applications of technology and the value of practitioner supervision New techniques and exercises Voice Work is a valuable resource for spoken voice teachers, singing teachers, and speech and language therapists and pathologists.

Packed full of new archival evidence that reveals the interconnected world of music theatre during the 'Classical era', this interdisciplinary study investigates key locations, genres, music, and musicians. Austin Glatthorn explores the extent to which the Holy Roman Empire delineated and networked a cultural entity that found expression through music for the German stage. He maps an extensive network of Central European theatres; reconstructs the repertoire they shared; and explores how print media, personal correspondence, and their dissemination shaped and regulated this music. He then investigates the development of German melodrama and examines how articulations of the Holy Roman Empire on the musical stage expressed imperial belonging. Glatthorn engages with the most recent historical interpretations of the Holy Roman Empire and offers quantitative, empirical analysis of repertoire supported by conventional close readings to illustrate a shared culture of music theatre that transcended traditional boundaries in music scholarship.

Intended to be "unlistenable," Germany's Einstürzende Neubauten's 1981-debut album Kollaps has attracted listeners four decades after it was recorded. Perhaps the best musical encapsulation of the Cold War as experienced in the walled city of West Berlin, Kollaps is a product of its time while remaining as vital, exhilarating and surprising as the day it was released.The book explores the contexts, themes, and influences that shaped Kollaps. It describes the early days of Einstürzende Neubauten in West Berlin, the manic energy of their performances, their use of scrap metal, drill hammers, bodily sounds, and tape loops, their preoccupation with nihilism and subversion, and what Nick Cave called the "incredibly mournful, haunting" nature of their music. The beginning of a 40-year career, this first burst of energy remains their purest statement.

This astounding visual history of the most famous pop band in the world, The Beatles: Featuring a Collection of Memorabilia from the Lives of the Fab Four includes rare photography and removable pieces of collectible ephemera that show every side of Britain’s most popular export.

This unique book is based around the unpublished photos of Whitesnake in 1981 by Andy Phillips. These photos were taken on stage, off stage and backstage, during the German tour. The photos are complimented by a narrative and timeline by Jerry Bloom, including album and gig reviews that charts one of the most eventful years in Whitesnake's history.

Martin Popoff assembles a panel of interested interviewees in celebration of Ritchie Blackmore's legendary band Rainbow, one album at a time, every song considered - with Martin serving as pull-no-punches moderator and presenting the panel's arguments in easy-to-read Q&A format.

In this second part of Genesis on Record, Popoff's panel of progressive pronouncers are at your service. Indeed, Martin is confident that after you read what these guys have to say, you'll be scurrying back to the albums looking for any number of the hundreds of details celebrated in these Q&A chapters of yummy music talk.

This Rock 'n' Roll Won't Last You Know! charts John Verity's journey, as he follows his dream of fame and fortune in a business guaranteed to break your heart. From humble beginnings in Bradford, John would soon be travelling the world, sharing the stage with his heroes, including Jimi Hendrix, Mountain, and Janis Joplin.

Country's all about attitude and heart, and this compilation contains all the life lessons you need to lead every day with positivity. Filled with quotes, sayings and cowboy slang, this little book will have you kicking up your heels and hollering "Yeehaw!"

An inspirational and moving memoir from Britain's bestselling classical artist - this is Russell Watson, the man behind the voice.

"A dynamic group of art historians explores intricacies of the most democratic form of visual imagery in the U.S., illustrated sheet music, owned by millions of Americans who were wooed by compelling lithographic covers, displayed the material culture in their parlors, and performed compositions on home pianos"--

Georg Philipp Telemann's significance within eighteenth-century musical culture is now well acknowledged, and his rich and varied output increasingly appreciated by students, scholars, and listeners. This volume of essays - the first of its kind in English - will provide the impetus for growing international engagement with Telemann's legacy.

Fiddles in Luso-Afro-Brazilian Cultures presents fresh data and debates drawn from extensive research to broaden the study of African music by focusing on fiddle playing, exploring rhythm aesthetics and tonal systems within cultural contexts.

Jazz and Literature: An Introduction presents an original collection of essays from leading international scholars, examining an array of musical and literary interconnections.

Jazz and Literature: An Introduction presents an original collection of essays from leading international scholars, examining an array of musical and literary interconnections.