Musikk

Weida Wang explores how Western classical music has become increasingly popular in China, framing the industry as a complex entity embedded within China's political landscape, cultural economy, and cultural industries. The study delves into the mechanisms and underlying logics driving the rapid expansion of this market in contemporary China.

This volume explores concepts of freedom and bondage in the blues and argues that this genre of music explicitly calls for a reckoning while expressing faith in a secular justice to come. Placing blues music within its historical context of the post-Reconstruction South, Jim Crow America, and the civil rights era, Julia Simon finds a deep symbolism in the lyrical representations of romantic and sexual betrayal. The blues calls out and indicts the tangled web of deceit and entrapment constraining the physical, socioeconomic, and political movement of African Americans. Surveying blues music from the 1920s to the early twenty-first century, Simon's analyses focus on economic relations, such as sharecropping, house contract sales, debt peonage, criminal surety, and convict lease. She demonstrates how the music reflects this exploitative economic history and how it is shaped by commodification under racialized capitalism. As Simon assesses the lyrics, technique, and styles of a wide range of blues musicians, including Bessie Smith, Blind Lemon Jefferson, Big Bill Broonzy, Muddy Waters, B. B. King, Albert Collins, and Kirk Fletcher, she argues forcefully that the call for racial justice is at the heart of the blues. A highly sophisticated interpretation of the blues tradition steeped in musicology, social history, and critical-cultural hermeneutics, Debt and Redemption not only clarifies blues as an aesthetic tradition but, more importantly, proves that it advances a theory of social and economic development and change.

Intended for use in college-level music classes, Modeling Musical Analysis is a volume of essays by minoritized scholars that model analytical essay writing for undergraduate students. The collection marks an important step in making the field of music theory, the classroom, and the study of music in general more inclusive by amplifying the representation of, and substantive contributions made by, scholars of color. The essays represent current music analytical trends in a substantial breadth of genres, including ballet, chamber music, film music, jazz, musical theater, opera, oratorio, orchestral music, popular music, video game music, and vocal music.

Intended for use in college-level music classes, Modeling Musical Analysis is a volume of essays by minoritized scholars that model analytical essay writing for undergraduate students. The collection marks an important step in making the field of music theory, the classroom, and the study of music in general more inclusive by amplifying the representation of, and substantive contributions made by, scholars of color. The essays represent current music analytical trends in a substantial breadth of genres, including ballet, chamber music, film music, jazz, musical theater, opera, oratorio, orchestral music, popular music, video game music, and vocal music.

This book introduces a unique approach to the interconnections between music education and politics. Relevant to researchers and students across music teacher education and performance studies, it speaks to both conservatoires and university contexts, helping us unlock the transformative capacity of music education.

No one has ever documented the early live career of a truly iconic band in such detail. Dec Hickey saw every New Order UK gig between Feb '81 and June '84 - some fifty plus nights!

Available in a first edition print run strictly limited to 4,000 copies, fabric tells the story of one of the most revered clubs in the history of dance music culture.fabric captures the journey of a small group of enthusiasts who, rebelling against the commercialisation of the rave scene, converted a derelict meat store in an unfashionable part of London into a venue that remains a cathedral for undiluted dance music with a global following.Featuring stories about the club's birth, struggles and successes, as well as rare photography and iconic artwork, and an oral history by Joe Muggs featuring over one hundred testimonies from the legendary DJs associated with fabric, this is a celebration of the colossal impact fabric has had on club culture over the last quarter of a century. Above all, it's a story about the misfits and visionaries who made it happen, the curators and resident DJs who have kept it true to its roots, and the experiences of clubbers on the dancefloor.

Colour in Taylor Swift in all her glorious outfits in this fun colouring and sticker book! Colour In Taylor invites fans to immerse themselves in the vibrant world of the multi-talented artist. From her country roots to her pop superstar status, each page features intricate illustrations inspired by Swift's iconic tours, music videos, and iconic fashion moments. Whether adding their own the scene from "Love Story" or adding a splash of colour to the Folklore era, this colouring book offers a creative outlet for Swifties of all ages to celebrate their favourite artist. Once you're done, you can use the included stickers to embellish your creations or stick them to any surface that needs a bit of that feel-good Swiftie magic.

A lively and thorough exploration of the aesthetic, metaphysical, ethical, political, and legal implications of Taylor Swift's ongoing project of re-recording her first six studio albums.When Taylor Swift's record label was sold in 2019, the six studio albums she recorded for them came under the control of a person with whom she has had years of bad blood: Kanye West's former manager Scooter Braun. But rather than move on, Swift chose to take the unprecedented step of re-recording duplicate versions of those albums. With all of the profits made from selling, streaming, and licensing these "Taylor's Versions" going directly to Swift, she could deprive Braun of potentially hundreds of millions of dollars. The gambit has already paid off. The first two Taylor's Versions (of Fearless and Red) debuted at Number 1 on the Billboard charts and have sold over one million copies so far; and four more are still on the way. In this book, ten philosophers, a music producer and a composer/music technologist explore the philosophical richness of Swift's project and the questions it raises: Are Swift's re-recordings new works of art or mere copies of the originals? Do the Taylor's Versions of the songs have the same meanings as the original versions, or do they now mean something different? Is her re-recording project genuinely artistic or merely commercial? Is Swift standing up for artists' rights or looking out for herself? Does the music industry exploit artists, and, if so, how should it be reformed? Together they show the philosophical dividends one of the most famous and acclaimed recording artists of her generation is capable of producing. For anyone interested in the complicated relationship between popular art and commerce this book is a must-read.

As the world grows ever noisier, Alice Vincent - twice Wainwright Prize-longlisted author of Why Women Grow - returns with a journey into sound that will ring true for many women

From the ragtime one-step of the early twentieth century to the contemporary practices of youth club cultures, popular dance and music are inextricably linked. This collection reveals the intimate connections between the corporeal and the sonic in the creation, transmission and reception of popular dance and music.

A collection of beautifully illustratedcontemporary folk songs with music scores by Jehanne Mehta, inspired by seasonsand legends, landscapes and heartscapes.

Taylor Swift makes the whole world shimmer in this glittering, globetrotting search book.

Let's be real: Caring for a baby can be exhaustingly tedious. Enter Vered Benhorin, musician, therapist, and mother of three. In What Do I Do with My Baby All Day?, Benhorin builds on the foundations of attachment theory and blends practical tools with research to teach parents how to develop a more gratifying relationship with their baby. With her guidance, parents will step into the present with their baby and truly enjoy one another using her easy, guided activities. From a baby buddha massage to babble boost (singing nonsense words), small "bubble moments" throughout the day provide a shared experience between parent and child that benefits both. These moments also have practical applications, like soothing the baby when they're fussy, making bedtime more effective, strengthening routines, and increasing communication and language. This book is a must-have for new parents everywhere.

The Grand Ole Opry, an American institution and world-renowned stage for country music, turns 100 in 2025, and The Grand Ole Opry 100th Anniversary will be the official book to mark the occasion, celebrating and collecting never-before-seen photographs, ephemera, and stories from throughout the music institution's first centurySince 1925, the Grand Ole Opry has left an indelible mark on American culture. What began as a one-hour radio "barn dance" has transformed into the longest running radio broadcast in US history, as well as a live performance for millions of country music fans each year. The Opry has launched and burnished the careers of almost every star in country music-including Dolly Parton, Loretta Lynn, Patsy Cline, Garth Brooks, Carrie Underwood, and countless others- for nearly a century, popularizing and preserving some of the most fundamental forms of American music. In many ways, the Opry is the show that made country music famous. In 2025, the Opry will celebrate its 100th anniversary, and this book will be a must-have for country and music history fans. Replete with gorgeous photography, ephemera, and countless stories from some of country music's biggest names, this book is a glorious, one-of-a-kind celebration of the Opry's first 100 years.

Offering sweeping insights and challenging conclusions, this book revolutionizes our understanding of the musical revolution of the fifteenth century. Renaissance composers developed fresh ways of manipulating musical flow in pursuit of intensifications, unexpected explosions, dramatic pauses, and sudden evaporations. A new aesthetics of opposition, as this study calls it, can be contrasted with smoother and less goal-oriented approaches in music from before-and after-the period ca. 1425-1520. Casting wide evidentiary and repertorial nets, the book reinterprets central genres, theoretical concepts, historical documents, famous pieces, and periodizations; a provocative concluding chapter suggests that we moderns have tended to conceal the period's musical poetics by neglecting central evidence Above all the book introduces an analytical approach sensitive to musical flow, and invites new ways of hearing, performing, and thinking about music from Du Fay to Josquin.

Reimagining Music Theory: Contexts, Communities, Creativities invites instructors to rethink how we teach music theory, challenging the traditional, classical canon-based pedagogy and offering new and alternative approaches.

Equestrian ballets (balletti a cavallo) emerged as valued dramatic entertainments in early modern Europe, demonstrating the wealth and magnificence of the patrons who commissioned them as well as the horsemanship and military skills of the noblemen who rode in them. Author Kelley Harness undertakes the first comprehensive study of seventeenth-century Florentine horse ballets and shows how the balletto a cavallo played a crucial role in self-fashioning by the Medici family during the period. Horse ballets also provided participating noblemen a venue for demonstrating critical markers of masculine nobility and confirming their family's relationship to the Medici.