Musikk

Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. This book is a festschrift for Korsyn, comprised of essays that constellate around his numerous scholarly foci.

This book intends to reflect the variety and diversity of the musical responses that arose in favour of the Republic and against fascism during the Spanish Civil War (1936-1939), encompassing a wide range of music (classical music, film music, popular music), geographies (the US, the URSS, Britain, Germany) and individuals.

Caring for the Whole Musician brings together insights from two expert musicians and educators to consider the relationship between mental and physical health and artistic practice for musicians.

This beautifully designed survey book features a carefully curated selection of the visual works of art by Stanley Donwood and Thom Yorke, made over the last 30 years to accompany LP and CD albums by Radiohead, Yorke and his recently founded band The Smile. It showcases the wide array of their collaborative work.

This is the first major biography of African American composer, pianist, and activist Margaret Bonds. It draws on extensive archival research to correct numerous misconceptions large and small about her and offers an account of her life and work that is detailed, yet accessible to scholars and non-specialists alike. Author John Michael Cooper places emphasis on identifying the cultural, familial, political, and racial factors that motivated Bonds as she rose from being a child prodigy from Chicago's South side to international renown. Special features are new insights into the chronology and nature of Bonds's collaborative friendships with contemporary notables including Langston Hughes, and a concluding survey of her hundreds of works categorized by genre. In response to the increasing globalization of music, the Composers across Cultures series, formerly the Master Musicians series, seeks to explore the inexhaustible diversity of music, and its common links to our shared humanity.

Before his murder at 25, Tupac Shakur rose to staggering artistic heights as the preeminent storyteller of the 90s, building, in the process, one of the most iconic public personas of the last half century. He recorded 10 platinum albums, starred in major films and became an activist and political hero known the world over.In this cultural history, journalist Van Nguyen reckons with Tupac's coming of age, fame and cultural capital and how the political machinations that shaped him as a boy have since buoyed his legacy as a revolutionary following the George Floyd uprising. Words for My Comrades engages - crucially - with the influence of Tupac's mother, Afeni, whose role in the Black Panther Party and dedication to dismantling American imperialism and police brutality informed Tupac's art. Tupac's childhood as a son of the Panthers, coupled with the influence of his step-father's Marxist beliefs, became his own riveting code of ethics that helped listeners reckon with America's inherent injustices.Using oral histories from conversations with the people who shaped Tupac's life and career, many of whom were interviewed for the first time here, Van Nguyen demonstrates how Tupac became one of the most enduring musical legends in hip-hop history and how intimately his name is threaded with the legacy of Black Panther politics.Words for My Comrades is the story of how the energy of the Black political movement was subsumed by culture and how America produced, in Tupac and Afeni, two of its most iconic, enduring revolutionaries.

Most guitarists today think of the USA as the land of the guitar. Classical guitars come from Spain but rock, jazz and folk guitars must surely be American? They know the 'great' names - Gibson, Epiphone, Fender, Gretsch, Martin. How many of them know that Christian Friedrich Martin was born in Markneukirchen, Germany, in 1796 and emigrated to the USA at the age of thirty-seven? The Bate Collection is a museum of musical instruments in the University of Oxford and owns a collection of guitars donated by the author. Half of them were made by German-speaking Czech craftsmen expelled from their homeland after the Second World War, resettling in Bavaria; the other half by their former neighbours in Saxony, with whom they had worked closely for three centuries but who now found themselves behind the Iron Curtain. This book offers a summary of the socio-political background and the way it led to the decline and almost the extinction of what was once the most productive centre of stringed-instrument making in the world. Lavishly illustrated with photos of all of the carefully-researched instruments in the collection, plus a unique guide to help the collector to identify the maker of his instrument.

A global history of dance music since the 1950s. Transatlantic Drift explores the emergence and evolution of nightclubs and electronic dance music from the 1950s onward, tracing its rhythmic journey across Europe, North America, and the Caribbean. Katie Milestone and Simon A. Morrison show how the sounds and vibes of nightclubs emerge from shared cultural experiences. This book uncovers the global story of dance music at venues in New York, Detroit, London, Manchester, Chicago, Düsseldorf, and Ibiza. Transatlantic Drift offers an engaging exploration of how people have come together to share melodies and rhythms, forming a global conversation through electronic music.

Trauma-Informed Pedagogy and the Post-Secondary Music Class explores the theory and practice of teaching and learning in a traumatized world and aims to support instructors in guiding students and walking with them through challenges that impact learning.

Trauma-Informed Pedagogy and the Post-Secondary Music Class explores the theory and practice of teaching and learning in a traumatized world and aims to support instructors in guiding students and walking with them through challenges that impact learning.

An enigma, Leonard Norman Cohen was possibly the most improbable bohemian intellectual songwriter/singer in music history. He was certainly the working-class hero, the peoples' poet, the suicidal lamenter of doom and the purveyor of popular songs.

The Pretenders proved revelatory, lashing hard rock to the sexy, sassy swagger of streetwise punk and catchy, chart-busting pop. Richard Butterworth appraises The Pretenders' turbulent, vital early years: from Chrissie's arrival in Britain, through the band's 1978 birth to 1990 and their fifth album. Enjoy the ride.

Perfect for any Oasis fanOut of all the bitter feuds in music history, one of the fiercest is between two brothers in the same band: Liam and Noel Gallagher. Now, Bruno Vincent has gained exclusive access to their secret diaries. From the age of two, when they're screaming over each other's nursery rhymes to fifty two, when Liam wants to throw a telly out the window but it's fixed to the wall, the windows are unbreakable PVC with safety latches and he's got a bad back.

The second volume of this highly collectable series, covering the pivotal years of 1969-70. The Island Book of Records Volume II documents the years 1969-70, during which Island sought to build on its success with the Spencer Davis Group by seeking out new British rock talent. By the end of the period, Island was emerging as a major British label, one that could boast releases from Jethro Tull, Nick Drake, King Crimson, John and Beverley Martyn, Fairport Convention and Cat Stevens. Featuring material from recent interviews and from media interviews of the time, and including a comprehensive discography of 45s, The Island Book of Records Volume II is lavishly illustrated with gig adverts (very many at venues that no longer exist), concert tickets, flyers, international LP variants, labels, LP and 45 adverts and other ephemera. This LP-sized edition is a collector's dream, offering a truly unparalleled resource for those interested in music history and a perfect gift for any music lover.

Inclusive, wide-ranging, jargon-free and packed with enthusiasm, this is the only guide to classical music you need.

The inside story of Record Plant studios - the real 'Hotel California' - that reveals how the greatest music of the seventies was recorded and why the artists checked out but rarely left. In the 1970s, Record Plant Studios was ground zero for the largest boom in record production in music history. With complexes in New York, Los Angeles and Sausalito, and a fleet of remote recording trucks, Record Plant was everywhere there was music. In 1976 alone, the studio produced three number-one albums: Stevie Wonder's Songs in the Key of Life, the Eagles' Hotel California and Fleetwood Mac's Rumours. Written by two veteran music journalists, this engrossing book tells the incredible story of the evolution of Record Plant Studios tape by tape. Starting on the westside of New York in 1968 with the recording of Jimi Hendrix's Electric Ladyland, Record Plant expanded to LA, where Stevie Wonder produced his greatest hits, and then to Sausalito where Sly Stone, Bob Marley and Fleetwood Mac encamped; John Lennon made New York his post-Beatles home, and the Eagles conceived Hotel California while working in LA. Each location showcased the founders' proven formula of combining state-of-the-art audio, fantasy bedrooms and group jacuzzis, with sex, drugs and celebrity jams. Largely based on the memoirs and archives of studio co-founder Chris Stone, and supplemented by interviews with over 100 studio employees, music producers and recording artists, this is the untold story, in all its brazen glory, of the recording of classic rock'n'roll as told by the insiders who gladly toiled behind the locked doors of the most prolific recording factory of all time.

A memoir by Chris Charlesworth who, between 1970 and 1976, was a staff writer and editor for Melody Maker, the UK's best-selling music weekly, including four years as US Editor, based in New York and rubbing shoulders with John Lennon, Paul McCartney, David Bowie, Rod Stewart, Elton John, The Who, Led Zeppelin, Deep Purple and many others.