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- The first major in-depth look at Bangkok's vibrant and active street art scene- Unique interviews with the artists who risk the full power of the establishment to protest at social injustice as they see it - Incredible photography throughout - Insightful commentary by the authorDocumenting an alternative history and social commentary by Bangkok's graffiti and street artists, this insightful and thought-provoking book offers fresh insight into Thai subcultures. Not given a platform elsewhere, street art and graffiti gives artists the opportunity to protest the social injustices they encounter. Through their art, they speak out against dictators and the political elite, as well as the extensive gentrification sweeping Bangkok. In addition, this book is the only visual record of (what was sarcastically named) "Thailand's Stonehenge" standing pillars covered in graffiti along the abandoned Hopewell elevated rail line that was supposed to link the city to the airport, a $3 billion dollar project begun in 1990 and mired in corruption. The pillars - the only part of the project that was built - represent the overwhelming corruption that marks the past 20 years in Thailand. They are scheduled to be demolished this year.
Overworked, under-appreciated and often vilified: it''s hard being a lone parent in a society still geared to the two-parent family. And yet one in four families are single parents households. Around 90% are headed up by a single mother. In the summer of 2019, Polly Braden, a single parent herself, started to document the day-to-day reality of what it means to be a single parent in the UK.
Recent advances in digitalization is transforming sectors such as healthcare, education, tourism, Information technology, and others. Social media analytics are tools that can be used to measure the innovations and the equation between companies and consumers.
"This catalogue is published in conjunction with the exhibition A Picture Gallery of the Soul, organized by Herman J. Milligan Jr. and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota, Minneapolis, September 13-December 10, 2022"--Title page verso.
This book of photographs presents Ardelle Schneider's firsthand impressions of the current drag scene in the United States. Her photos address the meaning of identity and the construction of a self that goes beyond gender-specific roles and their constraints. Text in English and German.
This book is the third volume of a series that introduces selected works by 34 members of the Fotobus Society and offers a fascinating glimpse into the contemporary scene of young European photography.
The publication highlights contemporary takes on photograms, chemigrams, and lumen printing, which all hark back to the early days of photography. Text in English and German.
Through a variety of case studies by global scholars from diverse fields of study, this book explores photographic album practices of historically marginalized figures from a range of time periods, geographic locations, and socio-cultural contexts.
Powerful self-portraits of intensive care hospital workers, along with their thoughts and feelings about the work they do and their lives on the frontline of the pandemic. Text in English and German.
A stunning photographic compilation of Egypt's abandoned palaces and grand buildingsBetween 1860 and 1940, Cairo and other large cities in Egypt witnessed a major construction boom that gave birth to extraordinary palaces and lavish buildings. These incorporated a mix of architectural styles, such as Beaux-Arts and Art Deco, with local design influences and materials. Today, many lie empty and neglected, rapidly succumbing to time, a real-estate frenzy, and an ongoing population crisis. In 2006 Russian-born photographer Xenia Nikolskaya began the process of documenting these structures. She gained exceptional access to them, taking photographs at some thirty locations, including Cairo, Alexandria, Luxor, Minya, Esna, and Port Said. These photographs were documented in the first edition of Dust: Egypt's Forgotten Architecture, which soon after its release in 2012 became a rare collector's item.This revised and expanded edition includes photographs from the first edition together with extra unseen images and new photographs taken by Nikolskaya between 2013 and 2021. It also includes previously unpublished essays by Heba Farid, co-owner of the Cairo-based photo gallery Tintera, and architect and urban planner Omar Nagati, co-founder of CLUSTER, an urban design and research platform also in Cairo.Dust: Egypt's Forgotten Architecture leads us seductively into some of the most breathtaking architectural spaces of Egypt's recent past, filled with a sense of both the immense weight and the impermanence of history.
Sunrise Sunset is not only a beautiful collection of photographs and inspirational quotes and poems, it is also a gentle reminder to begin each day with awe and wonder, and end with reflection and gratitude.
"Lateness and Longing explores the ongoing nostalgia and cultural longing for traditional photography--the kind that captures a fleeting moment in somebody's life in emulsion and lives on long after that person is gone. With digital innovations, many scholars are apt to declare traditional photography "dead," not just in terms of the documentary and emotional functions it has served but in its materiality as well. But the analog has never gone away, Baker argues, rooted as it is in our understanding of time, history, home, mortality. This book examines the renewed curiosity about the material photograph through the work of four contemporary artists, all women: Tacita Dean, Moyra Davey, Zoe Leonard, and Sharon Lockhart. Baker draws on their practices to build a meditation on photography and its kin as aesthetic instruments for reflection, loss, nostalgia, desire, history, and "lateness.""--
"The first biography of sculptor Chana Orloff, and the first to include stories from her unpublished "memoir," which focus on the artist's early life in Ukraine, her family's move to Palestine and Orloff's life there (1905-1910), and her subsequent years between Paris and Tel Aviv"--
How to account for the peculiar attraction of certain photos? How to deal with the specific use of images in particular contexts? Monika Schwarzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth's street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value.
Using a specially made, inexpensive and rugged heat-detecting camera, you can view wildlife up close. Camera Trapping Guide gives you the trapping techniques and knowledge of animal behaviors so you can get the best possible photos and videos. Includes 37 species common to the eastern U.S. Large and small mammals, squirrels to bears, deer, and moose, plus birds and even the American alligatorare covered. With photos and range maps each entry gives details on physical characteristics, tracks and sign, diet, habitat, and breeding. Also included are specific camera trapping techniques pertinent to each animal. You'll learn the characteristics of the various cameras, where to place the camera and the camera settings to get best results, and how to minimize impacts on the environment.
This unique work, divided into two volumes, is one of the most monumental publications ever produced on this sacred site.
Transformation processes are the focus of Georg Aerni's new photographs. The Swiss photographer and artist shows plastic greenhouses that have annexed whole swathes of land for agricultural mass production, residential houses that have been built overnight on the city outskirts without construction machines and literally noiselessly. He points his lens at olive trees that have grown over centuries into figures full of character, at creepers that conquer leftover spaces between high-rises and motorways, and at mighty rock faces that are being gnawed by erosion. With the merging of art and documentation that is typical of Aerni's work, Georg Aerni-Silent Transition makes the signs of change the object of a contemplative observation and at the same time asks challenging questions: about our handling of natural resources, about the social backgrounds to cities growing out of control, about the regenerative force of nature. A decade after Aerni's first monograph, Sites & Signs, this new book showcases the artist's ongoing continuation of his photographic work through numerous individual images as well as new series. 166 beautiful color and black-and-white plates are introduced through texts by Peter Pfrunder and Nadine Olonetzky and commented on with an essay by Sabine von Fischer.
Of Limbs, Leaves, and Hope represents the unforeseen gain of biophilic relief from the coronavirus pandemic. Forced to work remotely because of COVID-19, daily walks and bike rides became an essential distraction from hours of uninterrupted screen time. Photography became a pastime, and as weeks turned into months the city began to present itself anew: streets, plazas, parks, church grounds, cemeteries, and untold nooks and crannies not before seen or recorded. Trees soon began to dominate the compositions, as if beckoning to stand out against the gridiron construction. And so, the project began: to record the presence of trees as foreground actors of the everyday urban landscape. Beginning in the spring of 2020, hundreds of photographs were taken, often times of the same tree at different times of the day, under varying light conditions, and through the seasons. A sense of intimacy developed: of seeing how a plant breathes-in the city over time, silently, exhaling in return nurturing permanence and resilience.
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