Arkitektur og design

The fourth release from Clover Press’ new line of THE MARVEL ART OF stunning new coffee table books! Russell Dauterman is an illustrator and character designer, best known for his work on the Marvel comic book series THE MIGHTY THOR, X-MEN, and SCARLET WITCH. Since Russell first saw X-MEN: THE ANIMATED SERIES as a kid, he’s loved the X-Men. That show led him to a nearly lifelong love of comics and to a career as a comic book artist. His work includes design, interior art, and cover art across the Marvel Universe. Russell has designed for the X-Men’s HELLFIRE GALA events, and designed superhero costumes for Storm, Jean Grey, Scarlet Witch, and more. Russell’s Eisner-nominated run on THOR debuted at #1 on The New York Times Bestseller List for graphic novels, and his work has been adapted into video games and film. The Marvel Art of Russell Dauterman collects his hand-picked and fan-favorite pieces representing his 10 years of working at Marvel!

The Lovell House, by Richard Neutra, was a 'demonstration house': widely documented and published about in its time, these publications made it an essential work of the modern movement to the world, from Berlin to Tokyo and Paris to Milan, at the high point of its influence and fame, 1927-37. This book is about the making and dissemination of a house that was a founding document in the history of modernism. It helped to launch the international career of one of the central figures of twentieth century architecture, pioneered the use of concrete and steel in the dwelling, radically advanced the ideals of hygienic, carefree, and open-air living, and explored new relationships between space, structure, the natural world, and physical and psychological well-being. The book is framed with an introduction by Edward Dimenberg and includes texts by Crosby Doe, Thomas Hines, Willard Morgan, Richard Neutra and Nicholas Olsberg. At the heart of the book are six narrated portfolios of visual and textual documentation on the background, design, making, circulation, reception and resonance of this seminal house, for which the published imagery in its first ten years - based on a unique corpus of photography by Willard Morgan documenting every stage of construction and completion - was exceptionally rich, refined, varied, widespread, and influential.

English architect and designer Halsey Ricardo (1854-1928) was a champion of craftsmanship and the Arts & Crafts movement as well as an influential thinker and teacher. Mark Bertram's engaging illustrated biography, which draws on previously unpublished correspondence, is the first book to place Ricardo's work and ideas within a broader social and cultural context. It includes a complete survey of Ricardo's architecture, including all his built works, many of which have been listed, as well as unexecuted proposals and competition entries. Richardo was well known as an Arts & Crafts figure on account of his business partnership of 10 years with William De Morgan, for whom he designed tiles, vases, and other artefacts, as well as for his role as head of architecture at the Central School of Arts and Crafts, and his lectures and essays. From his letters, talks and articles, quoted here for the first time, Ricardo emerges as a most engaging personality, as well as an intelligent and forward-looking thinker and a gifted lecturer and essayist. His architectural work is revealed as individualistic, sometimes exceptional, and his best-known buildings, 8 Addison Road, London (designed for Ernest Debenham in 1905) and Howrah Station, Calcutta (1901), both reflect his innovative use of colour and glazed materials. This book paints a fascinating picture of the life of a jobbing architect and lecturer, with insights into the architectural training and professional practice of this period, as well as into the thinking behind the Arts & Crafts movement.

Annabel Keenan's timely and urgent book reviews the work that has been undertaken to date to create a more sustainable art world and proposes the next steps in system-wide change. It identifies the main sustainability issues for the art industry, arguing that artists and art activists have led the way in creating awareness of climate change, and evaluates progress to date on climate-action commitments by the various sectors of the art world, offering examples of best practice. Uncompromising in its messages, Climate Action in the Art World is essential reading for all art professionals, from artists to curators to art handlers, as well as for anyone seeking an accessible entry-point to a topic which is unfortunately only getting (literally) hotter.

Sheila Fell (1931-1979) was one of the most talented British artists of her generation: a figurative painter with a singular and powerful vision of the Cumbrian landscape of her childhood. Here, for the first time, the full breadth of her artistic achievement is recorded in a catalogue raisonné of her paintings. The book features 472 expertly researched catalogue entries alongside a substantial art-historical narrative that charts Fell's entire career and provides unique insights into the artist's background, inspirations, technique and legacy. As such, and in the context of the dearth of recent literature on the painter, this invaluable resource will stand as the definitive publication on Sheila Fell for many years to come.

How are contemporary artists responding to the climate crisis? Filipa Ramos takes an original approach to the subject by addressing two parallel strands. She looks firstly at pioneering approaches to ecology by key contemporary artists from different generations and cultural backgrounds working in different art media; and she considers the balance between ecology as theme and ecology as practice, underscoring the imperative for both artists and art institutions to adopt responsible environmental positions in their practice. This topical and important book discusses the work of artists who have returned to the land; reviews how questions of shared rights and environmental justice are represented in contemporary artistic practice; highlights the renewed importance of performance and time-based media in ecologically themed art; and looks at artists' and art institutions' complex relationship to environmental action.

Looks at the ceramic surface in the context of the vessel and platter that includes the non-functional, the metaphoric, the narrative and the sculptural. It covers areas of methodology and techniques for making, decorating and firing, along with the full spectrum of clays and firing temperatures.

This practical guide to probability and statistics explains these concepts that underpin all professional estimating. Alan Jones considers what are called Measures of Central Tendency; Means, Modes and Medians, describing the differences, relevance and uses for each in the context of Estimating and the like.

Central to the book is the presentation of domestic street by street retrofit as an issue with technical, financial, and societal dimensions. A holistic view of the complex, interacting factors that have held back any advance is interspersed with a historical account of retrofit's faltering progress over the last twenty years.

The industry is facing a multitude of challenges on production lines that must be systematically addressed to improve quality and productivity. One commonly utilized methodology is DMAIC (Define, Measure, Analyze, Improve, and Control). This user-friendly resource defines DMAIC concepts and tools, and includes case studies.

This book presents an original study of the work of Pritzker Prize winning Portuguese architect Álvaro Siza from the perspective of architecture as an interpretation of human life. It combines philosophical hermeneutics, narrative textual description, and history and theory research to provide a rich account of Siza's work.

The book focuses on the ethical issues of human likeness of robots and human tendency to anthropomorphize. It is built on the assumption that design choices are not neutral, and they need to be discussed to align robots with human values.