Arkitektur og design

Currently, George Ohr is celebrated as a solitary genius who foreshadowed modern art movements. While an intriguing narrative, this view offers a narrow understanding of the man and his work that has hindered serious consideration. Ellen J. Lippert, in her expansive study of Ohr and his Gilded Age context, counters this fable.

Sussex Modernism looks at how artists and writers harnessed the landscapes, cultures and histories of their locations to reimagine how art should be made. This wide-reaching book by Hope Wolf explores a breadth of work by over 70 artists associated with different modernist movements, comparing divergent forms of creativity generated in this rich and varied region. While some who visited or had a home in Sussex practised a kind of dissident retreat, others took an explicitly activist position. Well-known figures, including Virginia Woolf, Jacob Epstein, David Jones, Gluck, Edward Burra and Lee Miller, are joined by countercultural artists of the 1960-80s. Women artists whose power was regional rather than national are also introduced, as are the voices of modernism's opponents. This is a book of jostling perspectives on art, place and politics. Offering a new history of modernism, this book intertwines literature, painting, sculpture, architecture, film, photography, textiles, music, domestic decoration and horticultural experiments across a period of over 100 years. It reflects on how forward-thinking ideas reverberate today and reveals much more is to be learned from how artists drew on their capacities within Sussex to promote psychic and social change.

A collection of 32 premium-quality removable posters featuring the stunning character art of Final Fantasy VII Rebirth.These 32 frameable, full-color art prints present gorgeous images of the main characters from Final Fantasy VII Rebirth. Printed on heavy, press-varnished card stock, this compilation of oversize posters showcases artwork not only of Cloud and his comrades but also of characters newly encountered in this thrilling installment of the Final Fantasy VII remake project.

As the companion to the exhibition, Fighting for Freedom places Black craftspeople at the forefront of American history, from before the Revolutionary War through the Civil War and beyond Reconstruction. Delving into diverse narratives of creativity, resilience, and triumph in the quest for freedom, this book underscores the evolution of freedom through the lens of material culture--by exploring how the very concept of freedom was shaped and redefined by enslaved and free craftspeople who relentlessly fought for their rights and the recognition of their humanity.Featuring ten essays by leading historians, museum curators, and material culture scholars and more than seventy color photographs of Black artistry, including paintings, metalwork, woodwork, pottery, and furniture, this book vividly illustrates how Black men and women persistently sought tangible expressions of liberty which have endured as symbols of their creators' legacies in the ongoing struggle for freedom.Contributors include Lauren Applebaum, Robell Awake, Lydia Blackmore, Aleia M. Brown, R. Ruthie Dibble, Philippe L. B. Halbert, Jennifer Van Horn, Alexandra Alevizatos Kirtley, and Susan J. Rawles.

The first in-depth study since the 1980s of the Royal Pavilion ina building that is often considered the most poignant architectural expression of the Romantic imagination and that has become a hallmark of Regency style   Created between 1787 and 1823 by , the Royal Pavilion in Brighton is perhaps the most daring and enchanting example of a building that expresses the European fascination with what in the early nineteenth century was considered the ‘Orient’, in particular China and India. who with the contributions of several other gifted and inventive architects, artists and designers, created a building that draws you in, takes you on a journey and plays with your senses.   Featuring new photography, this lavishly illustrated book will provide a fresh look at the sumptuous Chinoiserie interiors of the Royal Pavilion and their enduring appeal. Drawing on recent research, conservation projects, and  A Prince’s Treasure: From Buckingham Palace to the Royal Pavilion (2019-2022), this book will celebrate the colours and sensual beauty of these interiors while situating the Royal Pavilion in the context of the time of its creation and development under royal ownership, from its beginning in the wake of the French Revolution, through its transformation and extension  , to its fate and legacy in the early Victorian era.

An invitation to look closely at artworks and explore the techniques artists use to draw viewers in and keep them interested

An absorbing history of Europe’s nine most puzzling texts, including the biggest mystery of all: the Voynich Manuscript

Establishing a "missed link" between the work of Piero Manzoni and Hélio Oiticica and their respective cultural contexts, this book sheds new light on overlooked aspects of these two artists' practices, particularly focusing on the shift from painting to performance in the long Sixties.

Highly illustrated, the book celebrates renovation of textile mills in the North of England. Case studies from interviews with those responsible for these iconic buildings give insights into how other mills may be reused.

The definitive publication on internationally acclaimed artist Shahzia Sikander, one of the most influential feminist artists working today

Revered interior designer David Kleinberg invites readers inside a selection of projects representing the height of sophistication, luxury, and refinement

An in-depth look at the iconic mid-nineteenth-century building and its construction during a period of revolution and its transformative impact on the history of architecture

On the history and creation of ambigrams, by a pioneer of the practice

Exploring how the name of Liberty became synonymous with Aestheticism and the English Art Nouveau Movement, and its role in shaping contemporary late nineteenth and early twentieth century Artistic Dress. Liberty’s dress department opened in 1884, headed by Edward William Godwin, an architect with a multi-faceted career and an important figure in the Aesthetic Movement. Following the women’s rights movement of the 1840s, women fought against restrictive clothing such as tight-laced corsets, heavy petticoats and too tight shoes, which were harmful to their health and chose instead to dress in looser fitting dresses, coloured with natural dyes and ornamented with embroidery and needlework, otherwise known as Aesthetic dress. Liberty was at the forefront of Aestheticism with their recognisable soft drapeable silks, transparent textiles and fabrics imported from Central Asia and the Middle East. Their consumers were an eclectic mix of women who wanted to dress artistically and stand out from the crowd. Liberty was the chosen resort of the artistic shopper. With archival materials and previously unpublished pattern books, Anna Buruma navigates Liberty’s role in Artistic dress. Examining how their idiosyncratic fashions of Greek and Roman style evening dress and medieval tea gowns translated into late nineteenth and early twentieth century fashionable dress. Liberty sustained their popularity through good taste and willingness to expand into new markets. From their flourishing commitment to Aestheticism to becoming a trail-blazer for the Art Nouveau movement which would emerge from it, Artistic Dress at Liberty & Co: The Early Years is the go-to source for the early history of Liberty’s dress department.

A poetical list of essential knowledge for designers that both politicizes and inspiresIn 2018, the architect and activist Michael Sorkin published the now beloved essay-list "Two Hundred and Fifty Things an Architect Should Know." Struck by the compelling form of this text, Danah Abdulla compiled a version for designers--"a list based on a search for knowledge and a designer's commitment to making the world a better place," as she writes. Abdulla's list includes the experience of scents; how critical theory does not account for the colonial experience; the dangers of seeking out simplicity; visual pollution; and how certain emblems and symbols make people feel. It is meant to be approached as a series of prompts to consider, discard or spark a conversation.Danah Abdulla (born 1986) is a Palestinian Canadian designer, educator and researcher. She is Program Director of Graphic Design at Camberwell, Chelsea and Wimbledon Colleges of Arts, and a founding member of the Decolonising Design platform.

The need-to-know names of Japanese graphic design from the late 19th century to the pre-digital decade, presented alongside more than 500 color images of vintage ephemeraWith Fracture, author Ian Lynam presents a survey of Japanese design across a century as told through the biographies of its most influential creators. The chronology begins less than two decades after Japan's opening to the West, ending a 200-year isolationist policy. Lynam features the stories of more than 90 pacesetters shaping the country's modern aesthetic. We meet Hani Motoko, considered Japan's first female journalist, who commissioned Frank Lloyd Wright to build the "Hall for Tomorrow" schoolhouse in Toshima City, Tokyo. Amid the national propaganda of the interwar period, a vision of the modern Japanese woman emerges in the advertisements of Hisui Sugiura and Tada Hokuu. The 1964 Olympics marked a watershed moment for Japanese design on the international stage, with Yusaku Kamehura's "red circle" logo and the design of pictograms used in the competition for the first time. Finally, the survey concludes with the rise of women's liberation or ribu, and the state of graphic design at the threshold of the digital age.Illustrated with children's book pages, travel posters, maps, product advertisements, erotic magazine covers and more, Fracture functions as a visual treasure trove of Japanese ephemera while also introducing readers to the creative minds behind these formative designs.Ian Lynam (born 1972) holds an MFA in graphic design from California Institute of the Arts. He is a faculty member at Temple University Japan Campus as well as at Vermont College of Fine Arts. His previous books on design include War with Myself, The Failed Painter and The Impossibility of Silence.

Cynical flowcharts and simple instructions make for a tongue-in-cheek guide to tax evasionThe Algoffshore series of flowcharts by artist collective Rybn.org presents five ready-to-use strategies for corporations to evade taxes and other social or environmental obligations. At the same time, these cynical diagrams document how contemporary financial engineering allows multinationals and enterprises to optimize profits and maximize anonymity.

A wide-ranging and incisive look at the various issues of volume in designA revised and expanded edition of the original 2010 book by Kenneth FitzGerald, Volumes: Design Reviewed Remixed Revealed, explores the dynamics of volume in graphic design, from vernacular expressions to professional practice, featured in critical essays, reviews, speculations, polemics, incitements and fictions. The diverse topics of the writings include the roles of class in design, progressive political speech as "mother" of graphic design, design as entertainment, typography as spur, the branding of the Beatles' Apple Records, pornography, album cover art, imaginary creative identities and more. Volumes also includes an introductory essay by the cofounder of Emigre Inc., Rudy VanderLans.Kenneth FitzGerald (born 1960) is an educator, designer, curator and artist. He is currently Professor of Design at Old Dominion University.

The first comprehensive study on the work of visionary painter William MonkWilliam Monk is a British-born, New York-based artist known for his enigmatic and vibrant paintings that often investigate the same motif or theme in different permutations. Deeply interested in the idea of creating images that are not a direct transcript of the real world but a product of his mind, Monk creates starkly divisional compositions carrying irregular intensities of detail, line, foreground, and background, pushing his work and the foundational elements of painting to the point where model and subject become two separate entities.

This book demonstrates that art is implicit in the process of administration of international justice. The book will be of interest to academics and researchers working in the areas of Legal Philosophy, International Criminal Justice, International Law and International Relations.

This book argues for the need to integrate museum-based experiential qualities into discussion of Byzantine art in order to reach fuller, deeper, more ethical explanations of this culture than are habitually given.