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A new edition of this fascinating and unusual journey through the world of maps and mapmakers, drawing on 700 years' worth of maps from the National Archives.
Discover stunning illustrations from Iconic Eras, featuring 22 oil pastels to bring your masterpieces to life
Ocean has everything you need to make 10 wonders of the seas come to life in sticker form
What is art, where do I find it, and once I'm in front of it, what am I supposed to think about it?Kate Bryan is a self-confessed art addict who has worked with art for over twenty years. But before she studied art history at university, she'd been into a gallery just twice in her life and had no idea she was entering an elitist world.Now, she's on a mission to help everybody come to art. Like playing or listening to music, or cooking and eating great food, reading or watching films, making art or looking at other people's deserves to be an enriching part of all our lives.So here, in HOW TO ART, is a nifty way to take art on your own terms. From where it is to what it is, to tips on how to actually enjoy really famous artworks like the Mona Lisa, to how to own art and make art at home, through to vital advice for making a career as an artist and even how to make your dog more cultural, How to Art gives art to everyone, and makes it fun.Laced throughout with original artworks by the very down-to-earth artist David Shrigley.
The Environment of Compassion explores questions of what it means to be in relationship to nature, if and how it is a religious experience, and how understanding humans as part of nature alters theology.
This book tackles the lack of synchronicity between art and copyright law, proposing practical and interdisciplinary tools through which to navigate this conflict. It will be of interest to researchers in the field of art and copyright law, intellectual property and art.
This edited volume highlights the historical, philosophical and theoretical legacies of pedagogical art and examines its connections with various forms of activism and institutional transformation.
Applications of Immersive Technology in Architecture, Engineering and Construction: A Handbook addresses a gap in literature by advancing current understandings of the applications of immersive technology within the architecture, engineering, and construction (AEC) sector.
This book examines media, performance and the public space as sites of intangible cultural heritage. This unique and interdisciplinary volume will interest scholars and students of cultural studies, cultural heritage, media and film studies, performance studies, history and sociology.
Situated Listening sets forth a collection of novel methodologies and creative proposals for listening, advancing the framework of situated listening as both a theoretical concept and a methodological practice.
Situated Listening sets forth a collection of novel methodologies and creative proposals for listening, advancing the framework of situated listening as both a theoretical concept and a methodological practice.
This introduction to queer theatre and performance in the United States explores the pioneering artists that have shaped this ever-changing field across the past two centuries, through ten key moments and movements.
This introduction to queer theatre and performance in the United States explores the pioneering artists that have shaped this ever-changing field across the past two centuries, through ten key moments and movements.
Film noir was the dark side of the movies' happily-ever-after mythology. Sinister and sexy, it forged a new icon: the tough, independent dame. Determined, desirable, dangerous when cornered, she could handle trouble-or deal out some of her own. If you thought these women were something special onscreen, wait until you meet the genuine articles. In Dark City Dames, acclaimed film historian Eddie Muller takes readers into the world of six women who made a lasting impression in this cinematic terrain-from veteran "bad girls" Audrey Totter, Marie Windsor, and Jane Greer to unexpected genre fixtures Evelyn Keyes, Coleen Gray, and Ann Savage.The book provides in-depth profiles of these formidable women during the height of their careers, circa 1950, as they balanced love and career, struggled against typecasting, and sought fulfillment in a ruthless business. Their personal stories-teeming with larger-than-life characters like Howard Hughes, Louis B. Mayer, Robert Mitchum, Otto Preminger, and John Huston-offer a fascinating counterpoint to their movies. Then Dark City Dames revisits each woman fifty years later, to witness their hard-won-and triumphant-survival. On every page their own voices ring through, reflecting on their lives with as much passion, pain, intelligence, energy, and humour as any movie script.Muller conducted far-ranging interviews with the original six women profiled in Dark City Dames, in the process becoming a friend and confidante to each. In this revised and expanded edition, he updates their stories and shares illuminating, never-before-told memories of his time with them. This edition also includes compelling new profiles of ten additional women who left an indelible mark on film noir, including Joan Bennett, Gail Russell, Rhonda Fleming, and Claire Trevor-all packaged in a stunning redesign that offers the ultimate look at performers who helped define a still-resonant and inspiring epoch of Hollywood history.
This book collects together the best articles from the long-running journal Fashion Projects, most issues of which are now unavailable. Through detailed interviews with designers, critics and curators, the book chronicles the ascent of fashion as a critical force across media, the museum and the academy over the past 15 years. 20 colour illus.
This transdisciplinary study expands on theories of theatricality beyond performance studies and into poetry, media technology, translation studies, critical and psychoanalytic theory. Builds upon Antonin Artaud's elaboration of the theatre as a plague, disrupting pre-established fields of knowledge, power and accepted representational categories.
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