Arkitektur og design

Aspiring artists who feel intimidated at drawing figures will love Davenport's easy technique, which involves using equal-size hearts to build the body's structure.

The extra-wide lined margins make this NKJV Bible ideal for note taking or journaling as the reader experiences deeper engagement with God's Word.

Rizzoli is pleased to bring back into print OBEY: Supply and Demand, Shepard Fairey s first book originally published in 2006 and slightly updated in 2009, which showcases the artist s career from his earliest art school years to the creation of his famous Obama HOPE and CHANGE posters and is the perfect pendant to Rizzoli s first Shepard Fairey collaboration Covert to Overt.

A richly illustrated, expansive mid-career survey of the stand-out American artist's pioneering and influential work

Every artist strives to achieve the kind of painting that commands attention from across the room and delights the eye up close. In this book, artist and workshop teacher Patti Mollica walks you through surprisingly simple and efficient strategies for achieving that kind of powerful composition, whatever your subject.

500 posters spanning 50 years from America's greatest designer

Brutal East playfully explores and reconstructs some of the most controversial Brutalist edifices built behind the Iron Curtain between 1960 and the1980s. Includes information on the building and easy-to-follow instructions.

A new, up-to-date edition of the popular and comprehensive encyclopedia of oil painting by professional and award-winning artist, Jeremy Galton.

A new, up-to-date edition of the popular and comprehensive encyclopedia to pastels by professional artist Judy Martin.

A lush new volume devoted to the best works by beloved American Impressionist and portraitist John Singer Sargent, whose dazzling use of light and colour depicts modern subjects with arresting intimacy.

The first monograph on the complete works of award-winning design studio Industrial Facility

The definitive book on a creative force who continues to influence sculpture and installation art

It is necessary to understand your client's requests precisely and to have your client agree with the arrangement of the house and any ideas for interior design. It is easier to accomplish this goal if you can quickly sketch out the arrangement and key elements of the interior design, rather than just giving your clients a verbal explanation. With "sketching while using simplified, minimal lines" as the theme, Interior Design Presentations covers basic techniques--from 10 second sketching, to 3 minute sketching, to 5 minute sketching--effective use of light and shadow, speed coloring techniques, and techniques applied for sketching, etc., as well as the application of these techniques.

A newly updated and comprehensive guide to all aspects of visual designFrom doing a quick sketch to producing a fully rendered model, the ability to create visual representations of designs is a critical skill for every designer. Interior Design Visual Presentation, Fifth Edition offers thorough coverage of interior design communication used throughout the design process, complete with a broad range of real-world examples.This fully updated handbook presents a full range of styles and techniques used for interior design visual communication, from hand drawing to 3D computer modeling. Its accessible, how-to approach guides you through a variety of methods for executing creative and successful design graphics, models, and presentations. Recognizing the ongoing proliferation of digital tools for visual representation, this edition provides the latest information on software used in presentation such as Photoshop, and SketchUp, and covers the integration of Revit, and AutoCAD generated content into design presentations.* Covers all aspects of visual design and presentation for interior designers* Includes color illustrations that feature a wide range of project types including residential, healthcare and public projects, designed to highlight step-by-step instructions* Provides a discussion of incorporation of 3D digital models into presentations including use in virtual reality, and expanded information on scale models including a discussion of 3D printing* Includes a companion website for instructors, featuring PowerPoint lecture slides and an instructor's manualFrom traditional to cutting-edge techniques, Interior Design Visual Presentation, Fifth Edition gives students and professionals alike the tools to give life to their design vision.

Amy Dempsey unravels the all-too-often daunting language of modern art by mapping the styles, schools and movements that help us understand modern and contemporary art, from Impressionism in the 19th century to Destination Art in the 21st. Using a practical and easy-to-navigate structure, Dempsey's lucid writing and carefully selected artworks define sixty-eight essential groupings in western modern art. Each feature presents a succinct explanation, characteristic works and a relevant list of key artists, attributes, media and collections. A reference section provides an indispensable glossary of modern art terms and an index of artists.

9 lectures in various cities, April 1915-June 1920 (CW 288)"As rigidified in the aesthetic formulas of the École des Beaux-Arts and nineteenth-century academic architecture, these proportions, orders, and geometrical types were no longer suited to a living architectural expression, and modernism was obliged to abandon them. One attempt to recapture this connection was made by Le Corbusier with the use of his 'Modular' figures based on human bodily proportion as units of architectural measurement. Another effort was made from the organic functionalist side by Steiner, who proposed that in the architectural art everything 'points to, and proceeds from, the human form.' His architectural approach tried to find a renewed way to attune his buildings holistically to their human users by employing patterns of the life forces or formative forces within the human constitution." -- David J. Adams (introduction)The planning, construction, and execution of the functional work of art that was the First Goetheanum was an endeavor that occupied Rudolf Steiner for the better part of seven years. Every detail, from the seemingly small--such as the shape and feel of the door handles--to the grand motifs of the paintings on the ceilings of the cupolas and the building's intended sculptural centerpiece, was lovingly designed to meet and inspire the individual human beings who would some day encounter it, not with didactic symbolism, but with the transparent reality of the spiritual foundation of humanity and the world, and the open possibility to both know this spiritual foundation and to work with it practically and artistically for the good of all.The lectures in this volume--accompanied by reproductions of more than a hundred slides--were heard by various audiences as the building neared completion and before it was destroyed by fire. The text is complemented with a foreword by the esteemed architect Douglas J. Cardinal, as well as an important and revelatory Introductory essay by David Adams: "The Form-Function Relationship in Architecture and Nature: Organic and Inorganic Functionalism."This volume of The Collected Works of Rudolf Steiner is essential reading for anyone who wants to gain a deeper understanding of the artistic motivation of Rudolf Steiner as an artist and architect, while also clearing up many of the misunderstandings that the building and its sculptural and painted components have inevitably given rise to, both then and now. This book is a translation from the German edition Architektur, Plastik und Malerei des ersten Goetheanum: Neun Vorträge, gehalten an verschiedenen Orten zwischen dem 10. April 1915 und dem 12. Juni 1920, herausgegeben aufgrund von stenographischen, teilweise von Rudolf Steiner korrigierten Nachschriften (GA 288).

The expert contributors to this lavishly illustrated volume, devoted entirely to Mies van der Rohe's Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilion's genesis

One of the premier private collections of contemporary craft, the Nancy and David Wolf Collection features outstanding creations by the foremost artists working in craft media. This book introduces audiences to sixty-seven masterworks selected from this collection.

Presented as an official combat-issued handbook that has been misplaced by its owner, the book pairs stunning original illustrations with an engaging narrative that showcases the statistics and history of the essential units, vehicles, weapons, and battlegrounds.

In the vein of the well-known drug writings of De Quincey and Baudelaire from a century earlier and those of his contemporaries Walter Benjamin and Jean Cocteau - and foreshadowing the later writings of Aldous Huxley and Carlos Castaneda on psychoactive drugs - Witkacy composed Narcotics in 1930 to discuss and document not only his own experimentation with different substances but the nature of addiction itself and the prevailing social attitude toward drugs, particularly those that were considered "acceptable." As life became increasingly mechanized, Witkacy felt that a sense of the metaphysical could only be achieved by artificial means, and like Henri Michaux, he produced an extensive oeuvre of singular visual art while under the influence of a variety of substances. Meandering, acerbic, and burlesque, rife with neologisms and expressions from German, French, English, and Russian, Witkacy dissects Polish society and the art world as well as himself via the hypocrisy surrounding drug use. Since it was first published in the 1930s, Narcotics has achieved a cult status in Poland where it is considered both a modernist classic and a paragon of Witkiewiczian madness. This edition, the first complete translation in English, includes a second appendix written later, passages from the novel Farewell to Autumn, and 34 color reproductions of a cross section of portraits to show how various substances impacted Witkacy's art.

This collection of groundbreaking campaigns and industry insights from the world's leading design studios shows how today's graphic designers are thinking, collaborating, and breaking the rules.

Exploring the complex interweaving of race, national identity, and the practice of sculpture, Amy Lyford takes us through a close examination of the early US career of the Japanese American sculptor Isamu Noguchi (1904-1988). The years between 1930 and 1950 were perhaps some of the most fertile of Noguchi's career. Yet the work that he produced during this time has received little sustained attention. Weaving together new archival material, little-known or unrealized works, and those that are familiar, Lyford offers a fresh perspective on the significance of Noguchi's modernist sculpture to twentieth-century culture and art history. Through an examination of his work, this book tells a story about his relation to the most important cultural and political issues of his time.

A rare, close-up look at the exquisite, labor-intensive details seen in fine eighteenth century clothing

Inspiration for Camps, Cottages and Cabins