A manifesto for museological change that examines the outcome when acquisitions policies, permanent collections and exhibitions become increasingly important battlegrounds for social justice. Museums are facing a reckoning. Thrust to the forefront of difficult conversations around toxic philanthropy, increased corporatization, decolonization, repatriation and legacies of theft and looting, many of our cultural institutions are undergoing a period of radical transformation, seemingly redefining their very function and mission to address new public concerns. But who owns the past? How bloody is too bloody? And whose museum is this, truly? Museums and Social Justice addresses these questions and more, shedding light on pressing issues such as why an oil giant attempted to sponsor an arctic exhibition at the British Museum; why Berlin's Humbolt Forum is exhibiting British-looted objects from Benin; and why the Baltimore Museum of Art has made a public commitment to acquire more works by women artists. Using such events as case studies, Dr. Maura Reilly engages with pioneering arguments in and around matters of diversity, access to heritage, decolonization, patrimony and racial equality, and outlines specific action plans to confront these challenges, avoid reputational controversy and maintain confidence in our public institutions.

Documenting the author's experiences in the late 1960s and early 1970s, Tony Rossiter offers a revealing and fascinating insight into life as a British diplomat during this tumultuous period.

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A sobering revelation of the law's ramped-up attacks on the most vulnerable among us, and what to do about it Pink Crime is a revealing and deeply researched examination of the strategic use of criminal law by today's right-wing movement to limit the bodily autonomy of women and queer people. The criminal justice system increasingly targets the most vulnerable populations, particularly women, pregnant individuals, and queer people. This powerful book examines the alarming rate of wrongful convictions among women, uncovering how bias, stigma, and unreliable evidence have led to prosecution where no crime occurred. It paints a disturbing picture of how the deaths of loved ones--whether a husband who passed in his sleep or a child with a health condition--have been twisted into false accusations of murder due to systemic prejudices and prosecutorial overreach. The book goes beyond wrongful convictions to explore the criminalization of identity, revealing how today's legal system disproportionately punishes actions related to pregnancy, motherhood, and queer identity. Pink Crime emphasizes how these legal mechanisms not only strip away basic rights but also lay the groundwork for even more oppressive measures in the future. This deep and comprehensive analysis provides readers with historical context, real-life case studies, and a legal framework to understand the current threat posed by the strategic use of criminal law. By examining the interplay of wrongful convictions and the criminalization of vulnerable communities, the book offers vital insights into the coercive power of the legal system. It serves as a wake-up call to advocates, lawyers, and citizens, equipping them with the knowledge and tools necessary to push back against these injustices and fight for systemic reform to protect bodily autonomy and fundamental rights.

A new middle grade story of dangerous enchantment and sorcery set in the 1950s and contemporary times, from Carnegie-shortlisted Chris Vick.

Part memoir, part explosive window into the mind of a catfisher, a thrilling personal account of three women coming face-to-face with an internet predator and teaming up to expose them - now in paperback. In 2011, three successful and highly educated women fell head over heels for the brilliant and charming Ethan Schuman. Unbeknownst to the others, each exchanged countless messages with Ethan, staying up late into the evenings to deepen their connections with this fascinating man. His detailed excuses about broken webcams and complicated international calling plans seemed believable, as did last minute trip cancellations. After all, why would he lie? Ethan wasn't after money - he never convinced his marks to shell out thousands of dollars for some imagined crisis. Rather, he ensnared these women in a web of intense emotional intimacy. After the trio independently began to question inconsistencies in their new flame's stories, they managed to find one another and uncover a greater deception than they could've ever imagined. As Anna Akbari and the women untangled their catfish's web, they found other victims and realized that without a proper crime, there was no legal reason for "Ethan" to ever stop.THERE IS NO ETHAN catalogues Akbari's experience as both victim and observer. By looking at the bigger picture of where these stories unfold - a world where technology mediates our relationships; where words and images are easily manipulated; and where truth, reality, and identity have become slippery terms - Akbari gives a page-turning and riveting examination of why stories like Ethan's matter for us all.