The go-to book for financial advice you can actually understand and will want to read! Contains money diaries and financial advice written specifically for readers in the UK.

+ - 0 ("plus minus null") is a facsimile of a unique, handmade artist's book crafted by Volker Heinze in 1986. Its photos are the result of the young Heinze's decision to radically capture the world around him-be it cityscapes, rooms casts in warm artificial light, friends or simply objects sitting on a table. Working against the removed perspective of documentary photography, Heinze employs color not as a tool of realism but with experimental flair, and plays with focus and the inevitable "mistakes" of analogue film-all to create an original aesthetic born from the idiosyncrasies of the photographic medium.Heinze originally presented this body of work in two forms: as the large installation The Appearance of the Familiar, composed of individual photos pinned to the wall in the influential 1986 exhibition "Remnants of the Authentic" at Museum Folkwang in Essen. And as + - 0-with its experimental layout, leaves of tracing paper with hand-painted quotes such as "To search for reality is like diving for pearls in an aquarium", and a booklet with excerpts from Martin Kippenberger's 241 Bildtitel zum Ausleihen-now to be published for the first time since its inception more than 30 years ago.Limited edition of 750 books

Increased urbanization coupled with demand for water has placed the provision of a sustainable supply of clean water high on the agenda for large cities. The approach of this book is to describe and compare various contexts in a range of global cities, reviewing different approaches and perspectives that examine key urban water governance issues.

The logical future focus for renewable energy is micro-hydropower, and this book is a guide for professionals and others interested in the broader subject of micro-hydropower.

This book presents an evaluation of the role of gravity in international criminal justice. Undertaking a critical legal analysis of the law and practice of the ICC, it also draws on relevant jurisprudence of other international or internationalized criminal tribunals, as well as on the documents of the International Law Commission.

Monomers composed of carbon and hydrogen atoms are the simple building blocks that make up polyolefins - molecules which are extremely useful and which have an extraordinary range of properties and applications. How these monomer molecules are connected in the polymer chain defines the molecular architecture of polyolefins.

This volume explores, from an international law perspective, the various facets of the notion of accountability of International Financial Institutions. In particular, the book takes prospective and retrospective approaches to accountability; the legal constraints on IFIs towards all stakeholders; the benefits IFIs can achieve for themselves from their financial accountability; the 'soft law' instruments that are adequate for ensuring IFIs accountability with regard to their activities; and the (positive and negative) effects of accountability on civil society and local indigenous populations. By providing a range of contributions on these aspects of the problem of accountability of IFIs the book provides readers with an overview of the issue at stake in a wide range of international institutions and assesses the current state of such issue under the lens of international law.

A procession of natural disasters and other extreme events continues to wreak considerable damage on Western societies and their economies. Man-made threats, both real and perceived, present an unsettling outlook: chemical, nuclear and biological terrorism, cyber-attacks and industrial accidents are ever-present concerns. At the same time, the complex, overlapping and highly diversified layers of regulatory and political environments compound the challenge of tackling extreme events, heralding a future of increased uncertainty. Using new empirical research by the authors undertaken with European Union (EU), North American, Australian and New Zealand policy officials and practitioners, this book explores the dynamics of government efforts to secure the national interest in times of crisis. Aimed at practitioners, researchers and students in the fields of public policy, administrative, constitutional and international law, the text will articulate the fundamental policy and legislative concepts and challenges confronting Australasia, the EU and North America in the field of crisis management. By comparing different national and regional approaches this volume sheds new light on the pressing challenges impeding crisis management, infrastructure protection and the coordination of government globally and regionally. The book explores, from a comparative international perspective, the ongoing struggle between political ambitions and legal reality in crisis management and emergency law.

This book discusses the history of the left labour movement in Cyprus, a country under British colonial rule for 82 years (1878-1960).

A collection of the best essys from the John Murray and Spectator prize. JOhn Murray (publishers) believe strongly that the best non-fiction isn't confined by category - as our 250-year history shows. To mark our anniversary year, this collection of truly original essays from the writing prize with The Spectator explores the theme of 'origins'. From beginnings and discoveries, to idea and movements, these essays take us across the world, into outer space and deep into the past.

Covering topics such as Snapchat's Spectacles, sexting, cyber bullying and privacy, this short student-friendly book will explore the history, business model, cultural impact, and future of the 'snap.' Discussion questions and further resources help students to engage critically with the way Snapchat impacts everyday life.

Ronald Coase is widely recognised as one of the most influential economists of the 20th century. In this new volume, Matthias Klaes argues that Coase is a self-styled disciplinary renegade, whose aim for the past four decades has been to re-orient the shape and practice of modern economics. This book will provide an account of the alternative economics present in Coase's work, offering a balanced analysis of the full breadth of his writings over eight decades.

This textbook highlights the dynamism of Pakistan's politics and provides a comprehensive, well-researched introduction to Pakistani politics written in clear and accessible language. Structured in four thematic sections - 1. Political Foundations; 2. Political Competition; 3. Political Institutions and 4. Policy-formation - the book creates awareness about the nature of politics and the interaction among political identities, interests and institutions that leads to the formation of policy in the context of Pakistan. It provides knowledge and understanding of the structures of authority and power, behaviour of political actors and political processes in Pakistan. Identifying potential avenues for positive change in Pakistani politics, not necessarily policy prescriptions, but sources of dynamism in the everyday political life of Pakistan, the book will be of interest to students of comparative politics and political science with a particular focus on South Asia and suitable as a supplemental textbook for courses on South Asian Politics and Introductions to South Asia.

Over the last 30 years, the Chinese system of art museums has enjoyed an unprecedented pace of development. Following a general and ongoing renovation of China's entire system of national art institutions, there has been an impressive proliferation of meishuguan (art museums) all over in the country.

An unrecognized key to understanding the operas of Jean-Baptiste Lully-that Lully conceived his operas as theatrical vehicles with the stage, its multiple aspects, and his Académie Royale de Musique repertory troupe's performers in mind-provides the central tenet of the book Made for the Stage: The Operas of Jean-Baptiste Lully (1673-1686). Over five chapters, this perspective expands our current understanding of how his opera's librettos were constructed, the deployment of his musico-dramatic settings, his dramatic use of preludes and ritournelles, and spectacle's role in his works. This stage-centered focus reveals the ramifications of Lully's unmistakable creative and authoritative involvement in all aspects of his operas and thereby invites scholars, performers and students to consider his works anew. Banducci's well-developed, persuasive and original argument that Lully and his librettist structured their operas to suit the strengths and weaknesses of particular singers has far-reaching implications.