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A meticulous study of the social, economic, and religious significance of coffin reuse and development during the Ramesside and early Third Intermediate periods Funerary datasets are the chief source of social history in Egyptology, and the numerous tombs, coffins, Books of the Dead, and mummies of the Twentieth and Twenty-first Dynasties have not been fully utilized in this regard, mostly because the data of this time period is scattered and difficult to synthesize. This culmination of fifteen years of coffin study analyzes coffins and other funerary equipment of elites from the Nineteenth to the Twenty-second Dynasties to provide essential windows into social strategies and adaptations employed during the Bronze Age collapse and subsequent Iron Age reconsolidation. Many of the Twentieth to the Twenty-second Dynasty coffins show evidence of reuse from other, older coffins, as well as obvious marks where gilding or inlay have been removed. Innovative vignettes painted onto coffin surfaces reflect new religious strategies and coping mechanisms within this time of crisis. Advances in mummification techniques meanwhile reveal an Egyptian anxiety about long-term burial without coffins as a new style of stuffed and painted mummy was developed for the wealthy, and a complex coffin style emerged due to long-term burial without painted tomb chapels. The first part of this book focuses on the theory and evidence of coffin reuse and the social collapse that characterized the Twentieth and Twenty-first Dynasties, while the second part presents a collection of photo-essays of annotated visual data for about a hundred Egyptian coffins, most of them from the Egyptian Museum in Cairo.
Zoe: >Nix: >Twilight's Curse is the first book in the Twilight Realm Series. If you love strong female leads who know how to handle a sword and a guy who'll stop at nothing to save the people he cares about, then this book is for you!
Five thousand years out of the labyrinth, the Minotaur finds himself in the American South, living in a trailer park and working as a line cook at a steakhouse. No longer a devourer of human flesh, the Minotaur is a socially inept, lonely creature with very human needs. But over a two-week period, as his life dissolves into chaos, this broken and alienated immortal awakens to the possibility for happiness and to the capacity for love.
A collection of visions shared across cyberspace, Souvenirs, a collaboration between authors Andrew Colarusso and Karen An-hwei Lee, celebrates fragments from the literary afterlife. In Souvenirs, a philosophically astute, poetically searing collection of miniature fictions and contemporary fables, objects take on shapes of their own designs creating a composite map to a world populated with little transparent souls and ghost ships in lost bottles; a menagerie of curios; photophores of bioluminescence humming in the depths: light begetting light, deep calling to deep. In these twenty-seven prose gems, it seems that Colarusso and Lee are writing from a single mind as they strike a balance between humor and philosophy; the acute and the everlasting. The ideas they discuss¿religion, faith, universality, continuance¿are large, but their prose is accessible, and at times outright hilarious. Strange, compelling, and arcane considerations of watches, jade, seaweed, and cake, among many other items, come through with stylistic prowess and earnest, intelligent considerations. Souvenirs adds complexity to the mundane, re-centers the iconic, and gifts the reader with nothing short of astonishment; wonder baked into each delicious slice.
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