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"The first definitive exploration of the role of the twenty-first century First Lady, painting a comprehensive portrait of Jill Biden and the evolution of the First Lady's role from ceremonial figurehead to political operative-from a White House correspondent for The New York Times. Since the Clinton era, tectonic shifts in media, politics, and pop culture have all redefined expectations of First Ladies, even as the boundaries set upon them have at times remained frustratingly anachronistic. With sharp insights and dozens of firsthand interviews with major players in the Biden, Obama, Trump, Bush, and Clinton orbits, including Jill Biden and Hillary Clinton, New York Times White House correspondent Katie Rogers traces, from the dawn of the twenty-first century, the evolution of the role of First Lady into a modern power broker with the potential to deliver on behalf of the president, while also painting a full portrait of Jill Biden. Dr. Jill Biden began her journey toward public life in 1975 as a separated twenty-three-year-old who caught the eye of a widowed Senator Joe Biden. Recovering from her own heartbreak after a failed marriage, she found a man who was still grieving. He drew her into his close-knit family, and, in return, she knitted his life together after unspeakable tragedy, raised his children as her own, and stood by his side through three presidential campaigns. Along the way, they weathered shared tragedies of their own. Over the past four decades, Jill Biden has nurtured her husband's ambitions and emerged as a prime guardian of one of the most insular operations in modern politics. But she has also struggled with low approval ratings, critical headlines, and a changing Washington much different from the one that she and her husband first encountered together in the late 1970s. She is a disciplined First Lady by design, mirroring her family's guarded approach to the public and the media. She is also the only First Lady in history to work outside of the White House in a paid role as a teacher, a choice that was received with a mix of acclaim and misogyny. It was a decision that will inevitably clear a path for future first spouses to keep their chosen careers. Through deep reporting and new correspondence, American Woman is the first book to paint a comprehensive portrait of Jill Biden and grapple with the idea of what the role of a modern First Lady should be"--
From the #1 New York Times-bestselling author of So You Want to Talk About Race and Mediocre, an eye-opening and galvanizing look at the current state of anti-racist activism across America.
Richard Drake presents a new interpretation of Charles Austin Beard's life and work. The foremost American historian and a leading public intellectual in the first half of the twentieth century, Beard participated actively in the debates about American politics and foreign policy surrounding the two world wars. Drake takes this famous man's...
These thirteen biographical portraits of great economists: from Cantillon to Bentham, and from Keynes to Schumpeter, introduce us the extraordinary lives and ground-breaking theories of some of the Europe's most renowned economic thinkers.
This book tells the tragic true story of the fate of Scott of the Antarctic and his companions on the return trip from the South Pole. It was written anonymously by Sir John Ernest Hodder-Williams, for Scott's son Peter, with the object at the time of raising funds for the child following his father's death.
In this candid account of her life, Kidwai assesses not just her own contribution to public life, but also provides an honest appraisal of the turn in fortunes of the political party she has remained a loyal member of. The reader is treated to rare glimpses into the homes, lives and the hurly-burly of election campaigns over the decades.
As she approached her one hundredth birthday, Betty Webb was finally ready to tell in full the story of her extraordinary life, not least the years she spent as the only female codebreaker during the Second World War to work at both Bletchley Park and the Pentagon.
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