Dagbøker og memoarer

Mark Agnew was part of the first team to ever kayak the north-west passage - spending 103 days in the Arctic. The infamous route between the Atlantic and Pacific oceans had defeated countless explorers for centuries, and Mark himself had failed two previous expeditions where he attempted to row across the Atlantic. Pushed to the brink, on the verge of turning his back on the adventures that had made him feel alive, he experienced a mental health crisis and almost abandoned the water forever. Charting an inspirational journey from failure to world record breaker, in There Will Be Headwinds Mark reflects on his struggles and reveals the lessons from sports psychology that allowed him to conquer his demons and achieve something truly remarkable. As well as exploring Mark rebuilding himself following his lowest ebb, this is also an astonishing story of ice, suffering and camaraderie. It's a testament to the power of teamwork, determination and ambition - and a celebration of the human spirit of adventure.

How does one of the greatest storytellers of our time write her own life? The long-awaited memoir from one of our most lauded and influential cultural figures'Every writer is at least two beings: the one who lives, and the one who writes. Though everything written must have passed through their minds, or mind, they are not the same.'Raised by ruggedly independent, scientifically minded parents - entomologist father, dietician mother - Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday: 'It sounds forlorn. It was forlorn. It gets more forlorn.'), but also thrilling and beautiful.From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape, from the cruel year that spawned Cat's Eye to divided 1980s Berlin where she began The Handmaid's Tale. In pages bursting with bohemian gatherings, her magical life with the wildly charismatic writer Graeme Gibson and major political turning points, we meet poets, bears, Hollywood actors and larger-than-life characters straight from the pages of an Atwood novel.As we travel with her along the course of her life, more and more is revealed about her writing, the connections between real life and art - and the workings of one of our greatest imaginations.

From award-winning journalist Joseph Lee, a sweeping, personal exploration of Indigenous identity and the challenges facing Indigenous people around the world.Before Martha’s Vineyard became one of the most iconic vacation destinations in the country, it was home to the Wampanoag people. Today, as tourists flock to the idyllic beaches, the island has become increasingly unaffordable for tribal members, with nearly three-quarters now living off-island. Growing up Aquinnah Wampanoag, journalist Joseph Lee grappled with what this situation meant for his tribe, how the community can continue to grow, and more broadly, what it means to be Indigenous. In Nothing More of This Land, Lee weaves his own story and that of his family into a panoramic narrative of Indigenous life around the world. He takes us from the beaches of Martha’s Vineyard to the icy Alaskan tundra, the smoky forests of Northern California to the halls of the United Nations, and beyond. Along the way he meets activists fighting to protect their land, families clashing with their own tribal leaders, and communities working to reclaim tradition. Together, these stories reject stereotypes to show the diversity of Indigenous people today and chart a way past the stubborn legacy of colonialism.

A coming-of-age tale that follows its quintessential musical enthusiast narrator from his stormy, blue-collar childhood in Michigan to his striving twenties in 1990s New York and the making of Rent, his first astronomical triumph, and later on the Broadway sensation, Hamilton.

“Among the most profound and dazzling debuts I've ever read.” —Kiese Laymon, award-winning author of Heavy: An American Memoir An essay collection from culture critic Lawrence Burney that is a personal and analytical look at his home city of Baltimore, music from throughout the global Black diaspora, and the traditions that raised him.There are moments throughout our lives when we discover an artist, an album, a film, or a cultural artifact that leaves a lasting impression, helping inform how we understand the world, and ourselves, moving forward. In No Sense in Wishing, Lawrence Burney explores these profound interactions with incisive and energizing prose, offering us a personal and critical perspective on the people, places, music, and art that transformed him. In a time when music is spearheading Black Americans’ connection with Africans on The Continent, Burney takes trips to cover the bubbling creative scenes in Lagos and Johannesburg that inspire teary-eyed reflections of self and belonging. Seeing his mother perform as the opening act at a Gil Scott-Heron show as a child inspires an essay about parent-child relationships and how personal taste is often inherited. And a Maryland crab feast with family facilitates an assessment of how the Black people in his home state have historically improvised paths for their liberation. Taking us on a journey from the streets of Baltimore to the concert halls of Lagos, No Sense in Wishing is a kaleidoscopic exploration of Burney’s search for self. With its gutsy and uncompromising criticism alongside intimate personal storytelling, it’s like an album that hits all the right notes, from a promising writer on the rise.

From journalist and professor at University of Texas-Austin, SLIP presents a revelatory new framework to understand the experience of eating disorder recovery by weaving together moving personal narrative, immersive reporting, and emerging science.

“A beautiful story about an extraordinary mother’s gift of love and hope.” —Jeannette Walls, #1 New York Times bestselling author of The Glass Castle From “a writer who’s absolutely going places” (Roxane Gay), a remarkable, inventive debut memoir about a mother-daughter relationship across cycles of poverty, separation, and illness, exploring how we forge identity in the face of imminent loss.When Erika Simpson was growing up, her mother loomed large, almost biblical in her life. A daughter of sharecroppers, middle child of ten, her origin story served as a Genesis. Her departure from home and a cheating husband, pursuing higher education along the way a kind of Exodus. Her rules for survival, often repeated like the Ten Commandments, guided Erika’s own journey into adulthood. And the most important rule? Throughout her life, Sallie Carol preached the power of a testimony—which often proved useful in talking her way out of a bind with bill collectors. But where does a mother’s story end and a daughter’s begin? In this brave, illuminating memoir, Erika offers a joint recollection of their lives as they navigate the realities of destitution often left undiscussed. Her mother’s uncanny ability to endure Job-like trials and manifest New Testament–style miracles made her seem invincible. But while our parents may start out as gods in our lives, through her mother’s final months and fifth battle with cancer, Erika captures the moment you realize they are just people. This gorgeously rendered story of a mother’s life through her daughter’s eyes weaves together a dual timeline, pulling inspiration from both scripture and pop culture as Erika moves through grief to a place of clarity where she can see who she is without her mom—and because of her.

In thoughtful, candid, and often funny vignettes, Hilaria Baldwin reveals the highs, the lows, and the outrageous outtakes from her different and not-so-different life.