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A collection of original essays providing critical, international and cross-disciplinary approaches to the prose poem The first comprehensive guide to the prose poem, this book covers the history of the genre from Aloysius Bertrand's Gaspard de la nuit and Baudelaire's Paris Spleen to its most important modern and contemporary practitioners. It gives special attention to the genre's hybridity as well as to its propensity to engage in a dialogue with other genres, discourses and artistic forms. Written by prominent scholars of modern and contemporary poetry and poetics, The Edinburgh Companion to the Prose Poem offers analytical and historically informed narratives of the genre's transformations and variations across the nineteenth and twentieth centuries and into the next. Mary Ann Caws is Distinguished Professor Emerita and Resident Professor of English, French, and Comparative Literature at the City University of New York. She is the author of Creative Gatherings: Meeting Places of Modernism. Michel Delville is Professor of English, American and Comparative Literature at the University of Liège. He is the author of The American Prose Poem: Poetic Form and the Boundaries of Genre.

A detailed assessment of D. H. Lawrence's wide-ranging engagements across the verbal, visual and performance arts This book includes twenty-eight innovative chapters by specialists from across the arts, reassessing Lawrence's relationship to aesthetic categories and specific art forms in their historical and critical contexts. A new picture of Lawrence as an artist emerges, expanding from traditional areas of enquiry in prose and poetry into the fields of drama, painting, sculpture, music, architecture, dance, historiography, life writing and queer aesthetics. The Companion presents original research on topics such as Lawrence's politics in his art, his representations of technology, his practice of revising and rewriting, and the relationship between his criticism and creation of prose, poetry and painting. This interdisciplinary Companion also makes a strong case for Lawrence's continuing relevance and aesthetic power, as represented by case studies of his afterlives in biofiction, cinema, musical settings and portraiture. Catherine Brown is Head of English and Senior Lecturer in English Literature at the New College of the Humanities, London. She is the author of The Art of Comparison: How Novels and Critics Compare (2011), articles on Lawrence, George Eliot, Henry James and Tolstoy, and is the co-editor of The Reception of George Eliot in Europe (2016). Susan Reid is the Editor of the Journal of D. H. Lawrence Studies. She is the author of D. H. Lawrence, Music and Modernism (2019) and many articles and book chapters on Lawrence and other modernist writers, and the co-editor of Katherine Mansfield and Literary Modernism (2011) and Katherine Mansfield Studies (2010-12).

Age of Error examines the incompatibility between the obsession of Western elites with allegedly catastrophic climate change and net zero and the West's capacity to safely navigate a 21st century world riven by geopolitical tensions and the rise of China as a great power to rival the United States. Since the trauma of the 2008 financial crisis, Western democracies morphed into technocracies. Elected politicians lost legitimacy and sought to regain political authority by co-opting experts - central bankers, who failed to revive stagnant economies with ultra-low interest rates; public health experts, who gave politicians cover to impose draconian lockdowns during the Covid pandemic; and climate scientists to justify economically disastrous and socially divisive net zero energy policies when the Global South, including China, powers ahead with carbonizing their economies. A necessary accompaniment to dependence on experts is the growth of what's become known as the censorship industrial complex and the aggressive silencing of dissent, especially with respect to pandemic policies and climate change.The book provides a narrative account that takes the reader through the years 2006-2009, which form the gateway of the age of error in which we now live. It concludes by suggesting that the age of error will either be followed by a new age of realism or an age of catastrophe and the disintegration of the West to earn the epitaph: "The West's undoing was its own doing."

"A collection of dramatized moral maxims composed by Madame de Maintenon, the wife of King Louis XIV of France, and the founder of a school for the daughters of impoverished noble families, meant to prepare the girls for lives as dutiful mothers, wives, and managers of middling-level households"--

Discover the eerie beauty of the goth garden! As interest in gothic gardening continues to grow, this fully illustrated encyclopedia of plants is an essential tool to help readers understand what a goth garden really is by diving into the history, mythology, and lore of 50 of the darkest plants around.